Tom Levy, who is nicknamed Babe by his older brother Henry Levy, an oil executive who in turn is nicknamed Doc by Tom, is a Ph.D. candidate in History at Columbia University. He is also training to run a marathon. Tom is paying homage to his deceased father, H.B. Levy, in pursuing the same studies as him, his father who committed suicide while being under investigation solely for being a Jew. Tom's work doesn't sit well with Doc who wants Tom to move on with his life. While at Columbia, Tom meets and begins to date Elsa Opel, a foreign exchange student also in History. While out for a walk in Central Park late one day, Tom and Elsa are mugged, the unusual aspect of it being that their attackers were men in suits. Tom will learn that the mugging was not a random attack after someone close to Tom is found murdered, the deceased who was not who he purported to be. From here, Tom is thrown into an international plot concerning a WWII Nazi named Christian Szell in hiding, and a large cache... Written by
The first film to use Steadicam that saw theatrical release. See more »
As Chen approaches Doc in his Parisian hotel room, Doc puts his right hand reflexively up to his face, as if anticipating Chen's garrote, yet he actually does not know Chen is behind him. See more »
Listen, why don't we begin with what happened tonight, hmm? Perhaps you could... you know, give me some of the details.
I was here, Doc... died, you came.
I'm a demon for details.
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The ending credits scroll with Babe's jogging route as a backdrop. See more »
I have always found this to be a very entertaining, involving, taut suspense movie with some very dramatic scenes. I've seen in three times and liked it better each time, particularly since it's been available on DVD which enhanced the sound from mono to stereo, and the 1.85:1 widescreen enhancing the cinematography.
I didn't find the infamous (this was quite a buzz when the film came out) dentist scene to be as terrifying as it was made up to be and the references to the McCarthy hearings are a bit annoying and typical of Hollywood director John Scheslinger. It's also a typical modern-day film in which the U.S government's police agencies are corrupt (oh, puhleeze, filmmakers - think of something new).
However, despite those negatives, the film is fascinating with no dry spots despite its two-hour length. There is a nice variety of action scenes and very interesting characters. Marthe Keller never looked better. Too bad she didn't make more movies in the U.S. Dustin Hoffman, as he did so well in the '70s, keeps your attention and Laurence Olivier is absolutely riveting. This is a terrific thriller, start to finish.
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