The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris ... See full summary »
Three friends face mid-life crises. Paul is a writer who's blocked. François has lost his ideals and practices medicine for the money; his wife grows distant, even hostile. The charming ... See full summary »
David is an accountant. He leaves town every Friday, pretending he is going to take care of his parents at their old people's home. But actually his parents are dead, and he spends the ... See full summary »
Solange is depressed: she's stopped smiling, she eats little, she says less. She has fainting fits. Her husband Raoul seeks to save her by enlisting Stephane, a stranger, to be her lover. ... See full summary »
Alice Carol leaves her husband one rainy night, telling him that she does not love him anymore. She travels alone but when her windscreen breaks on a lonely road, she has to stop and seek ... See full summary »
Episodic portrait of a criminal, from 1934 until after the war. Roberto Borgo is tough, cool, sardonic, loyal, and deadly. He comes to Marseilles to help his friend Xavier Saratov get out ... See full summary »
When Carolina (Anicee Alvina), the daughter of wealthy banker Georges de Saxe (Philippe Noiret), is reported kidnapped, it is upsetting to him even though he knows it isn't true. The ... See full summary »
This tasteless and plotless farrago follows the fortunes of three rogues during and after the Nazi Occupation of France. 'Rene the Stick' (Gerard Depardieu) is a vulgar petty crook. 'Fernand the Sneak' (Michel Piccoli) is a corrupt police officer. Krista (Sylvia Kristel) is a whorehouse madam who beds them both turn by turn.
Allegedly, this trio are based on real-life characters. One can't help wondering if director Francis Girod and co-writer Jacques Rouffio saw their cheerful amorality as a metaphor for the moral disintegration of society during wartime. If that is their aim, the film is a wretched failure. Its attempts at black comedy are too crude and obvious to convince. (Are we meant to whoop with delight when Piccoli eats his boss's pet frog?) It is frankly sick-making to see the Nazi persecution of Jews and homosexuals used as a set-up for cheap and unfunny jokes.
To make this movie still worse, both of the 'great' French actors (Depardieu and Piccoli) ham up their roles atrociously. Dolled up in her white tuxedo, la Kristel looks very fetching indeed - but she has precious little to do apart from that. Oh well! At least she does not embarrass herself by overacting.
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