Skip and Harry are framed for a bank robbery and end up in a western prison. The two eastern boys are having difficulty adjusting to the new life until the warden finds that Skip has a ... See full summary »
Georg Stanford Brown
George has been in a mental hospital for 3 years and is finally ready to go out into the real world again. Eddie Dash, a dedicated con-man, is supposed to keep him out of trouble, but when ... See full summary »
The complete innocent, Michael Jordon, is drawn into a web of secrecy and government secrets when a girl carrying a mysterious package gets into a taxi with him. When she is later murdered, Michael is the chief suspect and on the run.
Joe Braxton is an ex-con who has been given a second chance to freedom after violating his probation. He has been hired by a school teacher named Vivian Perry to repair and drive an old ... See full summary »
Larry Abbot, speaker in the radio horror shows of Manhattan Mystery Theater wants to marry. For the marriage he takes his fiancée home to the castle where he grew up among his eccentric ... See full summary »
When Duffy Bergman, a New York cartoonist, meets Meg Lloyd, a gourmet chef, he discovers the love of his life and they marry -- yet love alone isn't enough to make them happy. Meg decides ... See full summary »
Mary Stuart Masterson
A somewhat daffy book editor on a rail trip from Los Angeles to Chicago thinks that he sees a murdered man thrown from the train. When he can find no one who will believe him, he starts doing some investigating of his own. But all that accomplishes is to get the killer after him. Written by
Originally meant to be filmed in the United States; however, the National Rail Passenger Corporation (Amtrak) was fearful of adverse publicity and refused to cooperate. As a result, the producers were forced to work with the Canadian Pacific Railway, using thinly disguised CPRail equipment and shooting exteriors along the CP Rail right-of-way. See more »
In the scene in which George has uncoupled the train cars, when Grover jumps, there is clear track on the other side of the train, but when George jumps there is a line of train cars on the track. In the next shot, where the camera is looking directly back to Grover, all the tracks on the right of the scene are clear. See more »
[a cop is about to give Grover Muldoon a ride]
Where would you like to go, fella?
Well - I left my Jag in Kansas City.
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I saw this film in the cinema as a teenager when it came out. It was sold, I think, as a Hitchcock parody and I thought parodies were great. Gene Wilder was the star, that was one more reason for me to see it, as I had greatly enjoyed his performance in Mel Brooks' Young Frankenstein. Stuff like that attracted me much more than movies with Robert Redford or Charles Bronson who then were the big male heroes of the screen.
Now, a good 30 years later, I watched Silver Streak a second time. It is an unusual mixture of comedy, action thriller and disaster movie. Characters like the ones played by Wilder, Clayburgh or Pryor seem to have become extinct in the movies, I mean. They just seem to be so ... ordinary and normal and also kind hearted. Everything about Silver Streak is so unpretentious, seeing it today that really was a kind of a revelation to me.
A lot of the movie deals with masculinity and the assertion of it. It all happens in a very relaxed manner. Nothing and nobody is taken too seriously, conquests are made without effort, failure is accepted with grace. In a strange way, this movie really represents a better, unattainable world. I doubt if someone like Gene Wilder wold make it as a movie star today the public, it seems, needs the grimaces of Jim Carrey to be amused. Pity.
Come to think of it, in France they had a movie comedian who looked very similar to Wilder. His name was Pierre Richard and his fame reached its zenith at about the same time as Wilder's before fizzling out somewhere in the eighties, when the Stallones and Schwarzeneggers took over.
Silver Streak is an entertaining and in a positive way - forgettable movie. It has a pleasant musical score by Henry Mancini, this great eclecticist of the 20th century. The older I'm getting the more I enjoy his music and respect his enormous body of work.
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