Completely innocent man, Michael Jordon, is drawn into a web of government secrets when a girl carrying a mysterious package gets into a taxi with him. When she's later murdered, Michael becomes the chief suspect and goes on the run.
George has been in a mental hospital for 3 years and is finally ready to go out into the real world again. Eddie Dash, a dedicated con-man, is supposed to keep him out of trouble, but when ... See full summary »
Larry Abbot, speaker in the radio horror shows of Manhattan Mystery Theater wants to marry. For the marriage he takes his fiancée home to the castle where he grew up among his eccentric ... See full summary »
A somewhat daffy book editor on a rail trip from Los Angeles to Chicago thinks that he sees a murdered man thrown from the train. When he can find no one who will believe him, he starts doing some investigating of his own. But all that accomplishes is to get the killer after him. Written by
The train set was so lightly disguised as the fictional "AMRoad" that the locomotives and cars still carried their original names and numbers, along with the easily identifiable CPR Action Red paint scheme, as well as the CP "Multimark" logo. At the start of the climactic shootout, a CPR EMD switcher is seen moving cars in the background. As the train enters the "Chicago" platform area, a Canadian National Turbotrain with a red nose and white body boarding passengers is clearly visible. Most of the cars are still in revenue service on Via Rail. CP 4070, the lead locomotive, is in Quebec, though long out of service, and the second unit, CP 4067, has been scrapped. See more »
As George and Grover arrive in "Kansas City," a long shot of the city clearly shows the Calgary Tower, a unique and unmistakable landmark with no equivalent in Kansas City. See more »
I've never milked a cow before.
Cut the gas, Steve, you're a grown man. I'm sure you've had some similar experience.
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AFI listed this as one of the top 100 comedies, and I think they got it right. This was the first and best pairing of Richard Pryor and Gene Wilder. Unlike their later movies together, this one isn't simply a buddy flick. Its also a romantic comedy thriller and nails every genre it aims for. It was written by Colin Higgins, the guy who wrote Harold & Maude. He is a genius at witty dialog which is most apparent in the first act, where Wilder meets Jill Clayburgh on a train, the two get drunk and seduce one another. Despite the fact that no nudity is involved, the sophisticated verbal exchanges between Wilder and Clayburgh and Henry Mancini's lovely theme combine to make for a really gorgeous love scene. Who would have thought Gene Wilder could be sexy?
A very similar film (and almost as good) is "Foul Play," written and also directed by Colin Higgins in 1978. If you liked this one, you should see that as well.
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