A British mercenary arrives in pre-Revolution Cuba to help train the corrupt General Batista's army against Castro's guerrillas while he also romances a former lover now married to an unscrupulous plantation owner.
It is 20 years after Robin Hood's heroics against Prince John and the Sheriff of Nottingham. Since then Robin (played by Sean Connery) has spent all his time outside of England, fighting as Richard the Lionheart's right-hand man in the Crusades and in France. His only connection to his past life in Sherwood Forest is his faithful companion, Little John (Nicol Williamson). However, Richard the Lionheart is now dead and a war-weary, middle-aged Robin decides to return to England. His first priority: rekindle his relationship with Maid Marian (Audrey Hepburn). However, if he figured on a peaceful life he didn't bargain on the machinations of the Sheriff of Nottingham and King John. Written by
The position and angle of the arrow that led to the death of Richard the Lionheart changes. When the arrow first struck Richard, it is near where the neck and shoulder meet and at an angle that indicates it was fired from high above, whilst in the scene shortly later when the 'doctor' is attempting to remove it, the arrow is lower and at right angles, as if it was fired at ground level. See more »
A good, inspiring movie, about the true nature of heroism
Most people are unaware of this movie's existence, despite an all-star cast. It is one of my favorite movies of all time.
Robin Hood is an old man now, trying to tie together some of the pieces of his ideals. The familiar characters are also still around.
The most interesting thing about the movie is the insights it offers into the nature of heroism. Robin and the merry men were heroes because of what they believed in and their courage, not because they could shoot the straightest and run the fastest.
The gang can't jump fences or climb walls any more, or do much of anything that requires physical exertion. Their efforts are sometimes comical. But they are still great men because of what is inside of them.
Audrey Hepburn is wonderful as the aging Marian, and look for the visual poetry of the three apples which are pictured in the opening as ripe and in the ending as withered, as are Rob and Johnny and Marian. There are many such metaphorical presentations which are not often seen in movies. I like to see a little of that visual poetry, even if it is a bit clumsy.
Not a great film ... not a Grand Illusion or anything, but just a nice execution of a simple, touching concept.
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