After outlaw leader Ben Wade is captured in a small town, his gang continue to threaten. Small-time rancher Dan Evans is persuaded to take Wade in secret to the nearest town with a railway ... See full summary »
Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
Josey Wales makes his way west after the Civil War, determined to live a useful and helpful life. He joins up with a group of settlers who need the protection that a man as tough and experienced as he is can provide. Unfortunately, the past has a way of catching up with you, and Josey is a wanted man. Written by
Murray Chapman <firstname.lastname@example.org>
There were three waves of release: June 23, 1976 in Philadelphia, Chicago, Baltimore, Washington DC; June 30, 1976 in Pittsburgh, Buffalo, Cleveland, Detroit, Denver; July 14, 1976 in Minneapolis, Los Angeles. See more »
After Josey shoots the two men in the cabin/store where he goes to get a horse, he spits tobacco juice on one man's head and the dead man's eyes squint in reaction. However, as Josey steps by the body on the way out, the 'dead body' rotates his head away from camera, indicating that he wasn't quite dead yet. See more »
Certainly Clint Eastwood's best complete movie, the story of a man drawn into hell by the inhumanity of others (specifically, the Redlegs and the Senator), who is redeemed by the humanity of others (the settlers, Lone Wattie and Ten Bears) to recover some semblance of a life after the Civil War. Eastwood's acting is economical (but a far cry from the man-with-no-name character he made famous), and carries the story very well, and his directing style is practically invisible (which is exactly what it should be -- if the director does his job, you should never even notice his contribution). The viewer is entirely caught up in the story of the man. All in all, a brilliant bit of film from Eastwood (who clearly learned everything he could from his own directors, and then combined that knowledge into superb craftsmanship of his own.)
It is interesting to contrast the Jose Wales and Billy Munny (from Unforgiven) characters. Wales seeks to regain his humanity through others; Munny - having regained his humanity from being a Wales-like character at the beginning of the movie - descends willingly into a hell of his own choosing.
58 of 77 people found this review helpful.
Was this review helpful to you?