During World War One a British aristocrat, an American entrepreneur and the latter's attractive young daughter, set out to destroy a German battle-cruiser which is awaiting repairs in an inlet just off Zanzibar.
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Peter R. Hunt
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Just prior to World War One the hard drinking sharpshooting, Irish American Colonel Flynn O'Flynn, uses British aristocrat Sebastian Oldsmith to help poach ivory from German controlled territory in East Africa, putting them at odds with Herman Fleischer, the local German Provincial Commander. When Sebastian is infected with malaria he is nursed back to health by Flynn's daughter Rosa, they fall in love and marry. Not long after Britain declares war on Germany and they are drawn into the conflict, ultimately making a daring attack on the German armored cruiser SMS Blücher as it undergoes repairs in a local estuary. Written by
Chris Frost <firstname.lastname@example.org>
The story of the film was inspired by one of the most spectacular and adventurous event that took place during WWI, in German East Africa, later Tanganyika, later Tanzania, in late 1914 - early 1915, known as Battle of Rufiji Delta, in which the German light cruiser SMS Königsberg was blockaded and finally sunk by various British units. See more »
The bomb on the ship is set for 6am. In the action leading up to its detonation it is pitch black, yet when it explodes a minute later it is broad daylight. See more »
In SHOUT AT THE DEVIL, Roger Moore and Lee Marvin are a pair of misfits living in Africa just before World War 1. Moore is an elephant poacher and Marvin is a drunk living with his adult daughter (Barbara Parkins) in what is now Tanzania. Marvin and Moore fight over any little thing, not the least of which is the delectable daughter. But then they must work together to defeat the Germans at the onset of World War I. Seems the Germans have a battleship anchored in the cove, for repairs. At the behest of the British government, Marvin and Moore seek to destroy the ship before it can relaunch. Because of its age and director (Britisher Peter Hunt), the film looks creaky as all hell today. The fights are clumsily staged. The sincerity of the plot is questionable. Only Parkins seems to feel she is acting in a drama. Moore and Marvin play their parts very broadly. Even with bodies dropping like flies and both Moore and Marvin periodically being injured, you're not so sure this isn't a comedy. Is it worth a look? Not really.
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