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Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the anti-christ? The devil's own son?

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Won 1 Oscar. Another 3 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Martin Benson ...
Robert Rietty ...
Tommy Duggan ...
Priest
John Stride ...
The Psychiatrist
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Nanny
Roy Boyd ...
Reporter
Freda Dowie ...
Nun
Sheila Raynor ...
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Storyline

Robert and Katherine Thorn seem to have it all. They are happily married and he is the US Ambassador to Great Britain, but they want more than to have children. When Katharine has a stillborn child, Robert is approached by a priest at the hospital who suggests that they take a healthy newborn whose mother has just died in childbirth. Without telling his wife he agrees. After relocating to London, strange events - and the ominous warnings of a priest - lead him to believe that the child he took from that Italian hospital is evil incarnate. Written by garykmcd

Plot Summary | Plot Synopsis

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It is the greatest mystery of all because no human being will ever solve it. See more »


Certificate:

R | See all certifications »

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Details

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Release Date:

25 June 1976 (USA)  »

Also Known As:

The Antichrist  »

Box Office

Budget:

$2,800,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

David Warner was suffering terribly with psoriasis during filming to the extent that Gregory Peck took pity on him and paid for him to fly to Switzerland for treatment. See more »

Goofs

Keith Jennings, the photographer, says that Megiddo is 60 miles south of Jerusalem. In fact, it is north of Jerusalem, 22 miles north of Shechem and 15 miles south of Haifa. See more »

Quotes

[first lines]
Father Spiletto: [voiceover] The child is dead. He breathed for a moment. Then he breathed no more. The child is dead. Dead. The child is dead.
See more »

Crazy Credits

Closing credits epilogue: "Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is 666."

Book of Revelation Chapter 13 Verse 18 See more »

Connections

Referenced in Just Like Heaven (2005) See more »

Soundtracks

The Piper Dreams
(uncredited)
Music by Jerry Goldsmith
Arranged by Arthur Morton
Lyrics by Carol Heather Goldsmith
Sung by Carol Heather Goldsmith
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Frequently Asked Questions

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User Reviews

 
Always avoid people born on the 6th June!
13 June 2006 | by (United Kingdom) – See all my reviews

Always avoid people born on the 6th June – especially if they are called Damien and bizarre violent accidents seem to happen to those around them!

Since this film has recently been remade, I thought it would be a good time to look back at the original – a horror classic!

In 1973, 'The Exorcist' broke all boundaries; previously, horror movies had only concentrated on the dark side, there were hardly any references to main stream religions. The basic rule was if the Devil was in it, God wasn't. Even Rosemary's Baby released five years before has hardly any reference to God or a more heavenly supreme being. The reaction that followed the release of The Exorcist was that the public loved it but the censors didn't and it was banned in the UK for twenty five years. The Exorcist may have fallen foul of the censors but it opened the flood gates for this sort of movie and three years later The Omen was released on 06/06/1976.

What do you think a good horror movie should have? Is it a superb cast, a brilliant score, a battle of good versus evil artfully portrayed on screen, or maybe a sinister and ambiguous open ending? No matter which of these sways your opinion 'The Omen' has all these and much, much more!!!

Firstly, let's look at the cast, Lee Remick and Gregory Peck are the leads, these two names are nothing short of Hollywood elite. Lee Remick is perfect as the mother who as the movie progresses realises there is something very wrong with her child. (I'm not sure what tipped her off – was it the baboons attacking her car or her son's feral reaction at the thought of entering a church?) Gregory Peck again is perfectly cast, as no one does noble and principled like Mr Peck. However, it is not only the leads that are terrific, the supporting cast includes David Warner and Tommy Duggan who both put in notable performances but it is Billie Whitelaw that eclipses them all as Damien's overly polite yet sinister nanny.

The score of a horror movie is very important, it has to chill to the bone and help create and maintain a feeling of an ever present danger. Jerry Goldsmith's soundtrack is probably one of the best scores ever written for a horror movie. It is perfect for The Omen, gloomy, disturbing, chilling music, interlaced with what sounds like religious choirs portending the end of the world. It really is that good and if you don't believe me, consider the fact that it won Jerry Goldsmith an Oscar the following year.

By this stage, I know that most of you who were considering going to see the new Omen film at the cinema are now thinking to yourselves 'maybe I will rent the old one instead!' but for the few that are still on the fence here are a few other points to convince you. The 1976 version had a great plot, a child adopted into the corridors of power, whose destiny is to destroy the world, this is a simple and perhaps unoriginal premise however David Seltzer quotes Revelations at every turn and comes up with very original ideas to kill people off. Today, we are used to seeing a lot of blood and gore when people get killed in this genre but this is one thing that the omen lacks. Gore is pre-empted by well choreographed violent outbursts, each one being more frightening and compelling than the last, from a priest being impaled by a church spire to a reporter being decapitated by a pane of glass. These events all build to the foreboding finale. In the last scene we see a little boy, holding the hand of the President of the United States, turning around and smiling at his father's funeral. What greater ending could there be!?!

The Omen stands out in this genre and has stood up to the test of time. To-day horror movies are packed with the latest teenage idols and gratuitous violence has replaced good plots and imaginative thinking. (There are exceptions to this of course, Dog Soldiers, The Ring etc.) The Omen combines, a great cast, a great score, and brilliant storytelling without a teenage idol in sight.


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