A common thief (Depardieu) breaks into the house of a professional dominatrix (Ogier), and begins to help her "train" her clients. Though this world is alien to his experience, he finds ... See full summary »
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: ... See full summary »
A bisexual petty criminal named Bob encounters a married couple arguing in a bar. Bob breaks up the fight and proceeds to seduce first the wife and then the husband. Then Bob teaches the ... See full summary »
Doctor Galipeau has a brother, Emile, whose wife has just given birth to a baby boy and who dreams of owning a house. He has just examined Louis Martinet, an old man who, according to him, ... See full summary »
An ad executive (Weaver) impersonates an archeology professor (Westheimer) to avoid a situation with an obsessed former lover. She enlists the help of a hapless archeologist (Depardieu) who... See full summary »
Emmanuelle and her architect husband continue their amoral lifestyle in the Seychelles. But when a casual dilliance between her and a film director starts to turn serious her husband shows ... See full summary »
Charles is wealthy, a French venture capitalist in the 1830s; he's also an aristocratic assassin, prompting duels for political, monetary, and sexual gain. At his aunt's, he meets Madame ... See full summary »
This tasteless and plotless farrago follows the fortunes of three rogues during and after the Nazi Occupation of France. 'Rene the Stick' (Gerard Depardieu) is a vulgar petty crook. 'Fernand the Sneak' (Michel Piccoli) is a corrupt police officer. Krista (Sylvia Kristel) is a whorehouse madam who beds them both turn by turn.
Allegedly, this trio are based on real-life characters. One can't help wondering if director Francis Girod and co-writer Jacques Rouffio saw their cheerful amorality as a metaphor for the moral disintegration of society during wartime. If that is their aim, the film is a wretched failure. Its attempts at black comedy are too crude and obvious to convince. (Are we meant to whoop with delight when Piccoli eats his boss's pet frog?) It is frankly sick-making to see the Nazi persecution of Jews and homosexuals used as a set-up for cheap and unfunny jokes.
To make this movie still worse, both of the 'great' French actors (Depardieu and Piccoli) ham up their roles atrociously. Dolled up in her white tuxedo, la Kristel looks very fetching indeed - but she has precious little to do apart from that. Oh well! At least she does not embarrass herself by overacting.
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