After iron man Drago, a highly intimidating 6-foot-5, 261-pound Soviet athlete, kills Apollo Creed in an exhibition match, Rocky comes to the heart of Russia for 15 pile-driving boxing rounds of revenge.
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Rocky Balboa is a struggling boxer trying to make the big time, working as a debt collector for a pittance. When heavyweight champion Apollo Creed visits Philadelphia, his managers want to set up an exhibition match between Creed and a struggling boxer, touting the fight as a chance for a "nobody" to become a "somebody". The match is supposed to be easily won by Creed, but someone forgot to tell Rocky, who sees this as his only shot at the big time. Written by
Murray Chapman <firstname.lastname@example.org>
The movie was completed within budget in 28 days ("the gestation time for a water bug," Sylvester Stallone said). But even though it was not part of his deal, Stallone haunted the editing room while John G. Avildsen assembled the rough cut, and continued to make unsolicited recommendations on how to improve the film. The director didn't like his star's meddling, but he found an unexpected bonus in Stallone's presence. There were several scenes with background voices on television screens and over loudspeakers that normally would have to be dubbed by paid actors. Stallone did them for free, a service appreciated by director and money-conscious producers. See more »
During the fight with Apollo Creed, the top of Rocky's shorts are flipped inside-out in one shot. In the next,they are fixed. See more »
Club fight attendee:
Come on, Spider!
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The film opens with the title of the film scrolling from right to left underscored by music. However, instead of just doing the opening credits for the cast, Rocky is shown boxing. The rest of the credits appear later as Rocky is shown walking down a street, and this time there is nothing underscoring the credits. See more »
One of Stallone's first and finest feature film performances is as Rocky Balboa, a lonely, small-time boxer who gets by doing muscle work for a neighborhood loan shark. Everything about his life spells "underdog"-- he's even left-handed. He lives alone in a shabby apartment, and when he's not slowly being swept aside at the local gym, where even the trainer calls him a bum, he fauns over an introverted pet store clerk named Adrian.
He gets his first break when he's chosen at random by heavyweight champion, Apollo Creed, to take a shot at his title. No one thinks he can beat Creed-- not even Rocky. All Rocky wants is to be able to go all ten rounds with the champ, because no one else has. And in the final ten minutes of the film, Rocky finds out just how far he can go.
What's terrific about this movie is that it's about Rocky. It's not about winning; it's not even about fighting. It's about Rocky and his desire to get by in the world without being a bum. The sequels to this widely popular film have focused more heavily on the upcoming fight, whereas this story focuses on Rocky's life. He doesn't want to win; he just wants to survive and feel good about himself. That's what most of us want, and that's why this film is a classic.
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