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The Outlaw Josey Wales (1976)

PG | | Western | 7 August 1976 (Japan)
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A Missouri farmer joins a Confederate guerrilla unit and winds up on the run from the Union soldiers who murdered his family.

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(book), (screenplay) (as Phil Kaufman) | 1 more credit »
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2,771 ( 163)
Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Paula Trueman ...
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Kelly (as Matt Clarke)
John Verros ...
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Storyline

Josey Wales makes his way west after the Civil War, determined to live a useful and helpful life. He joins up with a group of settlers who need the protection that a man as tough and experienced as he is can provide. Unfortunately, the past has a way of catching up with you, and Josey is a wanted man. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Plot Synopsis

Taglines:

...an army of one.

Genres:

Western

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

7 August 1976 (Japan)  »

Also Known As:

Josey Wales  »

Filming Locations:

 »

Box Office

Budget:

$3,700,000 (estimated)

Gross:

$31,800,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The first of six movies made by real-life couple Clint Eastwood and Sondra Locke. See more »

Goofs

During the last gun battle, Wales pulls two (empty) pistols from his belt and points them at Terrill who is retreating on horseback. Wales pulls the trigger on the first pistol and the hammer falls with a loud "click". Wales points the second pistol and there is a loud "click" but the hammer does not fall. See more »

Quotes

[first lines]
Josey's wife: Little Josey! C'mon in, let's get you cleaned up!
See more »

Connections

Featured in Remember 1976 (2006) See more »

Soundtracks

Sweet By and By
(uncredited)
Written by S. Fillmore Bennett
Performed by Sondra Locke and Paula Trueman
See more »

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User Reviews

 
Among The Best Westerns Of The 1970s
17 January 2007 | by (San Gabriel, Ca., USA) – See all my reviews

Even when matched up against his Oscar-winning 1992 film UNFORGIVEN, THE OUTLAW JOSEY WALES must rank as being among Clint Eastwood's finest turns both in front of and behind the camera. Having displayed a solid feel for the director's chair with 1971's PLAY MISTY FOR ME and 1973's HIGH PLAINS DRIFTER, Eastwood took the reins on JOSEY WALES when he and the original director Philip Kaufman, who still shared a co-write of the script (and had directed 1972's THE GREAT NORTHFIELD, MINNESOTA RAID), ran into some pretty strong disagreements. The end result was one of the best westerns of the 1970s, in critical, commercial, and artistic terms.

Eastwood's character is a farmer living out a quiet life in Missouri near the end of the Civil War who is forced to see his whole family and homestead wiped out by marauding "Redlegs" from Kansas. He joins up with a guerrilla band of Southerners to "set things aright." But when the Union betrays those same guerrillas into surrendering and then promptly slaughters all of them, Eastwood takes violent revenge. He soon finds himself of the run at the reluctant hands of his former commander (John Vernon), and a determined Union man named Terrill (Bill McKinney, who played one of the sadistic mountain men in DELIVERANCE). As he heads towards Texas, he encounters a motley group of outcasts (Chief Dan George; Sondra Locke; Paula Trueman), and becomes less obsessed by violent revenge and more interested in helping, going for his guns only when McKinney's Union troop closes in, and bounty hunters come looking for him.

In contrast to the "Man With No Name" persona he codified with Sergio Leone in the 1960s, or the tough cop he personified in DIRTY HARRY, Eastwood's Josey Wales is a man of great courage and sympathy who becomes tired of all the violence he has had to see and to take part in. The vengeance motif is largely played out by the time the film is into its second half, and it only comes back towards the tail end for a brief moment. Those who have tagged Eastwood as a political reactionary, a John Wayne of our time, have certainly misjudged him, as even one viewing of THE OUTLAW JOSEY WALES will testify to. He is not interested in being tough for the sake of being tough; he just wants to survive, and he wants those he protects to be able to live in peace. That's why, although the film is unavoidably violent at times, it has a considerable humanity too, and why it remains one of Eastwood's finest films even to this day.


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