Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
Josey Wales makes his way west after the Civil War, determined to live a useful and helpful life. He joins up with a group of settlers who need the protection that a man as tough and experienced as he is can provide. Unfortunately, the past has a way of catching up with you, and Josey is a wanted man. Written by
Murray Chapman <email@example.com>
Because of Chief Dan George's age, he would have trouble remembering his lines so during takes, Clint Eastwood would begin to mouth his lines without realizing it and had to be told to stop because it would ruin the take. In a featurette on the DVD about making the film, Eastwood says he'd have people drill Dan George on his lines, but when it came time to shoot the scene, he'd say "Chief, just forget about the lines - tell me the story about the man who rode over the hill." And Dan George, who was apparently a natural storyteller would tell the story and it would be perfect. See more »
When Josey is chasing Redlegs from the final battle the camera is filming from overhead and the two pass two Hereford (or white faced cattle). They must have belonged to a modern local rancher since earlier in the film the settlers brought only longhorn cattle (about half a dozen head) with them. See more »
"Are You Gonna Pull Those Pistols or Whistle Dixie?"
"The Outlaw Josie Wales" was made by Clint Eastwood at a time when westerns were out of favor and the public wanted more of Clint as Dirty Harry. This film as it turned out, was one of Clint's best and certainly ranks up there with the more popular "Unforgiven" (1992).
Josie Wales (Eastwood) is a dirt farmer in Missouri during the American Civil War. One day a group of yankee raiders led by Captain "Red Legs" Terrill (Bill McKinny) attacks and burns his farm and murders his wife and young son while leaving Josie for dead. As Josie ponders what to do next a group of southern raiders led by "Bloody Bill" Anderson (John Russell) takes him into his gang to seek his revenge.
After the South surrenders, a fellow southerner, Fletcher (John Vernon) offers the remaining members of Anderson's gang amnesty if they will swear allegiance to the North. All but Wales agree. Unbeknownst to Fletcher, the men are suddenly murdered by the Union soldiers led by Terrill and in spite of Josie's efforts, only he and a young soldier names Jamie (Sam Bottoms) escape. Terrill and Fletcher are sent to hunt down the fugitives.
Jamie soon dies from his wounds and Josie is left alone. He makes for Mexico but is joined first by Lone Watie (Chief Dan George), then Little Moonlight (Geraldine Kearns) whom Josie rescues from a trading post and finally Laura Lee (Sondra Locke) and Grandma Sarah (Paula Trueman) who he rescues from a gang of Commancheros.
The group makes for Texas where Grandma Sarah's son has left her a ranch. All the time Josie is being pursued by Terrill and assorted bounty hunters. Josie dispatches several of them with his brace of Colt 45 horse pistols.
Finally at the ranch, the group sets up a home and Josie begins to fall for Laura Lee. Fearing an Indian attack, Josie rides to meet with Chief Ten Bears (Will Sampson) and makes peace with him. But finally Terrill and his group of "Red Legs" tracks Josie down and..........
Eastwood who also directed the movie, plays Wales with his usual grim faced persons. He's not afraid to pull his pistols and dispose of anyone who stands in his way. Interestingly enough, Eastwood cast all of the principal Native roles with native actors and treated them as equals and not in the old Hollywood tradition.
An excellent western in every way.
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