Bill, Martha and their little child Hal are spending a quiet winter Sunday in their cosy house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez. Mike and Tony are ... See full summary »
A conflict develops between a troubled Vietnam veteran and the sister he lives with when she becomes involved romantically with the army buddy who reminds him of the tragic battle they both... See full summary »
This is the funny story about two warring Mafia gangs in New York. The weaker gang use incredibly a lion to blackmail the opposite gang's "clients". The police succeeds to stop one of the gang, while the other remain without the Boss.
Jo Van Fleet
David Merrill (Robert De Niro), a fictitious 1950s Hollywood director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on... See full summary »
Robert De Niro,
During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train ... See full summary »
Robert De Niro,
Young film producer, Monroe Stahr, is a rising star in 1930's Hollywood due to his ability to get anything he envisions done even if it means breaking a few rules. The latest film he's working on stars two popular actors, Rodriguez and Didi, and everyone is sure it'll be a smashing hit when it's done. The times are changing however, since the first guilds and unions are being formed in Hollywood, but Stahr is still sticking to his old ways of doing things in spite of that. His main opponent becomes a union organizer, Brimmer, but Stahr finds ways to deal with him as well. However, in his hubris, Stahr crosses one red line too many when he falls for a young troubled engaged woman called Kathleen Moore and neglects Cecilia Brady, the young daughter of studio executive and Stahr's boss, Pat Brady. Pat becomes furious over this as well as Stahr's other misbehavings and makes it his mission to take Stahr down. Due to all the pressure, Stahr's health starts failing as well. The film is ...
Ingrid Boulting's hairstyle changes between the scene with the performing seal and the scene at Monroe's uncompleted beach house. See more »
You know, I'm fairly new out here. Do I understand you to say you expect to gross a half a million *short* of your budget?
It's a quality picture.
Quality picture? What the hell are we?
We've played safe for two years now. It's time we made a picture that isn't meant to *make* money. Pat Brady is always saying at Academy dinners that we have a certain duty to the public. Okay. It's a good thing for the company to slip in a picture that will lose money. Write it off as good will.
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Robert De Niro arguably gave the most critically acclaimed performances during the 1970's in movies like "Mean Streets", "Bang the Drum Slowly", "The Godfather, Part II", "Taxi Driver, "The Deer Hunter", etc.,. Little has been said, however, about his turn as Monroe Stahr in "The Last Tycoon"
quite possibly De Niro's most underrated and most uncharacteristic
performance on screen. "The Last Tycoon", itself, was a mixed bag among the critics. Some liked it. Some didn't. In my view, "The Last Tycoon" was a movie that deserves a place in film history for exploring Hollywood in the inside. This movie, however, provides only a small glimpse into this which was why the critics were divided. Shortly put, "The Last Tycoon" deals with a top producer's (De Niro) everyday life and the conflict that arises when he sees a lost loved one - albeit in a different way.
The movie boasts of several big names of the past as well as the present. Robert Mitchum, Jeanne Moreau, Anjelica Huston (in a cameo), Tony Curtis, John Carradine, etc., were few of the key players. Jack Nicholson makes a late appearance in the film providing for some brilliant, electric scenes with De Niro. In fact their scenes together (undoubtedly the highlight of the movie) make the one scene that De Niro and Al Pacino shared in Michael Mann's "Heat" seem pedestrian. De Niro and Nicholson, two of the greatest actors American film has even seen, will most likely never work together again considering their stature today which makes their scenes together in "The Last Tycoon" that much more priceless. Ingrid Boutling, a British model, is cast opposite De Niro and gives a wooden performance. She is the only weak link of the picture. A young Theresa Russell also gives an able supporting performance. Ultimately, however, "The Last Tycoon" lies solely on De Niro's shoulders and he makes full use of the opportunity and then some. De Niro's interpretation of a movie mogul (reportedly based on Irving G. Thalberg) is absolutely genuine and original. Looking trim and handsome, De Niro gives a towering, commanding performance as Monroe Stahr and it is his work here that holds the picture together. Though the critics were split down the middle in their opinion regarding this film, there was one thing they agreed upon. Robert De Niro gives an authentic, striking performance in the central role. In my opinion, a performance which deserved an Oscar nomination.
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