| Alain Delon | ... | Mr. Klein | |
| Jeanne Moreau | ... | Florence | |
| Francine Bergé | ... | Nicole (as Francine Berge) | |
| Juliet Berto | ... | Jeanine | |
| Jean Bouise | ... | Le vendeur | |
| Suzanne Flon | ... | La concierge | |
| Massimo Girotti | ... | Charles | |
| Michael Lonsdale | ... | Pierre (as Michel Lonsdale) | |
| Michel Aumont | ... | Le fonctionnaire de la préfecture | |
| Roland Bertin | ... | L'administrateur du journal | |
| Jean Champion | ... | Le gardien de la morgue | |
| Etienne Chicot | ... | Un policier | |
| Magali Clément | ... | Lola (as Magali Clement) | |
| Gérard Jugnot | ... | Le photographe | |
| Hermine Karagheuz | ... | La jeune ouvrière | |
| Elisabeth Kaza | |||
| Dany Kogan | ... | Michelle | |
| Carole Lange | |||
| Lucienne Le Marchand | (as Lucienne Lemarchand) | ||
| Jacques Maury | ... | Le professeur Montandon | |
| Fred Personne | ... | Le commissaire | |
| Francine Racette | ... | Françoise / Cathy | |
| Rosine Rochette | |||
| Isabelle Sadoyan | ... | La femme à la consultation | |
| Louis Seigner | ... | Le père de Robert Klein | |
| Maurice Vallier | |||
| Pierre Vernier | ... | Un policier | |
| François Viaur | |||
| rest of cast listed alphabetically: | |||
| Brigitte Ariel | ... | (uncredited) | |
| Marius Balbinot | ... | (uncredited) | |
| Maurice Baquet | ... | Un musicien (uncredited) | |
| Philippe Brizard | ... | (uncredited) | |
| Jenny Clève | ... | (uncredited) | |
| Raymond Danon | ... | (uncredited) | |
| Alain David | ... | Le groom (uncredited) | |
| Thierry de Brem | ... | (uncredited) | |
| Christian de Tillière | ... | Le commissaire-priseur (uncredited) | |
| Michel Delahaye | ... | (uncredited) | |
| Bernard-Pierre Donnadieu | ... | Extra (uncredited) | |
| Pierre Frag | ... | Le marchand de journaux (uncredited) | |
| Mireille Franchino | ... | (uncredited) | |
| Maurice Jany | ... | Le chauffeur à Ivry-Bataille (uncredited) | |
| Joseph Losey | ... | Man in Vel d'Hiv (uncredited) | |
| Stephane Quatrehomme | ... | Le fils de Pierre (uncredited) | |
| Jean Topart | ... | La voix du speaker (voice) (uncredited) | |
Directed by | |||
| Joseph Losey | |||
Writing credits(in alphabetical order) | ||
| Costa-Gavras | uncredited | |
| Fernando Morandi | collaborator on screenplay | |
| Franco Solinas | written by | |
Produced by | |||
| Ralph Baum | .... | executive producer | |
| Alain Delon | .... | producer | |
| Robert Kuperberg | .... | producer (uncredited) | |
Original Music by | |||
| Egisto Macchi | |||
| Pierre Porte | |||
Cinematography by | |||
| Gerry Fisher | (director of photography) | ||
Film Editing by | |||
| Marie Castro-Vasquez | (as Marie Castro-Vazquez) | ||
| Henri Lanoë | |||
| Michèle Neny | (as Michele Neny) | ||
Casting by | |||
| Margot Capelier | |||
| Dominique Lallier | |||
Art Direction by | |||
| Alexandre Trauner | |||
Set Decoration by | |||
| Pierre Charron | |||
| Gérard James | (as Gerard James) | ||
Costume Design by | |||
| Colette Baudot | |||
| Annalisa Nasalli-Rocca | |||
Makeup Department | |||
| Françoise Andrejka | .... | makeup artist (as Andrejka) | |
| Michel Deruelle | .... | makeup artist | |
| Pierre Vadé | .... | hair stylist (as Pierre Vade) | |
Production Management | |||
| Ludmilla Goulian | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Philippe Baronnet-Fruges | .... | assistant director | |
| Rémy Duchemin | .... | assistant director | |
| Philippe Monnier | .... | assistant director | |
Art Department | |||
| Henri Berger | .... | props | |
| Pierre Duquesne | .... | set designer | |
| Olivier Girard | .... | set designer | |
| Michel Suné | .... | props (as Michel Sune) | |
Sound Department | |||
| Maurice Dagonneau | .... | sound | |
| Jean Labussière | .... | sound (as Jean Labussiere) | |
| Alex Pront | .... | sound mixer | |
| Federico Savina | .... | sound mixer | |
Special Effects by | |||
| Georges Iaconelli | .... | special effects | |
Camera and Electrical Department | |||
| Richard Andry | .... | camera operator | |
| Pierre-William Glenn | .... | camera operator | |
| Jean-Francis Gondre | .... | camera operator | |
| Charles Lefèvre | .... | chief electrician (as Charles Lefevre) | |
| Victor Rodrigue | .... | still photographer | |
| René Strasser | .... | key grip (as Rene Strasser) | |
Music Department | |||
| Georges Bacri | .... | music editor: Pema Music | |
| Georges Bacri | .... | music producer: Pema Music | |
| Georges Bacri | .... | musical director | |
| Egisto Macchi | .... | conductor | |
| Pierre Porte | .... | conductor | |
Other crew | |||
| Reginald Beck | .... | direction consultant | |
| Alain Boucheron | .... | jewellery | |
| Christine Brierre | .... | press attache | |
| Jérôme Brière | .... | press attache (as Jerome Brierre) | |
| Nicole Cateux | .... | administrator | |
| Simone Clément | .... | production secretary (as Simone Clement) | |
| Raymond Danon | .... | presenter | |
| Alain Delon | .... | presenter | |
| Robert Kuperberg | .... | presenter | |
| Jean-Pierre Labrande | .... | presenter | |
| Michele Lalune | .... | general manager | |
| Maurice Lasserre | .... | furrier | |
| Claude Levy | .... | historian | |
| Lucie Lichtig | .... | script supervisor | |
| Dominique Rigaux | .... | general manager | |
| Frantz Salieri | .... | cabaret show devised and directed by | |
| Gille Schneider | .... | general manager | |
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| Bon voyage | The Accompanist | Au Revoir Les Enfants | 8½ | Madame Bovary |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
For many of those who have seen all of Joseph Losey's significant films, MR. KLEIN is the greatest after THE SERVANT. Some even call MR. KLEIN Losey's finest achievement. It's telling of our fragmented film culture that such an accomplished work of art remains unknown, even to many serious film buffs. For years, we had to settle for an English-dubbed, panned & scanned VHS tape. But the greatness of MR. KLEIN showed through even that medium.
Now the film is available on a high-quality DVD. The transfer is very fine, with the broad color palette ringing out. And the widescreen aspect of the film can be appreciated by many who have never seen it look so good.
MR. KLEIN is a work of which its director should have been proud. It's intelligent, intriguing, moving, funny, and beautiful. Like THE SERVANT, it has at its center an ambiguous hero by whom one is, at turns, repelled and attracted.
This may also be the greatest acting achievement of Alain Delon. The charismatic French actor's still-stunning good looks sometimes can distract from appreciating his genuine talent. Delon probably never gave a bad performance in any film. But MR. KLEIN provides him with a wide range and depth that he is more than capable of handling. It's mostly a quiet performance, with few outbursts. Delon is required to react, which he does brilliantly at several points, or to express the meaning of scene through posture and facial expression alone. One subtle example is the scene early on, where the mistress is on the bed in the background, wondering if she should get up. Delon is seated at his desk, half-listening to her trivialities. He has far more pressing issues on his mind. The actor perfectly conveys the ambivalent, trapped situation through small body gestures and tone of voice. When he finally rises to address the mistress's concerns, his forced tone is also exactly right for the moment. Later, Delon plays Klein's mixture of desperation and arrogance with so much conviction, it's easy to forget he is, after all, acting.
MR. KLEIN is a film of rich interiors, and eye-catching, but not ostentatious, location shooting. It looks tremendous on DVD and it can leave the viewer devastated, but undeniably impressed by the genius of Joseph Losey and Alain Delon.