A bad Polish actor is just trying to make a living when what should intrude but World War II in the form of an invasion. His wife has the habit of entertaining young Polish officers while ... See full summary »
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them. The film contains only one word of dialogue, spoken by an unlikely source. Written by
Scott Renshaw <firstname.lastname@example.org>
The logo for Big Picture Studios features the slogan "Ars est pecunia" which is "Art is money" in Latin. This is a takeoff on the MGM slogan "Ars gratia artis" which means "Art for art's sake." See more »
When Mel's car is lowered when the pregnant lady steps off, a small set of wheels can be seen below the car. These small wheels raise and low the front wheels of the car. See more »
[seen as an insert title]
Mr. Marceau, how would you like to appear in the first silent movie made in nearly fifty years?
[in French, the only spoken line in the film]
[seen as an insert title after Mel hangs up the phone]
What did he say?
[seen as an insert title]
I don't know. I don't speak French!
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At the opening credits, the 20th Century Fox logo is shown on a billboard, past which Mel Brooks drives. Then the credits begin. See more »
When one speaks of Mel Brooks the talk immediately goes to either "Blazing Saddles" or "Young Frankenstein" or "The Producers." How often do you hear mention of "Silent Movie?" After watching this film again just yesterday I can say that this film is also a masterpiece and ranks on the same lines of the previous films.
"Silent Movie" is deceptively simple in plot. A washed up movie director (Brooks) comes up with an idea to make a silent movie to help save the studio that once employed him. Once given the okay by studio chief Sid Caesar, Brooks and his sidekicks Marty Feldman and Dom DeLuise set out to find five superstars to help make the movie a hit. And that's all there is to it - plot wise. What Brooks does is fill every single scene with great ideas. Shots that have absolutely nothing to do with the story are thrown in to get a laugh. Brooks hits the bullseye most of the time. I don't think I went more then a minute without laughing throughout.
Another master stroke is John Morris' rousing score that fills the movie from beginning to end. Without it the movie would have failed. And, yes, it truly is a silent movie save for one spoken word which most people probably are aware of anyway. It's another classic Mel Brooks moment.
"Silent Movie" followed "Young Frankenstein" which followed "Blazing Saddles." It's safe to say Brooks was at his peak during this period. His quality of films began to dip after "Silent Movie" starting with the amusing but overblown "High Anxiety." But we still have this time period to savor when Brooks may have been the best (if not then equal to Woody Allen) comedy director of his time.
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