Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
Robert and Katherine Thorn seem to have it all. They are happily married and he is the US Ambassador to Great Britain, but they want nothing more than to have children. When Katharine has a stillborn child, Robert is approached by a priest at the hospital who suggests that they take a healthy newborn whose mother has just died in childbirth. Without telling his wife he agrees. After relocating to London, strange events - and the ominous warnings of a priest - lead him to believe that the child he took from that Italian hospital is evil incarnate. Written by
It is the greatest mystery of all because no human being will ever solve it. It is the highest suspense because no man can bear it. It is the greatest fear because it is the ancient fear of the unknown. It is a warning foretold for thousands of years. It is our final warning. It is The Omen. See more »
Richard Donner insists a demon has been pursuing the cast and the production staff since the movie came out and plaguing them with accidents, deaths, bad luck and other catastrophes. See more »
When the priest is physically escorted out of the building and down the steps by two guards, pedestrians can also be seen close-by. When the photographer takes a picture of the priest walking past him on the steps, and develops it, neither the security guards nor any pedestrians can be seen anywhere in the photo. See more »
The child is dead. He breathed for a moment. Then he breathed no more. The child is dead. Dead. The child is dead.
See more »
Closing credits epilogue: "Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is 666."
'The Omen' scared the bejesus out of me as a kid. Watching it again all these years later much of its impact has worn off, and yes, it has dated quite badly, but it's still a wonderfully entertaining movie, probably second only to Polanski's 'Rosemary's Baby' in the Satanic/apocalyptic genre. It definitely wipes the floor with recent pretenders like 'Lost Souls' and 'End Of Days'.
One of the reasons it still works is that the actors take the (sometimes silly) material so seriously. And when you have actors of the calibre of Gregory Peck and David Warner it certainly helps. Peck is utterly convincing as the Ambassador who doesn't want to believe the shocking facts staring him in the face, and Warner, who often found himself in second rate b-grade rubbish, obviously relished his role as the inquisitive reporter who helps convince Peck that things are not as normal as they seem. Along with Peckinpah's 'Cross Of Iron', one of his best roles. Lee Remick is strong as Damien's worried mother, Billie Whitelaw chilling as the mysterious governess, and Patrick Troughton ('Dr Who' #2) is very good as a dying priest who knows the truth about the Thorn's son.
Forget the sequels, 'The Omen' is classic Satanic schlock, and still has more than a few scares left in it. Essential viewing for fans of 70s horror.
75 of 105 people found this review helpful.
Was this review helpful to you?