In the 1970s, terrorist violence is the stuff of networks' nightly news programming and the corporate structure of the UBS Television Network is changing. Meanwhile, Howard Beale, the aging UBS news anchor, has lost his once strong ratings share and so the network fires him. Beale reacts in an unexpected way. We then see how this affects the fortunes of Beale, his coworkers (Max Schumacher and Diana Christensen), and the network. Written by
Bruce Janson <email@example.com>
Peter Finch convinced Sidney Lumet to cast him as Beale over his concerns about his Australian accent, by sending him a recording of him reading the New York Times with a perfect American accent. See more »
After Howard's first on-air meltdown, as Max and the other network executives sample the reaction from other networks, they watch the other newscasts from a bank of three sets, each tuned to a different channel. As Max says he is not surprised each of the other networks is leading with the Beale story, he lowers the volume of each set in turn. The volume drops before Max's hand reaches the dials. See more »
This story is about Howard Beale, who was the news anchorman on UBS TV. In his time, Howard Beale had been a mandarin of television, the grand old man of news, with a HUT rating of 16 and a 28 audience share. In 1969, however, his fortunes began to decline. He fell to a 22 share. The following year, his wife died, and he was left a childless widower with an 8 rating and a 12 share. He became morose and isolated, began to drink heavily, and on September 22, 1975, he was fired, ...
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I just finished watching this movie and was blown away. Sidney Lumet's satire shows the hollowness of television and the mindless generation that is produced from an excess of it. This film is shocking and eye-opening also showing executives' mad quest for ratings.
The acting in this film is superb. Peter finch stars as the TV anchor who becomes an "angry prophet who denounces the hypocrisies of our time." We gradually see how he first preaches to the common everyman, but is then exploited by the slick executives to achieve their one goal: Ratings. Faye Dunaway also shines as the Vice President in charge of programming who finds herself becoming less aware of the difference between television and reality. William Holden also lends fine support.
As the acting and directing in this film are exquisite, the message it portrays is a very strong one. This scathing indictment of TV is necessary for everyone to see.
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