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Network (1976)

R  |   |  Drama  |  27 November 1976 (USA)
8.1
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Ratings: 8.1/10 from 92,795 users  
Reviews: 310 user | 156 critic

A television network cynically exploits a deranged former anchor's ravings and revelations about the news media for its own profit.

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Title: Network (1976)

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Top 250 Movies #174 | Won 4 Oscars. Another 21 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
Arthur Burghardt ...
Bill Burrows ...
TV Director
John Carpenter ...
George Bosch
Jordan Charney ...
Harry Hunter
Kathy Cronkite ...
Mary Ann Gifford
Ed Crowley ...
Joe Donnelly
Jerome Dempsey ...
Walter C. Amundsen
...
Barbara Schlesinger
Gene Gross ...
Milton K. Steinman
Edit

Storyline

In the 1970s, terrorist violence is the stuff of networks' nightly news programming and the corporate structure of the UBS Television Network is changing. Meanwhile, Howard Beale, the aging UBS news anchor, has lost his once strong ratings share and so the network fires him. Beale reacts in an unexpected way. We then see how this affects the fortunes of Beale, his coworkers (Max Schumacher and Diana Christensen), and the network. Written by Bruce Janson <bruce@cs.su.oz.au>

Plot Summary | Plot Synopsis

Taglines:

Prepare yourself for a perfectly outrageous motion picture! See more »

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 November 1976 (USA)  »

Also Known As:

Poder que mata  »

Box Office

Budget:

$3,800,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The film was financed and distributed by United Artists and MGM, despite the fact that UA had recently settled with Paddy Chayefsky in a lawsuit over the company's right to lease his previous film, The Hospital (1971), to ABC-TV in a package with a less successful film. UA originally rejected Network as being too controversial but reconsidered after MGM agreed to make the film. See more »

Goofs

After attending a funeral service, William Holden And Faye Dunaway are talking on a street corner. Holden's hair is a little messy from the wind and passing traffic. A moment later, the two people cross the street and Holden's hair is back in place. See more »

Quotes

[first lines]
Narrator: This story is about Howard Beale, who was the news anchorman on UBS TV. In his time, Howard Beale had been a mandarin of television, the grand old man of news, with a HUT rating of 16 and a 28 audience share. In 1969, however, his fortunes began to decline. He fell to a 22 share. The following year, his wife died, and he was left a childless widower with an 8 rating and a 12 share. He became morose and isolated, began to drink heavily, and on September 22, 1975, he was fired, ...
[...]
See more »

Connections

Featured in Huckabee: Episode dated 6 November 2010 (2010) See more »

Frequently Asked Questions

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User Reviews

 
A Prophet known as Paddy Chayefsky
20 January 2008 | by (Italy) – See all my reviews

To think that this blackest of black comedies was made in 1976 could only means two things: 1) Nothing has changed or 2) Paddy Chayefsky was seeing the future with the most disturbing clarity. I endorse the later of the two because I believe things have changed since 1974 - I wasn't born yet, but I know because of my parents, the movies, literature, etc, etc, etc. Peter Finch as the mad prophet of the airwaves gives Chayefsky a riveting and powerful voice. The scenes between old chums Finch and William Holden are some of the best written scenes in any American movie until the Coen brothers emerged. Finch is superb, superb! and Holden, at the end of a legendary career, gives a performance of such ferocious sincerity that I rediscovered the man, the actor and felt the need to revisit some of his opus. From Golden Boy to Sunset Boulevard, Holden was a man who carried his own discomfort as a weapon. Extraordinary! However, the most alarming character in the whole thing is Faye Dunaway's. She is magnificent in her thin, nervous, bra-less attitude. She is a monster of commercial amorality. Everything in this incredible movie moves with the precision of an inspired clairvoyant's vision. Duvall's executive, Beatrice Straight's betrayed wife and Ned Beatty's god like big shot makes this one of the most frightening, entertaining, funniest, remarkable film from the 70's. Sidney Lumet proves once more that he's as good as his material. Here he is at his zenith.


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