| Photos (See all 60 | slideshow) | Videos (see all 3) |
| Clint Eastwood | ... | Josey Wales | |
| Chief Dan George | ... | Lone Watie | |
| Sondra Locke | ... | Laura Lee | |
| Bill McKinney | ... | Terrill | |
| John Vernon | ... | Fletcher | |
| Paula Trueman | ... | Grandma Sarah | |
| Sam Bottoms | ... | Jamie | |
| Geraldine Keams | ... | Little Moonlight | |
| Woodrow Parfrey | ... | Carpetbagger | |
| Joyce Jameson | ... | Rose | |
| Sheb Wooley | ... | Travis Cobb | |
| Royal Dano | ... | Ten Spot | |
| Matt Clark | ... | Kelly (as Matt Clarke) | |
| John Verros | ... | Chato | |
| Will Sampson | ... | Ten Bears | |
| William O'Connell | ... | Sim Carstairs | |
| John Quade | ... | Comanchero Leader | |
| Frank Schofield | ... | Senator Lane | |
| Buck Kartalian | ... | Shopkeeper | |
| Len Lesser | ... | Abe | |
| Doug McGrath | ... | Lige | |
| John Russell | ... | Bloody Bill Anderson | |
| Charles Tyner | ... | Zukie Limmer | |
| Bruce M. Fischer | ... | Yoke | |
| John Mitchum | ... | Al | |
| John Davis Chandler | ... | First Bounty Hunter (as John Chandler) | |
| Tom Roy Lowe | ... | Second Bounty Hunter | |
| Clay Tanner | ... | First Texas Ranger | |
| Robert F. Hoy | ... | Second Texas Ranger (as Bob Hoy) | |
| Madeleine Taylor Holmes | ... | Grannie Hawkins (as Madeline T. Holmes) | |
| Erik Holland | ... | Union Army Sergeant | |
| Cissy Wellman | ... | Josey's Wife | |
| Faye Hamblin | ... | Grandpa | |
| Danny Green | ... | Lemuel | |
| rest of cast listed alphabetically: | |||
| Frank Cockrell | ... | Confederate Soldier (uncredited) | |
| Kyle Eastwood | ... | Josey's Son (uncredited) | |
| Richard Farnsworth | ... | Comanchero (uncredited) | |
| Walter Scott | ... | Drunken Galloper in Town (uncredited) | |
Directed by | |||
| Clint Eastwood | |||
Writing credits | ||
| Forrest Carter | (book "Gone To Texas") | |
| Philip Kaufman | (screenplay) (as Phil Kaufman) and | |
| Sonia Chernus | (screenplay) | |
Produced by | |||
| Robert Daley | .... | producer | |
| James Fargo | .... | associate producer (as Jim Fargo) | |
| John G. Wilson | .... | associate producer | |
Original Music by | |||
| Jerry Fielding | |||
Cinematography by | |||
| Bruce Surtees | (director of photography) | ||
Film Editing by | |||
| Ferris Webster | |||
Casting by | |||
| Jack Kosslyn | |||
Production Design by | |||
| Tambi Larsen | |||
Set Decoration by | |||
| Charles B. Pierce | (as Chuck Pierce) | ||
Makeup Department | |||
| Joe McKinney | .... | makeup supervisor | |
| Lorraine Roberson | .... | hairstylist | |
Production Management | |||
| John G. Wilson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Alan Brimfeld | .... | second assistant director (as Alan Brimfield) | |
| James Fargo | .... | assistant director (as Jim Fargo) | |
| Win Phelps | .... | second assistant director | |
Art Department | |||
| Edward Aiona | .... | property master (as Eddie Aiona) | |
| Al Litteken | .... | construction coordinator | |
| Eugene J. Reed | .... | carpenter (uncredited) | |
| John Rozman | .... | leadman (uncredited) | |
Sound Department | |||
| Bert Hallberg | .... | sound | |
| Tex Rudloff | .... | re-recording mixer | |
| Keith Stafford | .... | sound editor | |
| Alex Bytnar | .... | boom operator (uncredited) | |
Special Effects by | |||
| Robert MacDonald | .... | special effects | |
| A. Paul Pollard | .... | special effects (as Paul Pollard) | |
Stunts | |||
| Walter Scott | .... | stunt coordinator | |
| Bennie E. Dobbins | .... | stunts (uncredited) | |
| Jerry Gatlin | .... | stunts (uncredited) | |
| Robert F. Hoy | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Mike H. McGaughy | .... | stunts (uncredited) | |
| George Orrison | .... | stunt double: Clint Eastwood (uncredited) | |
| George Orrison | .... | stunts (uncredited) | |
| Larry Randles | .... | stunts (uncredited) | |
| Neil Summers | .... | stunts (uncredited) | |
| Greg Walker | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Kenneth Adams | .... | key grip (as Ken Adams) | |
| Richard Barth | .... | camera assistant (as Dick Barth) | |
| Doug Cook | .... | second grip | |
| Thomas Del Ruth | .... | camera operator (as Tom Del Ruth) | |
| Joseph Hernandez | .... | camera assistant (as Joe Hernandez) | |
| Charles Holmes | .... | gaffer | |
| Jack Kennedy | .... | best boy | |
| Charles W. Short | .... | camera operator (as Charles Short) | |
| Timothy E. Wade | .... | camera assistant (as Tim Wade) | |
Casting Department | |||
| Jack N. Young | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Glenn Wright | .... | costume supervisor | |
Editorial Department | |||
| Joel Cox | .... | assistant editor | |
Music Department | |||
| Dan Carlin Sr. | .... | music editor (as Dan Carlin) | |
Transportation Department | |||
| Art Rimdzius | .... | transportation captain | |
Other crew | |||
| John Franco | .... | script supervisor | |
| Fritz Manes | .... | assistant to producer | |
| James Moffett | .... | first aid | |
| Rudy Ugland | .... | wrangler | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
THE OUTLAW JOSEY WALES is a wonderful story about a wounded man, Josey Wales, a Missourian who has lost his home and his family to the Civil War. As the Civil War ends in defeat and despair for the South, Wales alone of his guerrilla unit refuses to surrender. He has nothing left to live for, except to fight, and he cannot give that up.
This is a setup that has appeared many times in the movies, as the hero with nothing left to lose is a perfect excuse to show nonstop gunplay. To some extent, this happens in THE OUTLAW JOSEY WALES too. It is an action western according to the classic formula, but it is more than that. Josey Wales heals his wounds as the story goes on, and begins to replace the friendship, and then the love, that he has lost. And as he heals, he begins to grow out of violence as a way of life. Many westerns have the theme of the older breed of man who tamed the west by violence being abandoned by his fellows; only this one, so far as I know, has the older breed of man abandon himself, that is to say, change his ways with the changing of the times.
Clint Eastwood is a decent actor, not a great one. But at times he has shown the skills of a really first-class director, and given his limitations as an actor it is the more to his credit that he did not hog the stage. He gives plenty of screen time to an excellent supporting cast, of whom the most memorable is Chief Dan George as aged Cherokee warrior Lone Watie, a role he plays with an eerily perfect balance of dignity and humor. Will Sampson makes an unforgettable cameo as Comanche chief Ten Bears, and Paula Trueman is a magnificently feisty Sarah.
John Vernon plays Fletcher, the man who betrays Josey Wales early on. I don't understand why Vernon could not find work in quality movies after this (he has appeared in 38 cinema releases since this movie and I challenge you to name any of them). Vernon has one of THE great basso-profundo voices in American cinema; only James Earl Jones could compare to it. If mountains could speak, they would sound like John Vernon. His role is a neat twist on the trope of the 'reluctant hero'; Fletcher is a reluctant villain.
The ending of THE OUTLAW JOSEY WALES is the most beautiful and poetic of any in western movie history, maybe the most beautiful of any movie ever. According to the rules of the genre, the final confrontation between Wales and Fletcher can have only one outcome; the movie finds another way, because Josey Wales has found another way.
Rating: ***½ out of ****.
Recommendation: Western fans should own this one, but any movie fan should enjoy it.