A bad Polish actor is just trying to make a living when what should intrude but World War II in the form of an invasion. His wife has the habit of entertaining young Polish officers while ... See full summary »
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them. The film contains only one word of dialogue, spoken by an unlikely source. Written by
Scott Renshaw <email@example.com>
One scene shows the skyline of New York City. The orchestra begins playing "San Francisco", and the music comes to a sudden and noisy halt. The orchestra then goes into "I'll Take Manhattan". See more »
When Mel Funn walks into Big Picture Studios to sell his idea of a silent movie to the CEO, his fingers are supposed to be stuck crossed together. For a few seconds after entering the office his fingers return to normal before shaking the CEO's hand. See more »
[mouths, very clearly]
You son of a bitch!
[an insert title appears, which reads: "You bad boy."]
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When the movie starts, the word ''HELLO'' can be seen. Then the camera zooms on the O and Hollywood can be seen. See more »
When one speaks of Mel Brooks the talk immediately goes to either "Blazing Saddles" or "Young Frankenstein" or "The Producers." How often do you hear mention of "Silent Movie?" After watching this film again just yesterday I can say that this film is also a masterpiece and ranks on the same lines of the previous films.
"Silent Movie" is deceptively simple in plot. A washed up movie director (Brooks) comes up with an idea to make a silent movie to help save the studio that once employed him. Once given the okay by studio chief Sid Caesar, Brooks and his sidekicks Marty Feldman and Dom DeLuise set out to find five superstars to help make the movie a hit. And that's all there is to it - plot wise. What Brooks does is fill every single scene with great ideas. Shots that have absolutely nothing to do with the story are thrown in to get a laugh. Brooks hits the bullseye most of the time. I don't think I went more then a minute without laughing throughout.
Another master stroke is John Morris' rousing score that fills the movie from beginning to end. Without it the movie would have failed. And, yes, it truly is a silent movie save for one spoken word which most people probably are aware of anyway. It's another classic Mel Brooks moment.
"Silent Movie" followed "Young Frankenstein" which followed "Blazing Saddles." It's safe to say Brooks was at his peak during this period. His quality of films began to dip after "Silent Movie" starting with the amusing but overblown "High Anxiety." But we still have this time period to savor when Brooks may have been the best (if not then equal to Woody Allen) comedy director of his time.
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