| Cliff Robertson | ... | Michael Courtland | |
| Geneviève Bujold | ... | Elizabeth Courtland / Sandra Portinari | |
| John Lithgow | ... | Robert Lasalle | |
| Sylvia Kuumba Williams | ... | Maid (as Sylvia 'Kuumba' Williams) | |
| Wanda Blackman | ... | Amy Courtland | |
| J. Patrick McNamara | ... | Third Kidnapper (as Patrick McNamara) | |
| Stanley J. Reyes | ... | Insp. Brie | |
| Nick Kreiger | ... | Farber (as Nick Krieger) | |
| Stocker Fontelieu | ... | Dr. Ellman | |
| Don Hood | ... | Ferguson | |
| Andrea Esterhazy | ... | D'Annunzio | |
| Thomas Carr | ... | Paper Boy | |
| Tom Felleghy | ... | Italian Businessman | |
| Nella Simoncini Barbieri | ... | Mrs. Portinari | |
| John Creamer | ... | Justice of the Peace | |
| Regis Cordic | ... | Newscaster | |
| Loraine Despres | ... | Jane | |
| Clyde Ventura | ... | Ticket Agent | |
| Fain M. Cogrove | ... | Secretary | |
| rest of cast listed alphabetically: | |||
| Robert Harper | ... | Man In Airport (uncredited) | |
| Warren Kenner | ... | (uncredited) | |
Directed by | |||
| Brian De Palma | |||
Writing credits | ||
| Brian De Palma | (story) and | |
| Paul Schrader | (story) | |
| Paul Schrader | (screenplay) | |
Produced by | |||
| Harry N. Blum | .... | producer | |
| Robert S. Bremson | .... | executive producer | |
| George Litto | .... | producer | |
Original Music by | |||
| Bernard Herrmann | |||
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Paul Hirsch | |||
Art Direction by | |||
| Jack Senter | |||
Set Decoration by | |||
| Jerry Wunderlich | |||
Costume Design by | |||
| Frank Balchus | |||
Production Management | |||
| Frank Beetson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Wiliam Pool | .... | assistant director | |
Sound Department | |||
| David M. Ronne | .... | sound | |
| Dan Sable | .... | sound effects editor | |
Special Effects by | |||
| Joe Lombardi | .... | special effects | |
Stunts | |||
| Bob Herron | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Nick McLean | .... | first assistant camera (uncredited) | |
Music Department | |||
| Paul B. Clay | .... | music editor | |
| Louis Halsey | .... | choral director (uncredited) | |
| Bernard Herrmann | .... | conductor (uncredited) | |
| Laurie Johnson | .... | conductor: finale (uncredited) | |
| Christopher Palmer | .... | orchestrator (uncredited) | |
Other crew | |||
| Rachel Griffiths | .... | script supervisor | |
| Hannah Scheel | .... | script supervisor | |
| Rachel Ticotin | .... | production assistant | |
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| Spider-Man 2 | Spider-Man 3 | The Usual Suspects | Bullitt | Flightplan |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
...and so I started depalma's "Obsession" and noticed the screenplay by Paul Schrader and did a double take and saw the score by Bernard Hermann and thought to myself "Taxi Driver"?? This is the fifth film i've seen in a cycle started with "Wedding Party" of early depalma works. It is I believe with this film that depalma finally seems to settle into a consistent film making style... I mean it's really difficult to figure out a directors vision when he jumps between making significant socio-political films like "Hi Mom" to cheezy schlock like "Phantom of the Paradise". Anyways, whether it be Hermann's bi-polar score (see. Taxi Driver) or Paul Hirch's magnificent editing, depalma finally makes a film worthy of a second viewing. If "Sisters" and "Phantom of the Paradise" showed depalma's clever camera play with split screen editing, "Obsession" shows depalma's delicate use of filtering to enhance a feeling of dreaminess and actually stay with a single theme till the end. Finally it's interesting to note the final sequence of the film and it's similarity to what in my opinion is his greatest triumph "Carlito's Way". Check this one out...