New Orleans businessman Michael Courtland's life is shattered when his wife and daughter are tragically killed in a botched kidnap rescue attempt. Many years later whilst visiting Italy he ... See full summary »
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A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
After a car wreck on the winding Mulholland Drive renders a woman amnesic, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
In Paris, the shy bureaucrat Trelkovsky rents an old apartment without bathroom where the previous tenant, the Egyptologist Simone Choule, committed suicide. The unfriendly concierge (... See full summary »
Director:
Roman Polanski
Stars:
Roman Polanski,
Isabelle Adjani,
Melvyn Douglas
Mourning his dead child, a haunted Vietnam vet attempts to discover his past while suffering from a severe case of disassociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
New Orleans businessman Michael Courtland's life is shattered when his wife and daughter are tragically killed in a botched kidnap rescue attempt. Many years later whilst visiting Italy he meets and falls in in love with Sandra Portinari, who bears a striking resemblance to his wife. Written by
Col Needham <col@imdb.com>
The church in Florence significant in the plot of the film is the Church of San Miniato, or San Miniato al Monte (Saint Minias on the Mountain), a Romanesque basilica built in 1018, on the site of a 4th century chapel. See more »
Goofs
With exception of old cars, nothing in flashbacks to 1959 (hair, clothes, etc.) to remotely indicate that scenes weren't set in mid Seventies. See more »
Quotes
Sandra Portinari:
[noticing Michael watching her paint]
Buon Giorno!
Michael Courtland:
[smiles politely]
Buon Giorno.
Sandra Portinari:
[motions to her painting and speaks in Italian]
Do you like it?
Michael Courtland:
[answering slowly in halting Italian]
I don't speak Italian.
Sandra Portinari:
[speaks in English]
That's okay. I speak English. You are an American?
See more »
"Obsession" is truly the best movie Hitchcock never made.
It came out the same year as the great master of suspense made his last movie, the disappointing "Family Plot", it has a classy, brilliant soundtrack by the legendary Bernard Herrmann that fits nicely in with the work he did for Hitchcock, it has a wonderful script by Paul Schrader that will keep you guessing till the last frame, and last but not least: it's directed by Brian De Palma, who despite being slammed by some (stupid) critics for ripping off Hitchcock should in stead be praised for being able to copy the master better than any other living filmmaker.
Hitchcock is my favorite director of all times, and "Obsession" is so much like one of his films that it's difficult to accept that it was put together by another man. But De Palma doesn't deserve criticism for honoring his idol, he deserves praise for delivering a movie that, had it been made by Hitchcock, would rank among his finest films.
That's quite a feat! If you are a fan of De Palma or Hithcock you are almost guaranteed to love "Obsession", a highly underrated thriller that left me an even greater fan of Robertson, Bujold, Lithgow, De Palma, Schrader, Herrmann and every one else involved. Sit back, enjoy it and watch out for those wonderful last 20 minutes!
27 of 35 people found this review helpful.
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"Obsession" is truly the best movie Hitchcock never made.
It came out the same year as the great master of suspense made his last movie, the disappointing "Family Plot", it has a classy, brilliant soundtrack by the legendary Bernard Herrmann that fits nicely in with the work he did for Hitchcock, it has a wonderful script by Paul Schrader that will keep you guessing till the last frame, and last but not least: it's directed by Brian De Palma, who despite being slammed by some (stupid) critics for ripping off Hitchcock should in stead be praised for being able to copy the master better than any other living filmmaker.
Hitchcock is my favorite director of all times, and "Obsession" is so much like one of his films that it's difficult to accept that it was put together by another man. But De Palma doesn't deserve criticism for honoring his idol, he deserves praise for delivering a movie that, had it been made by Hitchcock, would rank among his finest films.
That's quite a feat! If you are a fan of De Palma or Hithcock you are almost guaranteed to love "Obsession", a highly underrated thriller that left me an even greater fan of Robertson, Bujold, Lithgow, De Palma, Schrader, Herrmann and every one else involved. Sit back, enjoy it and watch out for those wonderful last 20 minutes!