Marathon Man (1976)

Director:

John Schlesinger

Writers:

William Goldman (screenplay)
William Goldman (novel)

Release Date:

8 October 1976 (USA)

Genre:

Crime | Drama | Thriller

Plot:

A graduate history student is unwittingly caught in the middle of an international conspiracy involving stolen diamonds, an exiled Nazi war criminal, and a rogue government agent.

Plot Keywords:

War Criminal | Nazi | Dentist | New York | Diamond

Awards:

Nominated for Oscar. Another 3 wins & 9 nominations

Cast

Dustin Hoffman	...	Babe
Laurence Olivier	...	Szell
Roy Scheider	...	Doc
William Devane	...	Janeway
Marthe Keller	...	Elsa
Fritz Weaver	...	Professor Biesenthal
Richard Bright	...	Karl
Marc Lawrence	...	Erhard
Allen Joseph	...	Babe's Father
Tito Goya	...	Melendez
Ben Dova	...	Szell's Brother
Lou Gilbert	...	Rosenbaum
Jacques Marin	...	LeClerc
James Wing Woo	...	Chen
Nicole Deslauriers	...	Nicole
Lotte Palfi Andor	...	Old Lady on 47th Street (as Lotta Andor-Palfi)
Lionel Pina	...	Street Gang
Church	...	Street Gang
Tricoche	...	Street Gang
Jaime Tirelli	...	Street Gang
Wilfredo Hernández	...	Street Gang (as Wilfredo Hernandez)
Harry Goz	...	Jewelry Salesman
Michael Vale	...	Jewelry Salesman
Fred Stuthman	...	Jewelry Salesman
Lee Steele	...	Jewelry Salesman
William Martel	...	Bank Guard
Glenn Robards	...	Plainclothesman
Ric Carrott	...	Plainclothesman
Alma Beltran	...	Laundress
Daniel Núñez	...	Guard in Uruguay (as Daniel Nunez)
Tony Pena	...	Guard in Uruguay
Chuy Franco	...	Guard in Uruguay
Billy Kearns	...	Tourist Couple
Sally Wilson	...	Tourist Couple
Tom Ellis	...	T.V. Announcer
Bryant Fraser	...	Young Photographer
George Dega	...	Hotel Valet
Gene Bori	...	French Doctor
Annette Claudier	...	Nurse
Roger Etienne	...	Headwaiter
Raymond Serra	...	Truck Driver (as Ray Serra)
John Garson	...	Bystander
Charlott Thyssen	...	Bystander
Estelle Omens	...	Bystander
Madge Kennedy	...	Lady in Bank
Jeff Palladini	...	Young Babe
Scott Price	...	Young Doc
rest of cast listed alphabetically:
Abebe Bikila	...	Himself (archive footage) (uncredited)
S.C. Dacy	...	Innocent Bystander (uncredited)
Shawn McAllister	...	Mechanic (uncredited)
Irving Metzman	...	Accident Witness (uncredited)
Louis Tanno	...	(uncredited)
Treat Williams	...	Central Park Jogger (uncredited)

Directed by
John Schlesinger

Writing credits
William Goldman		(screenplay)
William Goldman		(novel)

Produced by
Sidney Beckerman	....	producer
Robert Evans	....	producer
George Justin	....	associate producer

Original Music by
Michael Small		(music composed by)

Cinematography by
Conrad L. Hall		(as Conrad Hall)

Film Editing by
Jim Clark

Casting by
Jane Feinberg
Mike Fenton

Production Design by
Richard Macdonald		(as Richard MacDonald)

Art Direction by
Jack De Shields

Set Decoration by
George Gaines

Costume Design by
Robert De Mora		(costumes)

Makeup Department
Barbara Lorenz	....	hair stylist
Ben Nye	....	make-up artist
Dick Smith	....	special make-up consultant
Brad Wilder	....	makeup artist (uncredited)

Production Management
Stephen F. Kesten	....	unit production manager
Lindsley Parsons Jr.	....	executive production manager: Paramount (uncredited)

Second Unit Director or Assistant Director
Everett Creach	....	second unit director
Burtt Harris	....	assistant director
Hawk Koch	....	assistant director (as Howard W. Koch Jr.)
William Saint John	....	second assistant director

Art Department
Bill MacSems	....	property master

Sound Department
David M. Ronne	....	sound mixer (as David Ronne)
Edward L. Sandlin	....	sound editor
Fred Stafford	....	sound editor (as Freddie Stafford)
John Wilkinson	....	re-recording mixer (as John K. Wilkinson)
Robert Rogow	....	boom operator (uncredited)

Special Effects by
Richard E. Johnson	....	special effects
Charles Spurgeon	....	special effects

Stunts
Everett Creach	....	stunt coordinator
Rock A. Walker	....	stunt driver (uncredired)
Jerry Brutsche	....	stunt driver (uncredited)
Frank Orsatti	....	stunts (uncredited)
Jerry Summers	....	stunt driver (uncredited)

Camera and Electrical Department
Holly Bower	....	stills
Garrett Brown	....	special photography
Earl L. Clark	....	assistant camera (as Earl Clark)
Charles Langham	....	best boy
Rick Martens	....	gaffer (as Richard Martens)
Nick McLean	....	camera operator
Robert Moore	....	key grip (as Robert C. Moore)
Peter Sorel	....	stills

Casting Department
Juliet Taylor	....	casting: New York

Costume and Wardrobe Department
Robert M. Moore	....	wardrobe
Bernie Pollack	....	wardrobe

Editorial Department
Arthur Schmidt	....	associate editor
Dennis Wooley	....	assistant editor

Music Department
Jack Hayes	....	orchestrations
Patrick Moore	....	music editor
Michael Small	....	music conducted by

Transportation Department
Kelly Aldrich	....	driver: John Schlesinger (uncredited)

Other crew
Cathy Chazan	....	assistant: Mr. Evans
Michael Childers	....	assistant to producers
Giancarlo Giannini	....	voice dubbing: : Dustin Hoffman
Mark Griffiths	....	coordinator: AFI
Roland Meledandri	....	clothes: Roy Scheider
Dan Perri	....	title design
Nicholas Sgarro	....	script supervisor (as Nick Sgarro)
Karen Hale Wookey	....	script supervisor (uncredited)

Production Companies

• Paramount Pictures (presents)

Distributors

• Paramount Pictures (1976) (USA) (theatrical)
• Paramount Home Video (2002) (USA) (DVD)
• Cinéma International Corporation (CIC) (1977) (Sweden) (theatrical)
• CIC Vídeo (Brazil) (VHS)
• Columbia Broadcasting System (CBS) (1979) (USA) (TV) (original airing)
• Esselte Video (????) (Sweden) (VHS)
• Fotomat (Drive-Thru Movies) Video (1979) (USA) (VHS)
• Paramount Filmes do Brasil (Brazil) (DVD)
• Paramount Home Entertainment (2002) (Italy) (DVD)
• Paramount Home Video (1997) (USA) (VHS)
• Paramount Home Video (1997) (USA) (laserdisc)

Other Companies

• Connaught Productions  services
• Decca Records  "Dors, ô cité perverse!" courtesy of (as London and Decca Records)
• Maslansky Koenigsgerg  publicity
• Polydor Records  "Der Neugierige" used by arrangement with (as Polydor Inc.)

Runtime:

125 min

Country:

USA

Language:

English | French | German | Spanish | Yiddish

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono | Stereo

Certification:

Iceland:16 | Singapore:M18 | Sweden:15 | UK:X (original rating) | Brazil:14 | South Korea:18 | Argentina:18 | New Zealand:R16 | Australia:M | Finland:K-15 (re-rating) (2003) (uncut version) | Finland:K-16 (1988) (cut version) | France:-16 | Ireland:18 | Italy:VM18 | Netherlands:16 | Norway:15 | Norway:16 (1977) | Spain:18 | UK:18 | USA:R | West Germany:16

Filming Locations:

47th Street, Manhattan, New York City, New York, USA

Company:

Paramount Pictures

Trivia:

Although the film takes place in New York, at least two sequences were filmed in Los Angeles: the scene where Roy Scheider meets Laurence Olivier was filmed in front of the red steps statue in downtown Los Angeles in the Arco Plaza; and the library scene where Dustin Hoffman meets Marthe Keller was filmed at the Doheny Library on the University of Southern California campus. Coincidentally, Hoffman filmed scenes on the same campus ten years earlier in the landmark The Graduate (1967).

Goofs:

Continuity: When Tom is chasing the other runner, who said "behind schedule?" the distance that Tom lags the other runner changes.

Quotes:

Janeway: My name's Peter Janeway. But you can call me Janey, all of my friends do.
Babe: I'm not your friend.

Movie Connections:

Referenced in The Holiday (2006)

Soundtrack:

Le Tram

Solid (and Depressing) Thriller

1970s movies are so cynical, aren't they? Dark, depressing, and often grainy-looking and washed out. "Marathon Man" fits that description. It's good, of course - very good - but it's not exactly a good time. Know what I mean?

William Goldman, one of Hollywood's few celebrity screenwriters, wrote both the original novel and the script for this film version. I find him a bit overrated, but here he does a good job of elevating hack-level thriller material into a sort of art form. The beginning of the film is particularly well-written and intriguing, since it's full of creepy and cryptic events that are not immediately explained. But, alas, I find the ultimate explanation of these events to be rather prosaic and disappointing.

So, I think the movie's strengths lie in the acting and directing, more so than the story. Olivier and Scheider give particularly great performances, and Marthe Keller comes across as appropriately sweet and sexy (her big "secret," though, should be really easy for anyone to guess!) I'm a little less enamored of Dustin Hoffman, whose character is inexplicably nicknamed "Babe." He's just way too old to be a typical graduate student (almost forty years old, to be precise), and he simply doesn't have much charisma to me. Usually I like normal-looking, non-glamorous actors, but somehow Hoffman doesn't float my boat.

Still, it's hard not to sympathize with the poor guy while he's being pursued, beaten, tortured etc. The "dental horror" scene is still quite effective, though it's rather short; I was more impressed by the subsequent chase through the dark streets of NYC. (The city, by the way, looks like a hellish, crime-infested, debris-strewn pit in this movie - like it does in most 1970s productions!)

In the end, "Marathon Man" isn't quite another "French Connection," but it's got more than enough suspense to crush a lot of the dross that infests theaters today. It's worth watching just for the terrifying scene when the bad guys start tearing Hoffman's door off its hinges - it's good stuff.