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IMDb > Lumière (1976)

Overview

User Rating:
6.7/10   42 votes
MOVIEmeter: ?
Down 8% in popularity this week. See why on IMDbPro.
Director:
Writer:
Jeanne Moreau (writer)
Contact:
View company contact information for Lumiere on IMDbPro.
Release Date:
15 November 1976 (USA) more
Genre:
Plot:
Sarah, an actress nearing 40, has invited the woman who has been her best friend for 16 years and two... more | add synopsis
Awards:
1 nomination more
NewsDesk:
(3 articles)
Wings Of Desire Criterion Blu-ray Review
 (From Collider.com. 11 November 2009, 9:15 PM, PST)

Blu-ray Review: Wings of Desire (Criterion Collection)
 (From Rope Of Silicon. 3 November 2009, 3:42 AM, PST)

User Reviews:
An unusual and worthy milestone in Moreau's career more (3 total)

Cast

  (Cast overview, first billed only)
Lucia Bosé ... Laura
Francine Racette ... Julienne
Caroline Cartier ... Caroline
Jeanne Moreau ... Sarah

Keith Carradine ... David
François Simon ... Grégoire
Bruno Ganz ... Heinrich Grün
René Féret ... Julien
Niels Arestrup ... Nano
Francis Huster ... Thomas
Patrice Alexsandre ... Pétard
Jacques Spiesser ... Saint-Loup
Chloé Caillat ... Marie (as Cloe Caillat)
Marie Henriau ... Flora
Hermine Karagheuz ... Camille
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Additional Details

Also Known As:
Lumiere (USA)
Scene di un'amicizia tra donne (Italy)
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Runtime:
95 min
Country:
Language:
Color:
Color (Eastmancolor)
Sound Mix:
Certification:

FAQ

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An unusual and worthy milestone in Moreau's career, 2 August 2008
7/10
Author: Chris Docker (eyeforfilm) from Scotland, United Kingdom

Like L'Adolescente, Lumiere is an attempt by the gifted French actress Jeanne Moreau to take her place behind the camera. It suffers at first from a similar feminine (almost claustrophobic) syrupiness, but has much to recommend it, from beautiful (and frequently symbolic) mise-en-scene to realistic girly-chat and excellent touches of humour. "Why do brides wear white?" they joke. "To blend in with the kitchen."

The overload of pink (visually an metaphorically) changes abruptly as we return from the countryside to Paris. Moreau's character is an actress, which gives us the excellent opportunity to see the difference between the 'woman's woman' and the projected reality of pouting and flirtatiously confrontational behaviour. We realise that the latter is a deliberately invented trademark. The call of, "Lights, action!" (expressed by French film directors as the word, 'Lumiere!") becomes almost a metaphor for the change of attitude women must take. In the countryside relaxing with each other, they can be 'natural.' But in the city, in the 'real' world of business – and business with men especially – it is all about attitude.

Sarah (Moreau) is in the process of splitting up with one man and entering into an affair with another. She is a strong, intelligent character, and interprets the man-woman flirtation as a strictly hunter and hunted business (whichever way round). It is almost an essay on the push-pull of passion. "No-one is safe," she says to her close friend, "married or not."

My main criticism might be that the continuous rapid-fire dialogue as they battle out their emotions with themselves and each other can get a bit wearing. But at least it is real and intelligent, and in stark contrast to many modern films with similar themes.

In spite of its flaws and annoyances, Lumiere is a sophisticated film that deserves repeated viewing.

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