This homage to the childhood days of the motion pictures starts in 1910, when the young attorney Leo Harrigan by chance meets a motion picture producer. Immediately he's invited to become a...
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This film was Peter Bogdanovich's homage to musical comedies of the 1930s. A millionaire named Michael Oliver Pritchard III and a singer named Kitty O'Kelly meet and fall in love. Meanwhile... See full summary »
Called up for jury duty, Richard Dice finds his first crush and only real, but unrequited love, on trial for murder. Richard desperately tries to prove Mollys innocence while untangling a ... See full summary »
This homage to the childhood days of the motion pictures starts in 1910, when the young attorney Leo Harrigan by chance meets a motion picture producer. Immediately he's invited to become a writer for him - the start of a sensational career. Soon he's promoted to a director and shoots one silent movie after the other in the tiny desert village Cacamonga with a small crew of actors. But the competition is hard: the patent agency sends out Buck Greenway to sabotage them. When they visit L.A., his crew is surprised by a new species: fans! Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Before Rhett kissed Scarlett. Before Laurel met Hardy. Before Butch Cassidy met the Sundance Kid. Before any movie ever made you laugh or cry or fall in love. There was a handful of adventurers who made flickering pictures you could see for a nickel. See more »
A lot is wrong with Peter Bogdanovich's NICKELODEON, which is particularly disheartening since it surely had a good deal of potential. What could have been --- and should have been --- an affectionate tribute to the silent movie masters Bogdanovich clearly idolizes is botched in every way imaginable: The pacing is sluggish, the casting is mostly bad and the acting ranges from the smarminess of Burt Reynolds to the lifelessness of Ryan O'Neal. Reliable actors like Stella Stevens and John Ritter barely register. In a role meant for Orson Welles, Brian Keith overacts to an embarrassing degree. A one time model named Jane Hitchcock has a pivotal role and although extremely fetching, she has the acting range of a young Cybill Shepherd, a distinction that should not be worn as a badge of honor. One major ASSET is the presence of Tatum O'Neal, whose caustic wit is matched by her really great driving!
After directing one great movie and a few really good ones, Bogdanovich's ride to obscurity was propelled by this wreck and AT LONG LAST LOVE released a year earlier. He has yet to fully recover.
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