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Salon Kitty (1976)

X  |   |  Drama  |  21 January 1977 (USA)
5.4
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Ratings: 5.4/10 from 2,275 users  
Reviews: 28 user | 46 critic

Kitty runs a brothel in Nazi Germany where the soldiers come to "relax". Recording devices have been installed in each room by a power hungry army official, who plans to use the information to blackmail Hitler and gain power himself.

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(story), (story), 5 more credits »
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Cast

Cast overview, first billed only:
...
...
Kitty Kellermann
Teresa Ann Savoy ...
John Steiner ...
Biondo
Sara Sperati ...
Helga, the dominatrix
Maria Michi ...
Hilde
Rosemarie Lindt ...
Susan
Paola Senatore ...
Marika
...
Cliff
Tina Aumont ...
Herta Wallenberg
Alexandra Bogojevic ...
Gloria
...
Rauss
Ullrich Haupt
Stefano Satta Flores ...
Dino
Bekim Fehmiu ...
Hans Reiter
Edit

Storyline

Kitty runs a brothel in Nazi Germany where the soldiers come to "relax". Recording devices have been installed in each room by a power hungry army official who plans to use the information to blackmail Hitler and gain power himself. A girl named Margherita discovers the little ploy and with Kitty's help plans to take on the dangerous task of exposing the conspiracy. Written by Josh Pasnak <chainsaw@intouch.bc.ca>

Plot Summary | Add Synopsis

Taglines:

Playground for the wildest fantasies of the SS. See more »

Genres:

Drama

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

21 January 1977 (USA)  »

Also Known As:

Madam Kitty  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (heavily cut) | (director's cut) | (cut) | (cut)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Director Tinto Brass claimed that the actresses who play the prostitutes in Kitty's brothel were all very enthusiastic about their characters. He has said that they told him that liked being able to explore that side of their own personalities. See more »

Goofs

The dead prostitute in the medical lecture scene is obviously a mannequin. See more »

Quotes

Margherita's Mother: The most important thing is to be on the winning side!
See more »

Connections

Referenced in Ken Adam: Designing Bond (2000) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Proof that even exploitation can be boring...
13 August 2006 | by (Hellfudge, Pennsylvania) – See all my reviews

Of all the sordid, exploitative Nazi-era cash-ins that came out of the 1970s, "Salon Kitty" is one of the most regularly-mentioned titles. Director Tinto Brass (who, like Joe D'Amato, is more renowned for his porno epics) spends a great deal of time--arguably 3/4 of the film--garnishing the screen with images of decadent excess, including bizarre sex acts, deformed dwarfs, and copious nudity. Unfortunately, that's really all this shallow, 2-hours-plus venture has to offer. The story line--consisting of a young Nazi commandant (the underused Helmut Berger)'s attempt to seize power by eavesdropping on the SS patrons of the titular character's high-class brothel--would take up all of 30 minutes' screen time (and even that is a stretch) had the exploitation elements been removed. What we're left with, then, is a slickly-made trash pic with high production values, a good cast, and an insufferably drawn-out story (I challenge anyone to still give a damn by the time the film reaches its 'revelatory' crescendo); Brass's attempts at prurient titillation, an underdeveloped (and ultimately pointless) romantic subplot, and the fearless courage of icily unlikable prostitute Margherita (Teresa Ann Savoy) fall completely flat, much to the film's detriment. While not as luridly exploitative as the "Ilsa" trilogy, nor as lethargically dull as Luchino Visconti's "The Damned," "Salon Kitty" never really manages the suspense, pathos, and passion that marked Liliana Cavani's superior 1974 post-Holocaust romance, "The Night Porter." It's a film that should have been much more than just a ponderously average pile of celluloid.


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