| Robert Carradine | ... | Johnnie | |
| Jennifer Ashley | ... | Laurie | |
| Michael Mullins | ... | Jesse | |
| Lisa Reeves | ... | Sally | |
| Bill Adler | ... | Duane | |
| James Gammon | ... | Coach | |
| Susan Player | ... | Sue Ann | |
| Cheryl Smith | ... | Roxanne (as Rainbeaux Smith) | |
| Diane Lee Hart | ... | Judy | |
| Lou Fant | ... | Principal | |
| John Lawrence | ... | Sheriff | |
| Sondra Lowell | ... | Miss Pritchitt (as Sandra Lowell) | |
| Faith Christopher | ... | Mother | |
| John Sebastian | ... | Father | |
| Jim Kester | ... | Hardin Tough | |
| Cooper Huckabee | ... | Hardin Tough |
Directed by | |||
| Joseph Ruben | |||
Writing credits | ||
| Joseph Ruben | (written by) | |
| Joseph Ruben | (story) and | |
| Robert J. Rosenthal | (story) (as Robert Rosenthal) | |
Produced by | |||
| Cal Naylor | .... | associate producer | |
| Joseph Ruben | .... | producer | |
| Marilyn Jacobs Tenser | .... | executive producer (as Marilyn J. Tenser) | |
Original Music by | |||
| Michael Lloyd | |||
Cinematography by | |||
| Stephen M. Katz | (director of photography) | ||
Film Editing by | |||
| George Bowers | |||
Production Management | |||
| Dennis Thomann | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Alan Grabelsky | .... | second assistant director | |
| Cal Naylor | .... | assistant director | |
| Robert J. Rosenthal | .... | second unit director (as Robert Rosenthal) | |
Art Department | |||
| Larry Lasker | .... | props | |
Sound Department | |||
| Alex Van Der Kar | .... | sound mixer (as Alex Van De Kar) | |
| Harry Wowchuk | .... | boom operator | |
Special Effects by | |||
| Steve Walsh | .... | special effects | |
Stunts | |||
| Harry Wowchuk | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Jack Behr | .... | first camera assistant | |
| Rick Brown | .... | second grip | |
| Bill Decker | .... | best boy (as William Decker) | |
| Bob Harkins | .... | key grip | |
| Sandy Kroopf | .... | second camera assistant | |
| Mike Paladin | .... | still photographer (as Michael Paladin) | |
| Gregory Peters | .... | electrician | |
| Stu Spahn | .... | gaffer (as Stu Spawn) | |
Casting Department | |||
| Yvonne Maddox | .... | extra casting | |
Costume and Wardrobe Department | |||
| Diana Daniels | .... | wardrobe | |
Editorial Department | |||
| Robert Spiegel | .... | assistant film editor | |
Music Department | |||
| Michael Lloyd | .... | music producer | |
| Michael Lloyd | .... | musical supervisor | |
Other crew | |||
| Robin Fink | .... | location manager | |
| Rick Gahring | .... | production assistant | |
| Hannah Hempstead | .... | script supervisor | |
| Marsha Mayer | .... | production secretary | |
Thanks | |||
| Jennifer McCoy | .... | special thanks | |
| Sali Mills | .... | special thanks | |
| Recent Posts (updated daily) | User |
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| reminds me of ... | antimusick |
| Pom Pom Girls | barbarasmitty |
| read this before you buy the dvd | powertripper06 |
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| The Cheerleaders | Revenge of the Cheerleaders | American Graffiti | The Girl Next Door | The Swinging Cheerleaders |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
...1976 saw two particularly notable depictions of high school life on the big screen. The one released later in the year, CARRIE, was a nightmare; the earlier release, THE POM POM GIRLS, was the dreamy ideal (at least to most high schoolers of the period). Interestingly, the dream has aged somewhat better than the nightmare, even if CARRIE is much more frequently run on cable nowadays. In a departure from the Crown International Pictures drive-in norm of the period, the young ladies aren't subjected to any hideously sexist hijinks (can't say that for THE VAN or VAN NUYS BLVD.), there seems to be genuine respect and friendship between the boys and girls, and what happens in this movie (except for the fire truck prank) actually seem plausible. There's even an airy quality to the soundtrack music, lifted from the previous year's debut album by Cotton Lloyd & Christian (including Michael Lloyd, whose record productions for The Osmonds these high schoolers obviously grew up on), that's surprisingly refreshing. Even James Gammon, playing a head football coach over a decade before MAJOR LEAGUE, seems rooted in the period. If you were part of the American Class of '76, this is your picture...