| Jean Carmet | ... | Sergeant Bosselet | |
| Jacques Dufilho | ... | Paul Rechampot | |
| Catherine Rouvel | ... | Marinette | |
| Jacques Spiesser | ... | Hubert Fresnoy | |
| Maurice Barrier | ... | Caprice | |
| Benjamin Memel Atchory | ... | Assomption | |
| Peter Berling | ... | Père Jean de la Croix | |
| Marius Beugre Boignan | ... | Barthelmy | |
| Claude Legros | ... | Jacques Rechampot | |
| Dora Doll | ... | Maryvonne | |
| Baye Macoumba Diop | ... | Lamartine | |
| Jacques Monnet | ... | Père Simon | |
| Dieter Schidor | ... | Kraft | |
| Aboubakar Toine | ... | Fidele | |
| Marc Zuber | ... | Major Anglais | |
| Mamadou Koulibaly | |||
| Helmut Fiker | |||
| Klaus Huebl | ... | Haussmann | |
| Natou Koly | ... | Charlotte | |
| Bertin Kouakou | |||
| T. Kouao | ... | John | |
| Jean-François N'Guessan | ... | Marius |
Directed by | |||
| Jean-Jacques Annaud | |||
Writing credits(in alphabetical order) | ||
| Jean-Jacques Annaud | ||
| Georges Conchon | ||
Produced by | |||
| Arthur Cohn | .... | producer | |
| Jacques Perrin | .... | producer | |
| Giorgio Silvagni | .... | producer | |
Original Music by | |||
| Pierre Bachelet | |||
Cinematography by | |||
| Claude Agostini | |||
Film Editing by | |||
| Françoise Bonnot | |||
Set Decoration by | |||
| Max Douy | |||
Makeup Department | |||
| Gisèle Jacquin | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Dominique Cheminal | .... | first assistant director | |
Sound Department | |||
| Alain Curvelier | .... | sound | |
Music Department | |||
| William Flageollet | .... | music mixer | |
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| Days of Glory | Joyeux Noel | Au Revoir Les Enfants | Captain Conan | La Grande Illusion |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Ivory Coast section |
this film lead me on a odyssey: to see as many films of the former colonial masters views of themselves. none of the other films reached the level of brilliance of Black, White in Color.
the sheer madness of a rag tag ARMY marching to destruction, followed by the racially "superior" colonist being carried in their SEDAN chairs can only be equaled by SPRING TIME FOR Hitler via the Producers. the writers create many great characters and many moments of hilarity follow. some of my favorite moments: the priest"s servant on his Muslim pray rug praying with a Christian cross dangling from his neck. the priests again, being carried in their SEDAN chairs while being throughly mocked by their porters.
the last scenes, with the french consoling the Germans over their loss and the two young strategists comparing notes, self assured of their superiority, can world war two be far?