The scene where Cinderella is seen swinging on a chair surrounded by climbing flowers while she is in exile is a direct reference to the well-known painting "The Swing" by Jean-Honore Fragonard, a famous French artist who was praised for his use of color. Every detail of Cinderella's costume and setting are identical to Fragonard's painting, right down to the color of her dress, the style of her hat, and the climbing flowers on her swing.
Ironically received its most publicity in recent decades by being spotlighted in the film Frost/Nixon as the real movie whose premiere producer David Frost is attending (while his problems with the Nixon interviews are escalating).