From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish immigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage ... See full summary »
A Sheriff, who negotiates with bank robbers, ends up getting his family killed during their escape. The Sheriff chases the gang into Mexico on his own. While attempting to exact his vengeance, he is at odds with a Mexican lawman.
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Eva Marie Saint,
Three teenagers find a briefcase with a beat-up old can in it. They throw away the can and pawn the suitcase. When they read in the papers that the can was full of uncut heroin and belonged... See full summary »
In the 1840s, trappers with government backing push the Yellow Hands Sioux off their sacred land; they retreat into an apocalyptic spirituality, passively waiting for supernatural wrath to descend on their usurpers. Meanwhile, in England, Lord John Morgan feels his spirit weaken, so he returns to America to live again with the Yellow Hand. Finding them dispirited, he invigorates them as well as himself through self-imposed torture and other rituals. Once he convinces the clan to take direct action, Horse must devise a strategy to take the trappers' fort. The clan's women and boys take on special assignments to aid the assault to regain the sacred land. Written by
This is a weak sequel: it lacks the interest and light touch of the magnificent "Man Called Horse" in nearly every aspect and when compared to each other they hardly seem to be the same genre.
The Return is almost a parody of the first and tries to evoke different Indian ceremonies but comes across as trying way too hard to bottle the magic of the first. In this film the tribe is lost and abandoned, having lost their homelands, modern life has encroached on paradise and they are living in abject misery and poverty. Perhaps this is the point: the first film took us to a place where we would want to be, a simpler time. This takes us to broken Indians in a miserable world and the White Man is the hero and savior which rather negates the whole idea of the film.
The beauty of the first lay in the fact that the white man learnt and discovered that real civilization lies in values rather than western materialism. In the second film this is all but lacking and so we end up with a weak film.
A huge disappointment.
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