| Photos (see all 10 | slideshow) |
| Jodie Foster | ... | Rynn | |
| Martin Sheen | ... | Frank Hallet | |
| Alexis Smith | ... | Mrs. Hallet | |
| Mort Shuman | ... | Miglioriti | |
| Scott Jacoby | ... | Mario | |
| Dorothy Davis | ... | Town Hall Clerk | |
| Clesson Goodhue | ... | Bank Manager | |
| Hubert Noël | ... | Bank Clerk | |
| Jacques Famery | ... | Bank Clerk | |
| Mary Morter | ... | Teller | |
| Julie Wildman | ... | Teller |
Directed by | |||
| Nicolas Gessner | (as Nicholas Gessner) | ||
Writing credits(in alphabetical order) | ||
| Laird Koenig | novel | |
| Laird Koenig | screenplay | |
Produced by | |||
| Zev Braun | .... | producer | |
| Harold Greenberg | .... | executive producer | |
| Denis Héroux | .... | co-producer | |
| Eugène Lépicier | .... | co-producer | |
| Leland Nolan | .... | co-producer | |
| Alfred Pariser | .... | executive producer | |
Original Music by | |||
| Christian Gaubert | |||
Cinematography by | |||
| René Verzier | |||
Film Editing by | |||
| Yves Langlois | |||
Art Direction by | |||
| Robert Prévost | |||
Costume Design by | |||
| Denis Sperdouklis | |||
Makeup Department | |||
| Bob Pritchett | .... | hair stylist | |
| Mireille Recton | .... | makeup artist | |
| Joe Tubens | .... | hairdresser: Miss Smith | |
Production Management | |||
| Claude Léger | .... | production manager | |
| Ginette Sénécal | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Charles Braive | .... | second assistant director | |
| Justine Héroux | .... | first assistant director | |
Art Department | |||
| Jacques Chamberland | .... | prop man | |
| J.-P. Charette | .... | carpenter | |
| Ronald Fauteux | .... | set dresser | |
| Vianney Gauthier | .... | property master | |
| Georges Savard | .... | set builder | |
Sound Department | |||
| Louise Coté | .... | assistant sound editor (as Louise Côté) | |
| Frank H. Griffiths | .... | sound mixer (as Frank Griffiths) | |
| Normand Mercier | .... | boom operator | |
| Marcel Pothier | .... | sound editor | |
| Patrick Rousseau | .... | sound recordist | |
Special Effects by | |||
| Christophe Harbonville | .... | special effects | |
Camera and Electrical Department | |||
| John Berrie | .... | second electrician | |
| Yvon Boudrias | .... | second grip | |
| Jean-Yves Bruel | .... | still photographer | |
| Jean-Jacques Gervais | .... | second assistant camera (as J.-J. Gervais) | |
| Denis Gingras | .... | first assistant camera | |
| Serge Grenier | .... | key grip | |
| Richard Pronovost | .... | electrician | |
Costume and Wardrobe Department | |||
| Blanche-Danielle Boileau | .... | wardrobe assistant (as Blanche Boileau) | |
| Ginette Magny | .... | wardrobe (as Ginette Magny-Aird) | |
Editorial Department | |||
| Ion Webster | .... | assistant editor | |
Music Department | |||
| Mort Shuman | .... | music supervisor | |
Transportation Department | |||
| Pierre Gendron | .... | driver | |
Other crew | |||
| Micheline Bonin | .... | production accountant | |
| Peter S. Buchanan | .... | production executive | |
| Connie Foster | .... | double: Jodie Foster | |
| Allan Hitelman | .... | financial advisor | |
| Robert A. Kanto | .... | production executive (as Robert A. Kantor) | |
| Lyse Lafontaine | .... | location manager | |
| Richard Lahaie | .... | production assistant | |
| Marie La Haye | .... | continuity (as Marie Lahaye) | |
| Christiane Laurin | .... | unit publicist | |
| Howard Lipson | .... | assistant to producers | |
| Richard C. Meyer | .... | creative consultant | |
| Jean-Guy Montpetit | .... | production assistant (as J.-G. Montpetit) | |
| Bernadette Payeur | .... | production secretary | |
| Jocelyn Simard | .... | production assistant (as Jocelyne Simard) | |
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| Halloween | The Outsiders | Big Fish | Mysterious Skin | Basic Instinct |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Canada section | Add this title to MyMovies |
Great Suspense and Atmosphere. This movie instantly became one of my all-time favorites and is difficult to describe without giving too much away. More than most movies I can remember, reading too many comments about it's content beforehand can detract from the viewing experience (and a great one at that!) and ruin the suspense. I will try not to give too much about the film away beforehand.
First of all, I loved the production quality, atmosphere and locale. It would be a great movie to see on Halloween night for example, at least in my opinion. It really can be watched anytime however and will be just as great. The acting was high quality, all the way around but especially with Jodie Foster and Martin Sheen and the direction and score are excellent as well.
I had a problem with the plausibility of Jodie Foster's character behaving essentially as an adult. It was a little tough for me to buy into a 13 (or newly turned 14 year old) cooking gourmet meals, serving fine wines, listening to Chopin and generally acting much older than her chronological age.
Even taking into consideration the events in her life which apparently had shaped her personality, she seemed too mature for her age. If you put that concern aside however and accept it as a given premise of the movie you can sit back and enjoy the fun of trying to figure out what's going on.
And trying to figure out what's going on really *is* fun in this movie. Figuring out what's going on with her mysterious father is enough to keep you occupied in itself (if you think you've figured out what's going on with him you will find later that you probably haven't) and that's only one aspect of this complex scenario.
I hate when movies this good are not in general circulation any longer. Brian de Palma's "Sisters" and many other excellent movies also fall into this category. I can't figure out why studios can't figure out ways to continue to make them available to the public, after all...they went to the trouble to make them in the first place.
If you do get a chance to see "Little Girl Who Lives Down the Lane" however, jump at it. You aren't likely to be disappointed.