In the early 20th century, some convicts while on a road gang escape and one of the convicts is Zach Provo, a half Indian, who was sent to prison during the latter part of the 19th century....
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A pair of grizzled frontiersmen fight Indians, guzzle liquor, and steal squaws in their search for a legendary valley 'so full of beaver that they jump right into your traps' in this fanciful adventure.
A psychotic sniper plans a massive killing spree in a Los Angeles football stadium during a major championship game. The police, led by Captain Peter Holly (Charlton Heston) and SWAT ... See full summary »
A couple of youngish adventurers go into the wilderness of British Columbia in search of a lost colleague. Their plane crashes and they find themselves at the mercy of a crazed old Scottish... See full summary »
Fraser C. Heston
In 1864, due to frequent Apache raids from Mexico into the US, a Union officer decides to illegally cross the border and destroy the Apache, using a mixed army of Union troops, Confederate POWs, civilian mercenaries and scouts.
Robert Culp plays Bracken, a rich industrialist whose life seems perfect until his wife, Ellen, and their children are kidnapped by terrorists. After failed attempts by the police to ... See full summary »
In the early 20th century, some convicts while on a road gang escape and one of the convicts is Zach Provo, a half Indian, who was sent to prison during the latter part of the 19th century. He escapes with 6 others to exact vengeance on Sam Burgade the lawman who not only captured him but was also responsible for the death of Provo's wife, at least in Provo's mind. Part of his plan is to kidnap Burgade's daughter, which prompts him to strap on his guns and go after him on horseback. Can Burgade who has been retired for sometime still have what it takes to track Provo down? Written by
This is a minor 70s Western, directed with rather too much stolidity by Andrew V. McLaglen. Heston hasn't quite got the form in the genre to pull off the ageing lawman role, although you can certainly see his ornery old Republican role being practised before your eyes; Coburn is good as the psychotic halfbreed outlaw looking for revenge, but he needed a director who encouraged him to loosen up more and go loco.
The film does score points, though, in its nastiness. There is a genuinely sadistic universe on show here, as if in the last days of the Wild West the outlaw and the marshal both were reduced to being little more than collections of violent spasms, each twitch aimed at causing some torment to another human being, and each situation causing more twitchin'.
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