Skip and Harry are framed for a bank robbery and end up in a western prison. The two eastern boys are having difficulty adjusting to the new life until the warden finds that Skip has a ... See full summary »
Georg Stanford Brown
George has been in a mental hospital for 3 years and is finally ready to go out into the real world again. Eddie Dash, a dedicated con-man, is supposed to keep him out of trouble, but when ... See full summary »
The complete innocent, Michael Jordon, is drawn into a web of secrecy and government secrets when a girl carrying a mysterious package gets into a taxi with him. When she is later murdered, Michael is the chief suspect and on the run.
A somewhat daffy book editor on a rail trip from Los Angeles to Chicago thinks that he sees a murdered man thrown from the train. When he can find no one who will believe him, he starts doing some investigating of his own. But all that accomplishes is to get the killer after him. Written by
Robert Vaughn received the script in the mail, and loved it. He wanted to play Roger Devereau, but was dismayed to discover that Patrick McGoohan had already accepted the part. He contacted Arthur Hiller and discovered that it was sent by mistake. He was invited to watch the production, and became friends with star Gene Wilder. See more »
Sweet, the government man, would not have further involved George in Sweet's plan to convict Devereau, as it is totally against FBI, NSA, CIA, etc., policies to directly involve innocent civilians in their operations, especially in life-or-death matters. See more »
[George drinks over his loss of Hilly, and tells Bob]
Did you know... that the Brainard Tunnel is the highest point on this line?
Yeah, yeah. I knew that.
Did you know that when we reach it I intend to be higher?
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I saw this film in the cinema as a teenager when it came out. It was sold, I think, as a Hitchcock parody and I thought parodies were great. Gene Wilder was the star, that was one more reason for me to see it, as I had greatly enjoyed his performance in Mel Brooks' Young Frankenstein. Stuff like that attracted me much more than movies with Robert Redford or Charles Bronson who then were the big male heroes of the screen.
Now, a good 30 years later, I watched Silver Streak a second time. It is an unusual mixture of comedy, action thriller and disaster movie. Characters like the ones played by Wilder, Clayburgh or Pryor seem to have become extinct in the movies, I mean. They just seem to be so ... ordinary and normal and also kind hearted. Everything about Silver Streak is so unpretentious, seeing it today that really was a kind of a revelation to me.
A lot of the movie deals with masculinity and the assertion of it. It all happens in a very relaxed manner. Nothing and nobody is taken too seriously, conquests are made without effort, failure is accepted with grace. In a strange way, this movie really represents a better, unattainable world. I doubt if someone like Gene Wilder wold make it as a movie star today the public, it seems, needs the grimaces of Jim Carrey to be amused. Pity.
Come to think of it, in France they had a movie comedian who looked very similar to Wilder. His name was Pierre Richard and his fame reached its zenith at about the same time as Wilder's before fizzling out somewhere in the eighties, when the Stallones and Schwarzeneggers took over.
Silver Streak is an entertaining and in a positive way - forgettable movie. It has a pleasant musical score by Henry Mancini, this great eclecticist of the 20th century. The older I'm getting the more I enjoy his music and respect his enormous body of work.
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