Sigismond (Joe Dallesandro) is a man lost in an erotic haze which clouds his judgment. Early in the film, it is evident that the man has a physically passionate relationship with his wife, ... See full summary »
The head of a failing French family thinks that fate has smiled down on him when the daughter of a wealthy man agrees to be married to his son. The daughter and her aunt then travel out to ... See full summary »
Four erotic tales from in various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, ... See full summary »
[American version.] Emmanuelle has a streak of bad luck that starts when she is stripped by a mob of adoring fans at the Cannes Film Festival. Her rotten luck continues when the dictator of... See full summary »
Dana Burns Westburg
Rick, who runs a pinball arcade, lets a room to Penny, a young teacher and karate fan. Penny gets to know Lilly, a singer who has just been hired with her friend Ed to act in a film. But ... See full summary »
Rijk de Gooyer,
A witty and eye-opening tour through Borowczyk's own collection of vintage erotica. Originally intended as part of his 'Contes immoraux', it was released first as a separate short, and is ... See full summary »
Sigismond (Joe Dallesandro) is a man lost in an erotic haze which clouds his judgment. Early in the film, it is evident that the man has a physically passionate relationship with his wife, with whom he has a son. While on a business trip to Paris, he comes under the spell of a famous, beautiful prostitute (Sylvia Kristel) who resembles his wife. However, his efforts to monopolize her attention are not appreciated by her pimp, and he is severely beaten. When he gets a letter informing him of the death of his wife and son, he is totally devastated. Written by
La Marge is the kind of film conventional film critics hate to review, because it does not quite fit into these little genre boxes they have in their heads.
In its cinematography and story-telling La Marge is very much like an Art House picture: we have emotions, tragedy, laughter, silence, pictures telling a story, plot twists, slow pace, all the ingredients you might expect in the most toffee-nosed productions only people with a university degree are supposed to enjoy. And yet, it is also a piece of erotica, shamelessly exploitative and very effective in its abundant use of (mostly) female nudity and its sex scenes.
Erotic cinema does not get any classier than this.
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