Police lieutenant Nyman is murdered in his hospital bed and Martin Beck and his colleagues have another murder to solve. They discover that Nyman was a very brutal and tough policeman who ... See full summary »
Hedvig Jensen is a famous ropewalker and is known to her public as Elvira Madigan. She meets Lieutenant Sixten Sparre, a Swedish officer who is married and has two children. They both ... See full summary »
Malmö, Sweden during the Second World War. Stig is a 15 year old pupil on the verge of adulthood. Viola is 37 years old and his teacher. He is attracted by her beauty and maturity. She is ... See full summary »
Tomas von Brömssen
Following his manifesto for a new Swedish cinema, director Widerburg started his career with this realist tale of young woman, Britt, who has two flings, but finds herself with difficult decisions when she finds herself pregnant.
Six year old Johan, a.k.a. Fimpen, loves football. One day his talents are discovered. It doesn't take long before Fimpen gets to travel around with the national team. Fimpen becomes an ... See full summary »
Young Dante Alighieri inherits 17 million from his father the sausage maker on one condition - he has to give up smoking in 14 days. But the days go on and he simply can't quit. He hires a ... See full summary »
Police lieutenant Nyman is murdered in his hospital bed and Martin Beck and his colleagues have another murder to solve. They discover that Nyman was a very brutal and tough policeman who received many complaints about his brutality. Particularly interesting is a complaint from Åke Eriksson, whose wife died in police custody because of Nyman. Eriksson climbs up on a roof in central Stockholm and starts to shoot at people on the street below... Written by
Every member of the main cast with the exception of Martin Beck (played by Carl-Gustaf Lindstedt) wears some kind of cap or hat. Bo Widerberg later commented on this, saying he wanted Beck to look cold (shot during the winter) throughout the movie. See more »
When Kollberg and Larsson is standing in the doorway to the closed section of the hold hospital, Larsson has a big wound and lots of blood on the right side of his head. Seconds earlier, when he helps 'Kollberg' to get over the railing, you can see his head without any wound or blood. See more »
Why the hell didn't you shoot him? I don't undertand...
Well no one's expected that. Do you have a license for that gun?
Then you're in trouble
See more »
Video surprise of the year: realistic, engrossing, ranks with best American crime films of the 70's
Wow! I wasn't expecting this - a sober, detailed, semi-documentary study of police investigation and tactics from, of all people, Bo Widerberg?!
I am astonished to say that this is a remarkably realistic and believable film and, as another viewer suggested, should be viewed by current filmakers as a prime reference for how films in this genre can be successfully approached. This truly ranks with the best American crime/police films of the 70's (and soars above all their pale French imitations), though it may lack the visceral impact of DIRTY HARRY or a character as indelible as Popeye Doyle. But character development is not really the film's focus; it is getting the details right - which it does - of the methodical police investigation of a murder and then their forced tactical response to a sniper. In doing this Widerberg and co. avoid a number of cliches and dramatic pitfalls that have plagued other films and television dramas working this turf over the last 40 years. These include cowboy heroics by "rogue" cops, an over-reliance on police jargon (that supposedly lets us know we are "inside the world" of police work), allowing interpersonal melodramas between characters to blur the focus of the story (i.e. catching the criminal), and, of course, the now ritual abuse of explosions, car chases, and machine-gun editing (to supposedly heighten our excitement). There are also no cartoonish twisted-genius serial killers masterminding absurd plot twists. Here the killer is as unspectacular, and as understandable (although we never meet him) as the men pursuing him. It is also remarkable how characters casually enter into the film as they enter the investigation - no one emerges as THE hero - everyone just does his job. And Widerberg is so effective at focusing us on the quiet, "routine" details of how the case develops that when violence erupts in the later part of the film it is truly startling. The scenes of panicking crowds have an unsettling documentary feel. The police response to this threat is, again, restrained, unspectacular (all right the helicopter attack may be pushing it a bit) and intensely dramatic for just that reason (no bells or whistles required). When the criminal is finally stopped it is almost anti-climatic (no drawn-out battles to the death, no swelling music) and this is as it should be for the world remains the same, evil still exists, and the job goes on. Can't wait to see MAN FROM MALLORCA. 9 out of 10.
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