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A young American family moves to a House in Kyoto, Japan. It turns out to be haunted by the ghosts of a woman and her lover, who were killed by the woman's husband, as well as the ghost of the husband, who killed himself afterward.
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After doing five years in prison on a drug charge, Poke is returns to his hometown intent on taking his sweetheart Mary Lee (and their child) away with him to California. His plan hits a snag, however, when he discovers that since his incarceration, Mary Lee has taken up with Duke, the very sheriff who put Poke behind bars in the first place. Things turn even worse for Poke when he later witnesses Duke assassinating a local hispanic politician. Now with Duke out for his blood, Poke must choose to run for his life or make a stand. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
These cool seventies movies, courtesy of Mr Arkoff, set a cool trend in the movie world for me. If you expect a lot of gore in this, you'll be plenty disappointed. What we have is a fatal love triangle. I like any Bottoms actor, they're all good. Timothy my favourite, makes a meal of the role, throwing in a naturalistic and lovable performance, as an ex con, Poke Jackson, framed, who's just got out of prison, now about to rub the same guy up the wrong way, small town local sheriff, the corrupt Duke (Hopkins in another nasty piece of work). Duke has been makin' it with Bottom's old lady, Mary Lee (the versatile Susan George) who you kind of get the feeling, she's wasted in this. Duke is about to give Poke a second serving of misjustice by setting him up again for a murder of important figure at a country fair, and this time properly doing the job. So the other half has Bottoms fleeing the cops, which culminates in a couple of cool car and bike chases, and god, can Bottoms ride. Bottoms is funny too: Helium voice scene, and we take guilty delight seeing both nemesis go at each other, where in the end, only one can walk away. Great action, and revenge that never gets old, plus sincere performances, make this a gem of a seventies movie, though it's not great, but definitely a golden 70's find.
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