It is 20 years after Robin Hood's heroics against Prince John and the Sheriff of Nottingham. Since then Robin (played by Sean Connery) has spent all his time outside of England, fighting as Richard the Lionheart's right-hand man in the Crusades and in France. His only connection to his past life in Sherwood Forest is his faithful companion, Little John (Nicol Williamson). However, Richard the Lionheart is now dead and a war-weary, middle-aged Robin decides to return to England. His first priority: rekindle his relationship with Maid Marian (Audrey Hepburn). However, if he figured on a peaceful life he didn't bargain on the machinations of the Sheriff of Nottingham and King John. Written by
When Robin and John are fighting the Sheriff's soldiers atop the wall while escaping the castle in Nottingham, John hits a pike-man over the head with his broadsword as Robin grapples with him, and the broadsword flexes more than enough to show that it is not metal. See more »
This is a real collector's item. A literate script by Bill Goldman's older brother, Jim, something of an anglophile despite being born and bred in Chicago - he'd already weighed in with The Lion In Winter, both stage and then screenplay plus the novel Myself As Witness, about King John, so he was right at home in the territory. Thirteen years after From Russia With Love Robert Shaw and Sean Connery are back as adversaries though this time around there's a healthy dose of the love-hate aspect now obligatory since The Prisoner Of Zenda brought it off to a fare-thee-well. The autumnal feel is palpable from the first image of decaying fruit and is reinforced by the muted, pastel rather than oil pastoral settings. This leaves only the playing which runs the gamut from more-than-competent to exquisite. Season of mists and mellow fruitfulness indeed, in spades. 9/10
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