6.3/10
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47 user 25 critic

The Last Tycoon (1976)

F. Scott Fitzgerald's novel is brought to life in this story of a movie producer slowly working himself to death.

Director:

Writers:

(novel), (screenplay)
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Nominated for 1 Oscar. Another 2 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Rodriguez
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Didi
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Brimmer
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Fleishacker
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Red Ridingwood
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...
...
...
Popolos
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Marcus
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Tour Guide
...
Doctor
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Storyline

F. Scott Fitzgerald's novel is brought to life in this story of a movie producer slowly working himself to death.

Plot Summary | Add Synopsis

Taglines:

He has the power to make anyone's dream come true... except his own.

Genres:

Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 November 1976 (USA)  »

Also Known As:

El último magnate  »

Box Office

Budget:

$5,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Robert Mitchum (Pat Brady) and Robert De Niro (Monroe Stahr) have both played the character Max Cady: Mitchum in Cape Fear (1962) and De Niro in its remake Cape Fear (1991). Mitchum has a cameo as Lt. Elgart in the remake. See more »

Goofs

Ingrid Boulting's hairstyle changes between the scene with the performing seal and the scene at Monroe's uncompleted beach house. See more »

Quotes

Cecilia Brady: [about returning to school] Oh, I don't know. I'm pretty well educated.
[flirtatiously]
Cecilia Brady: Maybe I should get married.
Monroe Stahr: [lightly] Well, I'd marry you, I'm lonely, but I'm too old and tired to undertake anything.
Cecilia Brady: [seriously] Undertake me.
See more »

Connections

Version of The Last Tycoon (2016) See more »

Soundtracks

My Silent Love
Music by Dana Suesse
Lyrics by Edward Heyman
See more »

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User Reviews

 
Disjointed, uneven, and strangely memorable
29 January 2004 | by (Houston, Texas) – See all my reviews



Kazan and Pinter's THE LAST TYCOON is disjointed, uneven, and strangely memorable -- rather like an oddly unsettling, hazily recalled dream.

Robert De Niro, in a quietly amazing performance, disappears into the title character of Monroe Stahr, a workaholic Hollywood producer who is, in Keats's phrase, "half in love with easeful death." (This understated movie is from the same year as De Niro's flashy bravura turn in Martin Scorsese's TAXI DRIVER.)

Most of the supporting cast is excellent, including Robert Mitchum and Ray Milland as a couple of Shakespearean-knavish villains, Jack Nicholson, Donald Pleasence, Theresa Russell, and Dana Andrews.

Ingrid Boulting is beautiful but somewhat less satisfactory as Stahr's love interest, Kathleen Moore. In fairness, however, her role is deliberately written as something of an enigma: Kathleen Moore is a blank movie screen onto which Stahr, a near-solipsist, projects fantasies and memories of his deceased wife.

The various elements of THE LAST TYCOON never quite cohere into a whole, but several scenes have stuck in my memory ever since I first saw it years ago. Among them:

  • Stahr's mock-lecture to the misfit screenwriter Boxley (Donald


Pleasence), beginning: "You've been fighting duels all day..."

  • Kathleen Moore telling Stahr, over the insistent crash of the surf at


his unfinished ocean-front mansion, "I want ... a quiet life"

  • Stahr's informal evening meeting with a labor-union organizer (Jack


Nicholson), during which the privately despondent movie producer grows increasingly drunk and belligerent; and ...

  • The closing ten minutes or so of the film, which take on an almost


surreal quality: Disembodied lines of dialogue from earlier scenes recur; Stahr repeats his earlier speech to Boxley, only now as a soliloquy addressed directly to the camera; and then -- murmuring "I don't want to lose you" -- he seems to hallucinate a vision of Kathleen as she moves on to a new life without him.

Only Jeanne Moreau and Tony Curtis struck me as jarringly miscast in their parts. They -- and their comic-pathetic scenes as insecure movie idols -- seemed to belong to another movie entirely.

THE LAST TYCOON is an uneven work but most assuredly has its merits.


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