Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these flesh eating monsters.
Robert and Katherine Thorn seem to have it all. They are happily married and he is the US Ambassador to Great Britain, but they want nothing more than to have children. When Katharine has a stillborn child, Robert is approached by a priest at the hospital who suggests that they take a healthy newborn whose mother has just died in childbirth. Without telling his wife he agrees. After relocating to London, strange events - and the ominous warnings of a priest - lead him to believe that the child he took from that Italian hospital is evil incarnate. Written by
Religious advisor Robert Munger was the first to suggest making a film about the Antichrist. He pitched the idea to producer Harvey Bernhard who immediately went home and wrote a 10 page treatment. See more »
When Katherine is thrown from the hospital window, we see her crash through the roof of an ambulance. But when she is shown, she barely has any head or facial wounds at all. Plus, the blood that is running from her nose is clearly already dried. See more »
The child is dead. He breathed for a moment. Then he breathed no more. The child is dead. Dead. The child is dead.
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Closing credits epilogue: "Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is 666."
The first and best in the series of films about devil-child Damien teamed a great cast (Gregory Peck, Lee Remick, David Warner, Patrick Troughton, Billie Whitelaw) with Harvey Stephens in a chilling performance as the child.
The deaths most of the cast meet are inventive and in some cases, memorable for many years after viewing the film - giving the opportunity for some unusual and striking visuals, while the whole film is soaked in that loud Goldsmith score to great effect.
The sequels, alas, were poor in comparison, but 'The Omen' stands alone of its type of seventies horror schlock.
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