Inspector Clouseau disappears, and the Surete wants the world's second best detective to look for him. However, Clouseau's enemy, Dreyfus, rigs the Surete's computer to select, instead, the... See full summary »
To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
Fu Manchu's 168th birthday celebration is dampened when a hapless flunky spills Fu's age-regressing elixir vitae. Fu sends his lackeys to round up ingredients for a new batch of elixir, ... See full summary »
Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his ... See full summary »
Charles Dreyfus escapes from the mental asylum and tries to kill Chief Inspector Jacques Clouseau. He doesn't succeed at first, so he takes on another strategy, namely to build a Doomsday machine and demand that someone else kills Jacques Clouseau, or Dreyfus will use the machine to wipe out whole cities and even whole countries... With about 22 assassins from all over the globe on his tail, Clouseau decides to find Dreyfus alone and put him back in the mental asylum. Written by
Lars J. Aas <firstname.lastname@example.org>
Blake Edwards's original cut ran 124 minutes, and was submitted to the British Board of Film Censors in 1976. Afterward, the film was cut to 103 minutes. That version was shown in cinemas, on VHS, and on DVD. Most of the scenes cut involved Sellers journey to, and arrival in, in England. The 124 min original cut has never surfaced, but a large chunk of the deleted footage forms the basis of Sellers' scenes in Trail of the Pink Panther (1982). The scenes include: Peter Sellers in the car on the way to the airport, Sellers on a plane to England (excerpts can be seen in the trailer), Sellers meeting the English police at the airport, and an extended version of the existing scene of Sellers going into his apartment near the beginning of the film, with rice flying everywhere. See more »
During the "hovering Quasimodo" scene, while Clouseau is talking on the phone, the shadows of the houses can be seen on the backdrop that is meant to be the night sky. Also, in one take against the balcony, the wires holding him are visible. See more »
[Refering to the aftermath of the Doomsday device]
What do you suppose they will call the crater, huh? The Dreyfus Ditch?
There shall be no crater.
No crater? But I want a crater! I want wreckage, twisted metal. Something the world will not forget!
They won't forget today.
They won't? Wonderful. I have to tinkle again. Don't do anything till I get back.
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The closing credits begin with an animated Inspector Clouseau swimming (from the film's end, where a naked Clouseau and Olga and a clothed Cato plunge into water - animated Clouseau is clothed however). At first the Pink Panther chases him like a shark (complete with the Jaws (1975) tune and poster image), but the Inspector realizes the ruse and chases him for the rest of the credits. See more »
A Shot in the Dark is a better movie but The Pink Panther Strikes Again is the high water mark of the Pink Panther series. Most movie series' throw all inhibition out the window at one point or another and that is the case here. The movie is unrestrained folly with as much style as a hammer over the head. But it's so well done that the movie keeps it's pace of intense idiocy throughout with a slow storm of truly funny bits. The goofiness must never abate or the movie will be exposed and it doesn't abate. Sellers again plays Clouseau with bumbling incompetence. His dead pan style and seriousness in the face of his role is what makes it so great. He's clearly the only one who thinks he's a legitimate police officer and character to begin with. Clouseau's voice that was just slightly unintelligible in A Shot in the Dark is a complete parody here and it's an absolute joy every time I hear it. I can never keep a straight face any time Clouseau says the word 'room.' Only a great comedian can take something so simple and make it classic. Herbert Lom is as good as ever as the tormented Dreyfuss. He's more believably crazy than a lot of other actors I've seen try it. The scene where Clouseau accidentally abuses him at the mental health institute is priceless. One of the few scenes in comedy where I burst out laughing every time is when Dreyfuss steps on the rake and falls back into the water. You never see it coming the first time and it's a riot. The scenes in the gay bar are refreshingly funny despite the stereotypes that are a little less than kind. Clouseau's questioning of the staff is also one of the classic bits in comedy of completely brilliant overkill. His falling down the stairs off of the parallel bars is another burst out laughing moment, as well as when he accidentally whacks Mr. Stutterstut with the ball and chain stuck to his hand. The scenes with Cato are also better than they were in A Shot in the Dark. This movie does not have the gorgeous style or comedic genius of A Shot in the Dark but plays it's stupid humor better. After this, it was probably unnecessary to have any more Pink Panther movies as this was the over the top plot to end all plots. I absolutely love watching this movie.
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