George has been in a mental hospital for 3 years and is finally ready to go out into the real world again. Eddie Dash, a dedicated con-man, is supposed to keep him out of trouble, but when ... See full summary »
Completely innocent man, Michael Jordon, is drawn into a web of government secrets when a girl carrying a mysterious package gets into a taxi with him. When she's later murdered, Michael becomes the chief suspect and goes on the run.
Larry Abbot, speaker in the radio horror shows of Manhattan Mystery Theater wants to marry. For the marriage he takes his fiancée home to the castle where he grew up among his eccentric ... See full summary »
A somewhat daffy book editor on a rail trip from Los Angeles to Chicago thinks that he sees a murdered man thrown from the train. When he can find no one who will believe him, he starts doing some investigating of his own. But all that accomplishes is to get the killer after him. Written by
Although the comprehensive end credits lists Patrick McGoohan's character name simply as "Devereau," he is the only cast member with a character name, "Roger Devereau," in the opening credits. See more »
When George finds Grover and swerves the car, the background moves much less than what the swerving steering wheel and screeching tires convey. See more »
[startled to see George Caldwell back on the train]
Oh, my God, it's the killer!
No, he's okay, really.
See more »
AFI listed this as one of the top 100 comedies, and I think they got it right. This was the first and best pairing of Richard Pryor and Gene Wilder. Unlike their later movies together, this one isn't simply a buddy flick. Its also a romantic comedy thriller and nails every genre it aims for. It was written by Colin Higgins, the guy who wrote Harold & Maude. He is a genius at witty dialog which is most apparent in the first act, where Wilder meets Jill Clayburgh on a train, the two get drunk and seduce one another. Despite the fact that no nudity is involved, the sophisticated verbal exchanges between Wilder and Clayburgh and Henry Mancini's lovely theme combine to make for a really gorgeous love scene. Who would have thought Gene Wilder could be sexy?
A very similar film (and almost as good) is "Foul Play," written and also directed by Colin Higgins in 1978. If you liked this one, you should see that as well.
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