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Seven Beauties (1975)
"Pasqualino Settebellezze" (original title)

R  |   |  Comedy, Drama, War  |  21 January 1976 (USA)
7.9
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Ratings: 7.9/10 from 3,341 users  
Reviews: 36 user | 27 critic

The defense of honor, a strong value in Neapolitan society, and his effects on the life of everyman Pasquale Frafuso.

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Title: Seven Beauties (1975)

Seven Beauties (1975) on IMDb 7.9/10

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Nominated for 4 Oscars. Another 4 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Pasqualino Frafuso aka Settebellezze
...
Pedro the Anarchist Prisoner
Shirley Stoler ...
The Prison Camp Commandant
Elena Fiore ...
Concettina, a Sister
Piero Di Iorio ...
Francesco - Pasqualino's comrade
Enzo Vitale ...
Don Raffaele
Roberto Herlitzka ...
Socialist
Lucio Amelio ...
Lawyer
Ermelinda De Felice ...
Pasqualino's Mother
Bianca D'Origlia ...
The Psychiatrist
Francesca Marciano ...
Carolina (as Francesca Marciani)
Mario Conti ...
Totonno '18 Carati' - Concettina's pimp
Barbara Valmorin ...
The Prison Camp Commandant's Secretary
Emilio Salvatori
Aristide Caporale ...
Madman (as Aristide Caporali)
Edit

Storyline

Pasqualino, an Italian everyman, deserts the army during World War II. Germans capture him and send him to a prison camp, where he does just about anything to survive. In lengthy flashbacks, we see him and his family of seven unattractive sisters (the seven beauties), his accidental murder of one sister's lover, his confession and imprisonment, his calculated switch to an asylum, his rape of a patient, and his volunteering to be a soldier to escape confinement. To the chagrin of his obese German captor, his weak and cowardly character enables him to survive the war and return to Naples where he has a plan to survive the next world catastrophe. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | War

Certificate:

R | See all certifications »
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Details

Country:

Language:

| | |

Release Date:

21 January 1976 (USA)  »

Also Known As:

Seven Beauties  »

Filming Locations:


Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

The ratio of film shot to film actually used in the final cut was 50 to 1. See more »

Quotes

Pasqualino Frafuso: You'll never take Pasqualino Seven-Beauties! Never will you be able to take him alive!
Policeman: [seizing him] Stop bragging.
Pasqualino Frafuso: So I'm wrong.
See more »

Connections

Referenced in Sneak Previews: The Best and Worst Films of 1976 (1977) See more »

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User Reviews

 
It's one matter not being innocent -- it's another being a whore
23 July 2000 | by (Chicago, Illinois USA) – See all my reviews

Seven Beauties is a masterpiece that holds up as well now as it did 20 years ago. Pasqualino is a character whose life is shaped by a shallow, macho, code of honor. He continually swears to live his life by this code and to force the family to live up to this standard. He is broken hearted when he must abandon his "man of honor" image in order to escape hanging.

Without his standards, miserable as they were, Pasqualino survives by instinct alone. His character contrasts with the people that he meets when he is interred in a concentration camp. Most of the time he is so consumed by a his desire to live that he can't focus on or misunderstands the important things they try to tell him.

Although this sounds like a very dour movie, it is saved by the way Lina Wertmuller constructs the story. It is a non-linear narrative, with a word or phrase triggering a flash back for Pasqualino.

The music is extraordinary. The concentration camp scenes are horrifying (with Wagner opera as the musical theme) and the scenes set in Naples are sunny and beautiful but not overblown. You see the frayed edges of a poor town, although they're bathed in the mediteranean sunshine.

Pasqualino sums it up best when he says, "A rotten comedy, a lousy farce . .. called living." Lina Wertmueller made a wonderful comedy, a masterful farce . . . called Pasqualino Settebellezze.


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