| Photos (See all 60 | slideshow) | Videos (see all 3) |
| Clint Eastwood | ... | Josey Wales | |
| Chief Dan George | ... | Lone Watie | |
| Sondra Locke | ... | Laura Lee | |
| Bill McKinney | ... | Terrill | |
| John Vernon | ... | Fletcher | |
| Paula Trueman | ... | Grandma Sarah | |
| Sam Bottoms | ... | Jamie | |
| Geraldine Keams | ... | Little Moonlight | |
| Woodrow Parfrey | ... | Carpetbagger | |
| Joyce Jameson | ... | Rose | |
| Sheb Wooley | ... | Travis Cobb | |
| Royal Dano | ... | Ten Spot | |
| Matt Clark | ... | Kelly (as Matt Clarke) | |
| John Verros | ... | Chato | |
| Will Sampson | ... | Ten Bears | |
| William O'Connell | ... | Sim Carstairs | |
| John Quade | ... | Comanchero Leader | |
| Frank Schofield | ... | Senator Lane | |
| Buck Kartalian | ... | Shopkeeper | |
| Len Lesser | ... | Abe | |
| Doug McGrath | ... | Lige | |
| John Russell | ... | Bloody Bill Anderson | |
| Charles Tyner | ... | Zukie Limmer | |
| Bruce M. Fischer | ... | Yoke | |
| John Mitchum | ... | Al | |
| John Davis Chandler | ... | First Bounty Hunter (as John Chandler) | |
| Tom Roy Lowe | ... | Second Bounty Hunter | |
| Clay Tanner | ... | First Texas Ranger | |
| Robert F. Hoy | ... | Second Texas Ranger (as Bob Hoy) | |
| Madeleine Taylor Holmes | ... | Grannie Hawkins (as Madeline T. Holmes) | |
| Erik Holland | ... | Union Army Sergeant | |
| Cissy Wellman | ... | Josey's Wife | |
| Faye Hamblin | ... | Grandpa | |
| Danny Green | ... | Lemuel | |
| rest of cast listed alphabetically: | |||
| Frank Cockrell | ... | Confederate Soldier (uncredited) | |
| Kyle Eastwood | ... | Josey's Son (uncredited) | |
| Richard Farnsworth | ... | Comanchero (uncredited) | |
| Walter Scott | ... | Drunken Galloper in Town (uncredited) | |
Directed by | |||
| Clint Eastwood | |||
Writing credits | ||
| Forrest Carter | (book "Gone To Texas") | |
| Philip Kaufman | (screenplay) (as Phil Kaufman) and | |
| Sonia Chernus | (screenplay) | |
Produced by | |||
| Robert Daley | .... | producer | |
| James Fargo | .... | associate producer (as Jim Fargo) | |
| John G. Wilson | .... | associate producer | |
Original Music by | |||
| Jerry Fielding | |||
Cinematography by | |||
| Bruce Surtees | (director of photography) | ||
Film Editing by | |||
| Ferris Webster | |||
Casting by | |||
| Jack Kosslyn | |||
Production Design by | |||
| Tambi Larsen | |||
Set Decoration by | |||
| Charles B. Pierce | (as Chuck Pierce) | ||
Makeup Department | |||
| Joe McKinney | .... | makeup supervisor | |
| Lorraine Roberson | .... | hairstylist | |
| Jack Obringer | .... | makeup artist (uncredited) | |
Production Management | |||
| John G. Wilson | .... | unit production manager | |
| Nick Falco Sr. | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Alan Brimfeld | .... | second assistant director (as Alan Brimfield) | |
| James Fargo | .... | assistant director (as Jim Fargo) | |
| Win Phelps | .... | second assistant director | |
Art Department | |||
| Edward Aiona | .... | property master (as Eddie Aiona) | |
| Al Litteken | .... | construction coordinator | |
| Nayce Acosta | .... | propmaker (uncredited) | |
| Ragnar Antonsen | .... | drapery (uncredited) | |
| Dan Baray | .... | propmaker (uncredited) | |
| Robert L. Clark | .... | painter (uncredited) | |
| Franklin Combs | .... | foreman (uncredited) | |
| Franklin Combs | .... | greensman (uncredited) | |
| Mike Combs | .... | foreman (uncredited) | |
| Mike Combs | .... | greensman (uncredited) | |
| Jack Davis | .... | propmaker (uncredited) | |
| Tom Del Genio | .... | propmaker (uncredited) | |
| Tim Di Puma | .... | propmaker (uncredited) | |
| Henry Hail | .... | propmaker (uncredited) | |
| Roy Kirkpatrick | .... | propmaker (uncredited) | |
| George Lillie | .... | foreman (uncredited) | |
| George Lillie | .... | painter (uncredited) | |
| Richard Lind | .... | propmaker (uncredited) | |
| Ronald MacDonald | .... | laborer (uncredited) | |
| Alan Manser | .... | set dresser (uncredited) | |
| William S. Maxwell III | .... | swing man (uncredited) | |
| Frank Medina | .... | propmaker (uncredited) | |
| Michael Muscarella | .... | propmaker (uncredited) | |
| Andrew 'Sandy' Overholtzer | .... | propmaker (uncredited) | |
| James J. Pickering | .... | drapery foreman (uncredited) | |
| Eugene J. Reed | .... | carpenter (uncredited) | |
| Bob Rentch | .... | propmaker (uncredited) | |
| John Rozman | .... | leadman (uncredited) | |
| John J. Rutchland Jr. | .... | construction foreman (uncredited) | |
| George Samson Jr. | .... | plasterer (uncredited) | |
| Marty Seidman | .... | foreman (uncredited) | |
| Marty Seidman | .... | greensman (uncredited) | |
| John Sexton | .... | props (uncredited) | |
| Paul Sophy | .... | plasterer (uncredited) | |
| Dean Wilson | .... | props (uncredited) | |
Sound Department | |||
| Bert Hallberg | .... | sound | |
| Tex Rudloff | .... | re-recording mixer | |
| Keith Stafford | .... | sound editor | |
| Steve Birkett | .... | cable person (uncredited) | |
| Alex Bytnar | .... | boom operator (uncredited) | |
| David Rust | .... | boom operator (uncredited) | |
Special Effects by | |||
| Robert MacDonald | .... | special effects | |
| A. Paul Pollard | .... | special effects (as Paul Pollard) | |
| Frank Hafeman | .... | special effects (uncredited) | |
Stunts | |||
| Walter Scott | .... | stunt coordinator | |
| Bennie E. Dobbins | .... | stunts (uncredited) | |
| Jerry Gatlin | .... | stunts (uncredited) | |
| Robert F. Hoy | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Mike H. McGaughy | .... | stunts (uncredited) | |
| George Orrison | .... | stunt double: Clint Eastwood (uncredited) | |
| George Orrison | .... | stunts (uncredited) | |
| Larry Randles | .... | stunts (uncredited) | |
| Neil Summers | .... | stunts (uncredited) | |
| Greg Walker | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Kenneth Adams | .... | key grip (as Ken Adams) | |
| Richard Barth | .... | camera assistant (as Dick Barth) | |
| Doug Cook | .... | second grip | |
| Thomas Del Ruth | .... | camera operator (as Tom Del Ruth) | |
| Joseph Hernandez | .... | camera assistant (as Joe Hernandez) | |
| Charles Holmes | .... | gaffer | |
| Jack Kennedy | .... | best boy | |
| Charles W. Short | .... | camera operator (as Charles Short) | |
| Timothy E. Wade | .... | camera assistant (as Tim Wade) | |
| Howard Anderson | .... | grip (uncredited) | |
| George Bacos | .... | grip (uncredited) | |
| Don Christie | .... | still photographer (uncredited) | |
| Bob Fillis | .... | electrician (uncredited) | |
| Leroy Hershkowitz | .... | electrician (uncredited) | |
| Tony Ledger | .... | grip (uncredited) | |
| Alvin Presley | .... | electrician (uncredited) | |
| Gary Stromp | .... | electrician (uncredited) | |
| David Tomack | .... | grip (uncredited) | |
Casting Department | |||
| Jack N. Young | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Glenn Wright | .... | costume supervisor | |
| Thomas S. Dawson | .... | costumer: men (uncredited) | |
| Susan Smith | .... | costumer: women (uncredited) | |
Editorial Department | |||
| Joel Cox | .... | assistant editor | |
Music Department | |||
| Dan Carlin Sr. | .... | music editor (as Dan Carlin) | |
Transportation Department | |||
| Art Rimdzius | .... | transportation captain | |
| John Brumby | .... | driver (uncredited) | |
| John Conte | .... | driver (uncredited) | |
| Robert Conte | .... | driver (uncredited) | |
| Howard Brady Davidson | .... | driver (uncredited) | |
| Bob Fish | .... | driver (uncredited) | |
| Tim Hill | .... | driver (uncredited) | |
| Wayne Krause | .... | driver (uncredited) | |
| Hank MacFarlane | .... | transportation co-captain (uncredited) | |
| James Marett | .... | driver (uncredited) | |
| Russ Meadows | .... | driver (uncredited) | |
| Joe Sawyers | .... | driver (uncredited) | |
| Steve Schultz | .... | driver (uncredited) | |
| Donald Tuttle | .... | driver (uncredited) | |
| Norman Walke | .... | driver (uncredited) | |
| Tom Yardley | .... | driver (uncredited) | |
Other crew | |||
| John Franco | .... | script supervisor | |
| Fritz Manes | .... | assistant to producer | |
| James Moffett | .... | first aid | |
| Rudy Ugland | .... | wrangler | |
| Diana Brent | .... | secretary to producer (uncredited) | |
| Jack Casey | .... | publicist (uncredited) | |
| Cecil Higgins | .... | representative: American Humane Association (uncredited) | |
| Carl Longstrom | .... | caterer (uncredited) | |
| Don Mink | .... | auditor (uncredited) | |
| Marshall Moody | .... | projectionist (uncredited) | |
| Ramon Pahoyo | .... | craft service (uncredited) | |
| Estelle Schaffer | .... | production coordinator (uncredited) | |
| Elizabeth Yanoska | .... | assistant auditor (uncredited) | |
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| Major Dundee | Jonah Hex | The Proposition | Rambo | The Alamo |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Love, hate, revenge, forgiveness, sorrow, life, death, emargination, racism, the uselessness of war, betrayal, redemption, solidarity, friendship. Not many films manage to deal competently with even just one of these topics. This masterpiece deals with all. Within the first 4 or 5 minutes (even before the opening credits) one has already been exposed to more force and emotion than most films can pack up in 90 minutes.
By the end of the 2 hrs 10 minutes of this film one would have lived through tour-de-force highlighted by memorable climaxes and showdowns featuring some of the most striking dialogue in cinematic history... "dying ain't no way to make a living". Eastwood's character doesn't speak much but utters a handful of memorable lines.
The central character played by Eastwood is given fine support by an excellent ensemble cast including Chief Dan George, Sondra Locke, Bill McKinney and most of all John Vernon. John Vernon plays a character called Fletcher who turns out to be one of the most complex characters I have ever come across. His motivations and true intentions are never quite clear. He comes across as a bit of a Judas figure and yet he still retains his humanity as the script and Eastwood as the director never truly judge Fletcher, leaving the viewer to judge for him or herself. Almost every character is memorable and every performance fits in place.
The action is sudden and explosive and not always expected. The film takes many twists and turns, yet every twist is a natural consequence of the situations and characters in the film. Ultimately one is left with a truly rich cinematic experience which should appeal to more than just fans of the Western genre. Its themes of suffering and the consequences of evil acts is still sadly relevant in today's world - a world in which not all wars are won by the good guys and in which the good are sometimes persecuted by those who win these wars.
When thinking of the best pre-credit sequences ever forget most others... this should be your best bet.