6.6/10
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16 user 31 critic

Maîtresse (1976)

A common thief (Depardieu) breaks into the house of a professional dominatrix (Ogier), and begins to help her "train" her clients. Though this world is alien to his experience, he finds ... See full summary »

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Cast

Complete credited cast:
...
...
André Rouyer ...
Mario
Nathalie Keryan ...
Lucienne
Roland Bertin ...
Man in Cage
Tony Taffin ...
Emile
...
Gautier
Anny Bartanovski ...
Secretary
Serge Berry ...
Valet
Richard Caron ...
First Client
Pierre Devos ...
Bistro Patron
Jeanne Herviale ...
Concierge
Michel Pilorgé ...
Male Guest
Cécile Pochet ...
Female Guest
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Storyline

A common thief (Depardieu) breaks into the house of a professional dominatrix (Ogier), and begins to help her "train" her clients. Though this world is alien to his experience, he finds himself falling in love with her. Eventually he discovers that she does this in order to support her son, and he attempts to help her out of this life, which she is not sure she really wants to leave. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

She will open your eyes.

Genres:

Drama | Romance

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

11 February 1976 (France)  »

Also Known As:

Mistress  »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

| (uncut) | (1981, cut)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

It is claimed that Parisian masochists didn't merely volunteer for treatment in the Dungeon scenes, but actually paid for the privilege. See more »

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User Reviews

 
Like Von Sacher-Masoch's 'Venus in Furs', it's good when they get down to it
20 May 2004 | by (Ireland) – See all my reviews

*** NB: THIS COMMENT MAY CONTAIN SPOILERS. ***

The costumes in particular are dismayingly authentic and convincing, recalling original fetish heroine Diana Rigg in 60's TV series 'The Avengers.' Spike-heel ankleboots, trousers, corset, cloak and gloves all in the sleekest of black leather; add to this a purple velvet shawl, a perfect black wig and Bull Ogier's timeless bemused innocence, and a masochist's screen starlet is born. Her spot-on kinkiness is, if anything, a more cultivated progression on her English predecessor: one gruesome episode aside, she does precisely all the things you wished Emma Peel would do. In short, Schroeder's feature's impact is greatest at its most simple and straightforwardly visual i.e. when Arianne dons the leathers, wields her whips and coolly dispenses the sport to her minions. If (like me) this is your chief interest in the film - and it might well be - then yes, certainly, do seek it out.


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