300 A.D. : the Roman Sebastianus is exiled to a remote outpost populated exclusively by men. Weakened by their desires, these men turn to homosexual activities to satisfy their needs. ... See full summary »
Queen Elizabeth I travels to late twentieth-century Britain to discover a tawdry and depressing landscape where life mostly seems aimless and is anyway held cheap. Three post-punk girls ... See full summary »
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Frank Ripploh is a bit of a rascal: he's a bearded and shaggy-haired teacher, and he's gay with a very active sex life and an interest in making films. He keeps his personal life and ... See full summary »
Prospero, a potent magician, lives on a desolate isle with his virginal daughter, Miranda. He's in exile, banished from his duchy by his usurping brother and the King of Naples. Providence ... See full summary »
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300 A.D. : the Roman Sebastianus is exiled to a remote outpost populated exclusively by men. Weakened by their desires, these men turn to homosexual activities to satisfy their needs. However, Sebastianus becomes the target of lust for a homosexual centurion, but he rejects the man's advances. Written by
Jonathon Dabell <J.D.@pixie.ntu.ac.uk>
I just found in a Spanish DVD shop this movie. I had seen Edward II and found it odd, but yet interesting. Sebastiane was made in Latin, because Jarman thought strange to be watching a movie about Romans that spoke English. I think it was wise and seductive. The story runs in a smooth way, as if someone with a camera (perhaps thanks to a Time machine,)was hiding to catch those moments. I can't find the scandalous issue here. I find quite natural that between a bunch of men exiled from the city of Rome, violence and desire could rise. Love (and love resistance, and violence and non violence. These are the arguments. I think Jarman made a beautiful movie, sensible, of religious meaning in the case of Sebastiane, and of love and frustration in the case of the Captain. The film reminds me absolutely Golding's "Lord of the flies", as the situation is similar. The film probably lacks passion or interior force, but this was only Jarman's first movie. I recommend this movie as I would Pasolini's "Edipo": I think both movies or perhaps the two director's sensibilities are in touch here.
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