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Marathon Man (1976)

R  |   |  Crime, Mystery, Thriller  |  8 October 1976 (USA)
7.5
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Ratings: 7.5/10 from 40,746 users  
Reviews: 158 user | 80 critic

A graduate history student is unwittingly caught in the middle of an international conspiracy involving stolen diamonds, an exiled Nazi war criminal, and a rogue government agent.

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(screenplay), (from: his novel)
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Title: Marathon Man (1976)

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Nominated for 1 Oscar. Another 4 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Doc
...
...
...
Richard Bright ...
Karl
...
Erhard
Allen Joseph ...
Babe's Father
Tito Goya ...
Ben Dova ...
Lou Gilbert ...
Rosenbaum
Jacques Marin ...
LeClerc
James Wing Woo ...
Chen
Nicole Deslauriers ...
Nicole
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Storyline

In New York, the brother of an infamous Nazi war criminal is killed in a head-on collision with an oil truck. Shortly thereafter, members of a covert U.S. government group called the Division begin being murdered one by one. Meanwhile, graduate student and marathon runner Thomas "Babe" Levy researches history as his father, who committed suicide after the Communist witch hunts of the McCarthy era ruined his reputation. When he sees his brother, one Division member, stabbed to death, it is revealed that Christian Szell, the White Angel of Auschwitz, is wrapping up loose ends to smuggle priceless diamonds from the United States. Written by Anthony Hughes <husnock31@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

A thriller. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | |

Release Date:

8 October 1976 (USA)  »

Also Known As:

Der Marathon-Mann  »

Box Office

Gross:

SEK 1,766,051 (Sweden)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Laurence Olivier was so afraid that he would accidentally hurt Dustin Hoffman while filming the torture scene that he would constantly ask Hoffman if he was all right after shooting a take. As a joke, Hoffman tried to make Olivier think that he had really hurt him by screaming in a very convincing and unexpected manner. See more »

Goofs

In the diamond shop, the Auschwitz victim that Szell eventually slashes had his Auschwitz tattoo on the outside of his wrist. Auschwitz tattoos for Jewish inmates were generally on the forearm. See more »

Quotes

Janeway: All right, you guys! Let's go! Move out of there!
Melendez: Blow it out your ass, motherfucker!
See more »

Crazy Credits

The end credits scroll with Babe's jogging route as a backdrop. See more »

Connections

Referenced in The Silence Within (1996) See more »

Soundtracks

Le Tram
Music by Charles Mougeot (as C. Mougeot)
See more »

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User Reviews

 
Schlock Flick Masquerading as a Prestige Picture
1 March 2008 | by (United States) – See all my reviews

The high ratings for Marathon Man are no doubt focused on the substantial talent assembled to pull it off, and they succeed as long as one dispenses with every expectation of logic or common sense. Schlesinger builds substantial suspense, and there are plenty of satisfying scenes, but the plotting and story points are ridiculous beyond measure. This might not be a problem if it were any other type of picture, but the progressive unfolding of an initial puzzle to a somewhat sensible (or at least rational) set of revelations is one of the hallmarks of the government intelligence thriller. The story here, however, is so thin that virtually nothing happens for the entire first half of the picture, and the second half is really nothing more than one long chase sequence. The biggest problem is that the central objective of the action is precipitated by a murder that, if contemplated for more than about twenty seconds, reveals itself to make absolutely no sense whatsoever. And the illogical story points are not just structural. There are numerous details throughout that are obviously (and, to my mind, condescendingly) designed as mere conveniences for the the action, regardless of how inane or inexplicable they may be. The veneer of star power and sophisticated production values did not--for this viewer, at any rate--successfully obfuscate the movie's considerable flaws.


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