New Orleans businessman Michael Courtland's life is shattered when his wife and daughter are tragically killed in a botched kidnap rescue attempt. Many years later whilst visiting Italy he ... See full summary »
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
After a car wreck on the winding Mulholland Drive renders a woman amnesic, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
In Paris, the shy bureaucrat Trelkovsky rents an old apartment without bathroom where the previous tenant, the Egyptologist Simone Choule, committed suicide. The unfriendly concierge (... See full summary »
Mourning his dead child, a haunted Vietnam vet attempts to discover his past while suffering from a severe case of disassociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
New Orleans businessman Michael Courtland's life is shattered when his wife and daughter are tragically killed in a botched kidnap rescue attempt. Many years later whilst visiting Italy he meets and falls in in love with Sandra Portinari, who bears a striking resemblance to his wife. Written by
Col Needham <email@example.com>
The church in Florence significant in the plot of the film is the Church of San Miniato, or San Miniato al Monte (Saint Minias on the Mountain), a Romanesque basilica built in 1018, on the site of a 4th century chapel. See more »
In Robertson's first trip on the paddle-wheel boat to deliver ransom money in 1959, as it takes off, a pan to the street reveals traffic nearby with contemporary (1970's) cars. See more »
...and so I started depalma's "Obsession" and noticed the screenplay by Paul Schrader and did a double take and saw the score by Bernard Hermann and thought to myself "Taxi Driver"?? This is the fifth film i've seen in a cycle started with "Wedding Party" of early depalma works. It is I believe with this film that depalma finally seems to settle into a consistent film making style... I mean it's really difficult to figure out a directors vision when he jumps between making significant socio-political films like "Hi Mom" to cheezy schlock like "Phantom of the Paradise". Anyways, whether it be Hermann's bi-polar score (see. Taxi Driver) or Paul Hirch's magnificent editing, depalma finally makes a film worthy of a second viewing. If "Sisters" and "Phantom of the Paradise" showed depalma's clever camera play with split screen editing, "Obsession" shows depalma's delicate use of filtering to enhance a feeling of dreaminess and actually stay with a single theme till the end. Finally it's interesting to note the final sequence of the film and it's similarity to what in my opinion is his greatest triumph "Carlito's Way". Check this one out...
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