A team consisting of a physicist, his wife, a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove/disprove survival after death. ... See full summary »
A priest from the Vatican is sent to Sao Paulo, Brazil to investigate the appearance of the face of the Virgin Mary on the side of a building. While there he hears of a statue of the Virgin... See full summary »
A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
Robert and Katherine Thorn seem to have it all. They are happily married and he is the US Ambassador to Great Britain, but they want more than to have children. When Katharine has a stillborn child, Robert is approached by a priest at the hospital who suggests that they take a healthy newborn whose mother has just died in childbirth. Without telling his wife he agrees. After relocating to London, strange events - and the ominous warnings of a priest - lead him to believe that the child he took from that Italian hospital is evil incarnate. Written by
Richard Donner and Harvey Bernhard asked Alan Ladd Jr. then the head of Twentieth Century Fox for extra money during the film's post-production period to hire composer Jerry Goldsmith, whose music they strongly felt was right for the movie after seeing him perform a live concert at the Hollywood Bowl earlier that year. Ladd was finally talked into giving Donner and Bernhard around $25,000 to hire Goldsmith, who would deliver his first and only Academy Award win for his score in 1977. Donner credits the success of the film to Goldsmith's score which made the film scarier than it would have been without him. See more »
When Mr. Thorne is in Damien's room with the scissors while he is asleep, you can see Damien's eyes blink. See more »
The child is dead. He breathed for a moment. Then he breathed no more. The child is dead. Dead. The child is dead.
See more »
A great supernatural thriller, undeservedly bashed over the years
"The Omen" was included in a recent book I read of THE 1000 MOVIES YOU MUST SEE BEFORE YOU DIE! - ironic since fellow IMDb user Theo Robertson claims it was included as an entry in a similar book titled THE 50 WORST FILMS OF ALL TIME.
I've always really liked "The Omen" and, like Theo, think it is superior to "The Exorcist." It's more chilling and freaky and subtle. There isn't any fake pea soup here, either. Which isn't to say that "The Exorcist" isn't any good - but it hasn't fared as well over the years.
"The Omen" is just really good. It was released the same year as Exorcist if I'm not mistaken and Gregory Peck gives a fine performance. The part where a character's head is lopped off and rolls across a street in slow-motion, and then director Richard Donner cuts to a whole new sequence, is really chilling and bizarre.
It's that sort of eerie unexplained stuff that makes this, in my opinion, superior to a lot of the other stuff out there - i.e. many other trashy supernatural flicks that don't hold anything against this.
58 of 94 people found this review helpful.
Was this review helpful to you?