7.5/10
47,017
169 user 91 critic

Marathon Man (1976)

A graduate history student is unwittingly caught in the middle of an international conspiracy involving stolen diamonds, an exiled Nazi war criminal, and a rogue government agent.

Director:

Writers:

(screenplay), (from: his novel)
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Popularity
4,135 ( 358)

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Nominated for 1 Oscar. Another 4 wins & 9 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Doc
...
...
...
Richard Bright ...
Karl
...
Erhard
Allen Joseph ...
Babe's Father
Tito Goya ...
Ben Dova ...
Lou Gilbert ...
Rosenbaum
Jacques Marin ...
LeClerc
James Wing Woo ...
Chen
Nicole Deslauriers ...
Nicole
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Storyline

In New York, the brother of an infamous Nazi war criminal in hiding is killed in a head-on collision with an oil truck. Shortly thereafter, members of a covert U.S. government group called the Division begin being murdered one by one. Meanwhile, graduate student and marathon runner Thomas "Babe" Levy researches history as his father, who committed suicide after the Communist witch hunts of the McCarthy era ruined his reputation. When he sees his brother, one Division member, stabbed to death, it is revealed that Christian Szell, the White Angel of Auschwitz, is wrapping up loose ends to smuggle priceless diamonds from the United States. Written by Anthony Hughes <husnock31@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

A thriller. See more »

Genres:

Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | |

Release Date:

8 October 1976 (USA)  »

Also Known As:

Der Marathon-Mann  »

Box Office

Budget:

$6,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Madge Kennedy's final cinematic appearance. See more »

Goofs

As Chen approaches Doc in his Parisian hotel room, Doc puts his right hand reflexively up to his face, as if anticipating Chen's garrote, yet he actually does not know Chen is behind him. See more »

Quotes

Christian Szell: [to Babe] You're weak. Your father was weak in his way, your brother in his, now you in yours. You are all so predictable.
See more »

Crazy Credits

The ending credits scroll with Babe's jogging route as a backdrop. See more »

Connections

Referenced in Z Channel: A Magnificent Obsession (2004) See more »

Soundtracks

Dors, o cité oerverse
(1881)
(from 'Hérodiade')
Music by Jules Massenet (as Massenet)
Libretto by Paul Milliet (uncredited) and Henry Grémont (uncredited)
Sung by Joseph Rouleau, with the The Orchestra of the Royal Opera House (Royal Opera House Covent Garden Orchestra)
Conducted by John Matheson
Courtesy of London and Decca Records
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User Reviews

 
Ghosts of the Holocaust on New York City streets...
1 March 2008 | by (las vegas, nv) – See all my reviews

Dustin Hoffman looks in great shape playing a Columbia graduate student, still haunted by his father's suicide (and perhaps in training for the New York marathon), who gets mixed up by proxy in his nefarious older brother's activities; seems his sibling has been working secretly as a courier in stolen gems, and has run afoul of Szell, a.k.a. The White Angel, the most notorious Nazi war-criminal still alive. Director John Schlesinger exercises a gleefully nasty side here, staging some dental torture scenes that are just about impossible to watch, yet not all of the pieces in William Goldman's adaptation of his own bestseller fit accordingly; Schlesinger just presses ahead so that the story gaps won't be so noticeable. There's much zig-zagging across the continents at the beginning, with red herrings, street bombs, and character intricacies just swept under the carpet. We learn so little about Hoffman's brother (played by an equally fit Roy Scheider) that, by the film's climax, we still don't know whose side he was he on--or why his cohorts lost trust in him. Marthe Keller's German mystery beauty is another character muddle, a pretense of writer Goldman who was really out to stack this deck against Hoffman's runner. Laurence Olivier's knife-wielding Nazi beast is perplexing as well, alternating a steely coldness with an aged confusion (why, for instance, is he staking out jewelry stores just for today's market values--isn't the diamond trade this man's forte?). The film could have eased up a bit on the torture scenes (which aren't really suspenseful as much as they excruciating) and been a bit more clear-headed about the chess game taking place. It leaves a bushel of questions behind, though it is a handsome piece of work, well-cast and with an intrinsically satisfying finale. *** from ****


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