Thomas Jerome Newton is a humanoid alien who comes to Earth to get water for his dying planet. He starts a high technology company to get the billions of dollars he needs to build a return ... See full summary »
An impromptu goodbye party for Professor John Oldman becomes a mysterious interrogation after the retiring scholar reveals to his colleagues he never ages and has walked the earth for ... See full summary »
David Lee Smith,
A businessman facially scarred in a laboratory fire receives psychotherapy from a psychiatrist, and obtains an amazingly lifelike mask from the doctor. Soon after being fitted for the mask,... See full summary »
Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the... See full summary »
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem... but not all goes to plan.
Thomas Jerome Newton is a humanoid alien who comes to Earth to get water for his dying planet. He starts a high technology company to get the billions of dollars he needs to build a return spacecraft, and meets Mary-Lou, a girl who falls in love with him. He does not count on the greed and ruthlessness of business here on Earth, however. Written by
Gene Volovich <firstname.lastname@example.org>
The music that Oliver Farnsworth is listening to in the first scene we see him in and in one of the last is Gustav Holst's "The Planets". See more »
Towards the end of the movie, Newton walks through a long, saloon-like room while the camera pans back. A lamp at the upper right part of the screen moves, probably touched by the camera crew. See more »
Of all the movies I saw as a teenager (I am now middle aged) this is the one that has remained with me the most, more so even than the highly acclaimed "Deerhunter," which came out 2 years later in 1978. I have not seen it since 1980, so if my memory fails me, please excuse. This eerie, moody movie encapsulated for me -- an alienated kid, I'll grant you -- the perils of living in, and partaking of, the modern world. An alien falls to earth in search of water for his planet, and somehow loses his way, corrupted by materialism, sex, alcohol, the physical world.
I recall Candy Clark's cool, almost southern voice (just saw her in a cameo performance tonight, playing Christopher Walken's girlfriend in the 1986 "At Close Range, another great) purring at Bowie after he has built a little house for her at the end of a dock, "You're such a nice man," and there is something so unsettled about the cinematography -- cloudy and dark and too still -- in the scene that you know he is definitely NOT a nice man, but deeply troubled and unable to respond to human emotions. The other reviewers noted the somewhat disturbing sex scene towards the end of the movie, but for me, at least, that was not needed. I didn't need slime or removed eyeballs (although that is a great scene) to tell me the man is a freak who is human enough to lament his own inability to connect with these creatures from Earth. For the most part the movie was understated, unfolding in its own, detached time.
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