6.6/10
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65 user 41 critic

The Missouri Breaks (1976)

PG | | Drama, Western | 22 May 1976 (USA)
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.

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Cast

Cast overview, first billed only:
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John McLiam ...
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Si (as John Ryan)
Sam Gilman ...
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Pete Marker
James Greene ...
Hellsgate Rancher
...
Rancher's Wife
Danny Goldman ...
Baggage Clerk
Hunter von Leer ...
Sandy (as Hunter Von Leer)
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Storyline

Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.

Plot Summary | Plot Synopsis

Taglines:

One Steals, One Kills, One Dies

Genres:

Drama | Western

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

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Release Date:

22 May 1976 (USA)  »

Also Known As:

Missouri  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Co-stars Jack Nicholson and Marlon Brando were neighbors, living on Mulholland Drive in Hollywood, CA. They had never worked together prior to this film. See more »

Goofs

When Tom and Jane mount the same horse, one in front each other, her modern white underwear appears for a while. See more »

Quotes

Tom Logan: I couldn't get no credit at the whorehouse, so I picked up this chubby little girl off some sodbuster's outfit.
Tom Logan: How was she?
Tittle Tod: About like a Swiss clock... same exact movement over and over again.
See more »

Connections

Featured in Marlon Brando: The Wild One (1996) See more »

Soundtracks

Oh! Susanna
(uncredited)
Written by Stephen Foster
Performed by Cast
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User Reviews

 
Much better than most would have you believe
19 July 2003 | by (Saint Paul, MN) – See all my reviews

This film has suffered some pretty undue criticism. It gets the dreaded `BOMB' rating in Leonard Maltin's guide, followed by `The worst film of a great director.' I haven't seen more than a couple of Penn's other films, so I can't comment on that, but it is hardly a bomb. Sure, it is a little slow moving, and it doesn't quite feel like the themes of the film were totally panned out, but most of the film is very good. I'm assuming Brando's the problem with most of the film's detractors. Wow, is his performance weird here. If you ever wanted to find the missing link between The Godfather and Apocalypse Now, here it is. He plays a bounty hunter of sorts hired to discover some horse thieves and murderers. This character is very eccentric, and I'm guessing that Brando had a lot of artistic input on this one based on his later career. He's basically a psycho killer, and he seems much more lawless than the criminals he's seeking. He also speaks with an Irish brogue, some of the time. Personally, the waxing and waning accent is my only real problem with the role, and I'm not a big accent baby anyway. It's a tiny flaw in what is otherwise a very interesting performance. Brando creates a very memorable character. Jack Nicholson plays his rival. He's almost ready to go straight, having found a nice, small ranch and a girlfriend (Kathleen Lloyd). His performance is subdued, and I really think Nicholson is best when he's like that. This isn't his greatest performance, but it is subtle and it's very good. The flaws of the film are offset by the number of great scenes in it. Almost every single actor gets one scene alone with Brando, and both Randy Quaid and Harry Dean Stanton deliver excellent performances especially in those scenes. Nicholson's two best scenes are also alone with Brando. I would guess than he had something to do with their co-star; I do think Brando deserves some credit for the excellence of these scenes. Penn's direction is nothing to write home about. I love the two other films I've seen by him, Mickey One and Bonnie and Clyde, but, let's face it, he was more or less ripping off the Italian and French cinemas of the time, respectively. Missouri Breaks is much more straighforward in that respect, and perhaps it is here that it could have used a boost of energy. 8/10.


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