In the 1970s, terrorist violence is the stuff of networks' nightly news programming and the corporate structure of the UBS Television Network is changing. Meanwhile, Howard Beale, the aging UBS news anchor, has lost his once strong ratings share and so the network fires him. Beale reacts in an unexpected way. We then see how this affects the fortunes of Beale, his coworkers (Max Schumacher and Diana Christensen), and the network. Written by
Bruce Janson <email@example.com>
"NETWORK"... the humanoids, the love story, the trials and tribulations, the savior of television, the attempted suicides, the assassination -- it's ALL coming along with a galaxy of stars you know and love! See more »
Peter Finch convinced Sidney Lumet to cast him as Beale over his concerns about his Australian accent, by sending him a recording of him reading the New York Times with a perfect American accent. See more »
Halfway through the first scene in Diana Christianson's office, the door, which had previously been open, is closed. Later, she walks over to the door and closes it again. See more »
This story is about Howard Beale, who was the news anchorman on UBS TV. In his time, Howard Beale had been a mandarin of television, the grand old man of news, with a HUT rating of 16 and a 28 audience share. In 1969, however, his fortunes began to decline. He fell to a 22 share. The following year, his wife died, and he was left a childless widower with an 8 rating and a 12 share. He became morose and isolated, began to drink heavily, and on September 22, 1975, he was fired, ...
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I just finished watching this movie and was blown away. Sidney Lumet's satire shows the hollowness of television and the mindless generation that is produced from an excess of it. This film is shocking and eye-opening also showing executives' mad quest for ratings.
The acting in this film is superb. Peter finch stars as the TV anchor who becomes an "angry prophet who denounces the hypocrisies of our time." We gradually see how he first preaches to the common everyman, but is then exploited by the slick executives to achieve their one goal: Ratings. Faye Dunaway also shines as the Vice President in charge of programming who finds herself becoming less aware of the difference between television and reality. William Holden also lends fine support.
As the acting and directing in this film are exquisite, the message it portrays is a very strong one. This scathing indictment of TV is necessary for everyone to see.
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