Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Josey Wales makes his way west after the Civil War, determined to live a useful and helpful life. He joins up with a group of settlers who need the protection that a man as tough and experienced as he is can provide. Unfortunately, the past has a way of catching up with you, and Josey is a wanted man. Written by
Murray Chapman <email@example.com>
Philip Kaufman started to direct the film but was replaced by Clint Eastwood, a controversial move which prompted the DGA to institute a ban on any current cast or crew member replacing the director on a film - a rule which has ever since been titled the "Eastwood rule." According to biographer Marc Eliot part of the acrimony between Eastwood and Kaufman was a result of both men asking female lead Sondra Locke out to dinner on the same night. Several members of the cast and crew were unhappy with Eastwood and felt that Kaufman had done a lot of the work that Eastwood later took credit for. According to them, it was Kaufman who had chosen the locations, the costumes, and who had cast Chief Dan George, after seeing him in Little Big Man (1970). See more »
When Josey spits tobacco on the forehead of one of the hillbillies with rifles (that he and Jamie just shot) the dead man's eyes are closed. But when the camera cuts back briefly to show him laying on the ground the dead man's eyes have re-opened. See more »
Having grown up with Josie Wales as a household name and being a big fan of westerns, I have to agree with the just about everyones previous comments in describing it as excellent. It represents what a true western is. The story line is captivating and intense. The lead character played by Clint himself could be played by no one else. What some may call "lack of acting" because of lack of dialog only lends itself to the desirability of this film. You find yourself hanging on his next words. Clints one liners are still household expressions nearly thirty years after the movies release. In short this film is one of the best westerns made period. There have been others that Clint has made including the spaghetti westerns and his Oscar winning Unforgiven that add to his credibility as a great actor and film maker. But not many films touch so many levels of emotion. The only letdown to this film is that it had to end and no sequel was followed by Clint. Lastly, it's too bad for the film industry and Eastwood fans like myself that the man has to get old. His take on what entertains an audience is uncompromising. Films like The outlaw Josie Wales and what it represents to the American Culture will be enjoyed for many years to come.
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