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Shao Lin mu ren xiang (1976)

6.6
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Jackie witnesses his father's death by the skilled hands of a martial arts master with an unknown killing technique. Jackie vows to become a Shaolin monk and avenge his death (not very ... See full summary »

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Title: Shao Lin mu ren xiang (1976)

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Cast

Credited cast:
...
(as Jacky Chan)
Chung-Erh Lung ...
(as Chun Lung)
Kang Chin ...
(as Kang King)
Rest of cast listed alphabetically:
Ping-Yu Chang
Yi-Fei Chang
Lu Chiang Chao
Wei-An Chen
Kam Chiang
Hsin Chin
Kang Ho
Hou Chun Hsia
Kuang Hu
Li Hui
Hsiao Chung Li
Min-Lang Li
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Storyline

Jackie witnesses his father's death by the skilled hands of a martial arts master with an unknown killing technique. Jackie vows to become a Shaolin monk and avenge his death (not very Buddhist of him...), but soon finds that he's the chump of the class. After befriending a variety of shaolin masters, each of whom teach Jackie a particular style of kung fu (drunken, killing, slippery snake, etc.), Jackie suddenly finds himself good enough to go give the beats to the 100 "wooden men" whom all shaolin (in this flick anyways) have to beat to get the funky haircut. Jackie then proceeds to go around laying the beats on everyone, but shows his humility and compassion at the end. Written by <bjones@ideaguys.com>

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Action

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Release Date:

10 November 1976 (Hong Kong)  »

Also Known As:

36 Wooden Men  »

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2.35 : 1
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The original film footage is lost - only a video copy survived. See more »

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User Reviews

 
heavy handed but not unwatchable
31 October 2009 | by (United States) – See all my reviews

Okay early Chan starring vehicles; very heavy handed, with little humor; a lot of training sequences, more than usual for the genre at this time - these are more realistic than similar training episodes of the period, but they lack of any inherent interest, perhaps for that very reason. The fight scenes are well-choreographed, largely because Chan is clearly choreographing himself. The actual 'wooden men' sequence is unconvincing; this particular legend was best presented by Joseph Kuo in "The 18 Bronzemen," where Kuo presents the Bronzemen as men in bronze paint, rather than the robots or spirit-possessed statues of other films. Here they are rather ungainly robots, and not very threatening, to be honest.

The big plus of the film is the relationship between Chan and his teacher, who is also the lead villain - that double identity gives the film its real weight, and the resolution of this relationship in the final fight is almost carried off - enough so to leave the fan of such films of its era satisfied.


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