The story of Louis XIV of France and his attempts to keep his identical twin brother Philippe imprisoned away from sight and knowledge of the public, and Philippe's rescue by the aging ...
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It's 1649: Mazarin hires the impoverished D'Artagnan to find the other musketeers: Cromwell has overthrown the English king, so Mazarin fears revolt, particularly from the popular Beaufort.... See full summary »
A 1988 television adaptation of Robert Ludlum's thriller. An injured, unconscious man (Richard Chamberlain) washes ashore in a small French town. As he recovers, it becomes quite clear, someone is trying to kill him. Jaclyn Smith co-stars.
Actually taking place in the middle of the original Thorn Birds miniseries, which chronicled the love affair of Meggie Cleary and Fr. Ralph de Bricassart from 1920 to 1962, this two-part ... See full summary »
Kevin James Dobson
A lad jousting with his tutor is kidnaped and carried to the Bastille where his head is locked in an iron mask. Jump ten years: Musketeers return from war in Morocco to find Paris starving ... See full summary »
The story of Louis XIV of France and his attempts to keep his identical twin brother Philippe imprisoned away from sight and knowledge of the public, and Philippe's rescue by the aging Musketeers, led by D'Artagnan. Written by
Jim Beaver <email@example.com>
The film was made and released about 130 years after its source novel "The Vicomte of Bragelonne: Ten Years Later" by Alexandre Dumas had been first serialized between 1847-1850. The book's French title is "Le Vicomte de Bragelonne ou Dix ans plus tard". See more »
Phillipe identifies Cardinal Mazarin as his father's first prime minister. Louis XIII had at least one previous prime minister, Cardinal Richelieu. See more »
What poet of antiquity first warned us to beware of Greeks bearing gifts?
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This and The Count of Monte Cristo were both made for television in the late 1970s and starred the talented Richard Chamberlain. Yet, because they were originally made for TV, they seem to have vanished and I haven't seen either on TV since the early 1980s (though I did copy them to now worn out videotapes). It's a real shame, as they were first-rate and every bit as good as any Hollywood production--maybe better.
The Man in the Iron Mask was the better of the two stories, but both are about as good Alexander Dumas stories as you can find. This is due to the overall package--exceptional music, acting, writing and pacing. I simply don't know how you could have made them much better.
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