| Photos (See all 28 | slideshow) | Videos (see all 2) |
| Jeff Bridges | ... | Jack Prescott | |
| Charles Grodin | ... | Fred Wilson | |
| Jessica Lange | ... | Dwan | |
| John Randolph | ... | Capt. Ross | |
| Rene Auberjonois | ... | Roy Bagley | |
| Julius Harris | ... | Boan | |
| Jack O'Halloran | ... | Joe Perko | |
| Dennis Fimple | ... | Sunfish | |
| Ed Lauter | ... | Carnahan | |
| Jorge Moreno | ... | Garcia | |
| Mario Gallo | ... | Timmons | |
| John Lone | ... | Chinese Cook | |
| Garry Walberg | ... | Army General | |
| John Agar | ... | City Official | |
| Keny Long | ... | Ape Masked Man | |
| Sid Conrad | ... | Petrox Chairman | |
| George Whiteman | ... | Army Helicopter Pilot | |
| Wayne Heffley | ... | Air Force General | |
| rest of cast listed alphabetically: | |||
| Forrest J Ackerman | ... | Fleeing Extra in Crowd (uncredited) | |
| Rick Baker | ... | King Kong (uncredited) | |
| Todd Baker | ... | Shea Stadium Spectator (uncredited) | |
| Corbin Bernsen | ... | Reporter (uncredited) | |
| Ray Buktenica | ... | Naval Officer (uncredited) | |
| Larry M. Byrd | ... | Excited Fan (uncredited) | |
| Peter Cullen | ... | King Kong (voice) (uncredited) | |
| S.C. Dacy | ... | Newspaper Photographer (uncredited) | |
| James Dunaway | ... | Man in Audience (uncredited) | |
| Donald F. Glut | ... | Guy in Amphitheater (uncredited) | |
| Walt Gorney | ... | Subway Driver (uncredited) | |
| Brent Huff | ... | Extra (uncredited) | |
| Shawn McAllister | ... | Police Sergeant (uncredited) | |
| Joe Piscopo | ... | Bit Part (uncredited) | |
| Ira S. Rosenstein | ... | Logan (uncredited) | |
| David Roya | ... | Ship's Radio Operator (uncredited) | |
| David Ulmer | ... | Man Running in Terror (uncredited) | |
| Kristephan Warren-Stevens | ... | Kid with Afro on Bleachers (uncredited) | |
| Booker James Winter | ... | BG Crowd (uncredited) | |
| Billy Zoom | ... | Man Running from Monkey (uncredited) | |
Directed by | |||
| John Guillermin | |||
Writing credits | ||
| Merian C. Cooper | (idea) and | |
| Edgar Wallace | (idea) | |
| James Ashmore Creelman | (1933 screenplay) (as James Creelman) and | |
| Ruth Rose | (1933 screenplay) | |
| Lorenzo Semple Jr. | (screenplay) | |
Produced by | |||
| Dino De Laurentiis | .... | producer | |
| Federico De Laurentiis | .... | executive producer | |
| Christian Ferry | .... | executive producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Richard H. Kline | (director of photography) | ||
Film Editing by | |||
| Ralph E. Winters | |||
Casting by | |||
| Joyce Selznick | |||
Production Design by | |||
| Mario Chiari | |||
| Dale Hennesy | |||
Art Direction by | |||
| Archie J. Bacon | |||
| David A. Constable | |||
| Robert Gundlach | |||
Set Decoration by | |||
| John Franco Jr. | |||
Costume Design by | |||
| Moss Mabry | |||
| Anthea Sylbert | (gowns and native costumes) | ||
Makeup Department | |||
| Del Acevedo | .... | makeup artist | |
| Jo McCarthy | .... | hair stylist | |
| Michaeldino | .... | hair designer: Kong | |
| Rick Baker | .... | makeup effects (uncredited) | |
| Rob Bottin | .... | makeup effects (uncredited) | |
Production Management | |||
| Terry Carr | .... | production manager | |
| Brian E. Frankish | .... | unit production manager: Hawaii (as Brian Frankish) | |
| George Goodman | .... | unit production manager: New York | |
| Jack Grossberg | .... | in charge of production | |
| Phil Tucker | .... | post-production supervisor | |
Art Department | |||
| Robert L. Clark | .... | set painter (as Robert Clark) | |
| Curtis 'Red' Hollingsworth | .... | set painter | |
| Mentor Huebner | .... | illustrator | |
| Jack M. Marino | .... | property master (as Jack Marino) | |
| Gary Martin | .... | construction coordinator | |
| David J. Negron | .... | illustrator (as David Negron) | |
| Ken Richey | .... | greensman | |
| William Cruse | .... | set designer (uncredited) | |
| William S. Maxwell III | .... | leadman (uncredited) | |
Sound Department | |||
| James J. Klinger | .... | sound effects editor | |
| William L. McCaughey | .... | sound re-recording mixer (as William McCaughey) | |
| Jack Solomon | .... | sound mixer | |
| Harry W. Tetrick | .... | sound re-recording mixer | |
Special Effects by | |||
| Rick Baker | .... | special contributions: Kong | |
| Don Chandler | .... | sculptor: Kong | |
| Joe Day | .... | special effects | |
| Carlo Rambaldi | .... | designer/engineer/constructor: Kong | |
| Glen Robinson | .... | constructor: Kong | |
| Glen Robinson | .... | special effects | |
| Eddie Surkin | .... | mechanical coordinator: Kong | |
| Terry W. King | .... | special effects technician (uncredited) | |
| Andrew Miller | .... | special effects (uncredited) | |
| Wayne Rose | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Louis Lichtenfield | .... | matte artist (as Lou Lichtenfield) | |
| Barry Nolan | .... | photographic effects assistant | |
| Aldo Puccini | .... | miniature coordinator | |
| Frank Van der Veer | .... | supervisor of photographic effects | |
| Harold E. Wellman | .... | additional photographic effects | |
Stunts | |||
| Bill Couch | .... | stunt coordinator | |
| Lightning Bear | .... | stunts (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Loyd Catlett | .... | stunts (uncredited) | |
| Roger Creed | .... | stunts (uncredited) | |
| Loren Janes | .... | stunts (uncredited) | |
| J. David Jones | .... | aerial stunts (uncredited) | |
| Gene LeBell | .... | stunts (uncredited) | |
| Julius LeFlore | .... | stunts (uncredited) | |
| Jim Lovelett | .... | stunts (uncredited) | |
| Kelly Nichols | .... | stunt double: Jessica Lange (uncredited) | |
| Beth Nufer | .... | stunts (uncredited) | |
| Diane Peterson | .... | stunts (uncredited) | |
| Ray Saniger | .... | stunts (uncredited) | |
| Jesse Wayne | .... | stunts (uncredited) | |
| Sunny Woods | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Albert Bettcher | .... | camera operator (as Al Bettcher) | |
| Ed Carlin | .... | gaffer | |
| Robert Edesa | .... | assistant camera | |
| Elliott Marks | .... | still photographer | |
| Robert Sordal | .... | key grip | |
| Michael Burke | .... | electrician (uncredited) | |
| Doug Byers | .... | electrician (uncredited) | |
| Dave Friedman | .... | still photographer (uncredited) | |
| Calvin Maehl | .... | gaffer: second unit (uncredited) | |
| Owen Marsh | .... | camera operator: second unit (uncredited) | |
| Louis Niemeyer | .... | assistant camera (uncredited) | |
| Jeffrey W. Petersen | .... | rigger (uncredited) | |
| Víctor Pérez | .... | lighting technician (uncredited) | |
| Michael J. Schwartz | .... | electrician (uncredited) | |
| Gary Stark | .... | electrician (uncredited) | |
| Dennis Young | .... | grip (uncredited) | |
| Ron Zarilla | .... | second assistant camera: New York (uncredited) | |
Costume and Wardrobe Department | |||
| Arnie Lipin | .... | wardrobe (as Arny Lipin) | |
| G. Fern Weber | .... | wardrobe | |
Editorial Department | |||
| Margo Anderson | .... | assistant film editor | |
| Robert Pergament | .... | assistant editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Kenneth Hall | .... | music editor | |
| Aaron Rochin | .... | music re-recordist | |
| Dan Wallin | .... | score mixer | |
| Albert Woodbury | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Joe Sawyers | .... | transportation coordinator | |
| Chris Haynes | .... | driver (uncredited) | |
| James Nordberg | .... | driver: special effects department (uncredited) | |
Other crew | |||
| Gordon Armstrong | .... | publicity coordinator | |
| Bruce Bahrenburg | .... | unit publicist | |
| Jeffrey Chernov | .... | messenger | |
| Dino De Laurentiis | .... | presenter | |
| Charlotte Dreiman | .... | production secretary | |
| Doris Grau | .... | script supervisor | |
| Lori Imbler | .... | production coordinator | |
| Robert F. Kocourek | .... | production auditor | |
| Meryle Selinger | .... | production accountant | |
| Fred Sidewater | .... | assistant to producer (as Fredric M. Sidewater) | |
| Scott Thaler | .... | messenger | |
| Claude Thompson | .... | native dance choreographer | |
| Michael Winter | .... | messenger | |
| Frans J. Afman | .... | financial services (uncredited) | |
| Laurie Arnow-Epstein | .... | construction accountant (uncredited) | |
| Stephen A. Glanzrock | .... | production assistant: New York (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
The reputation of this 1976 version of King Kong seems to have improved since it's initial release. It's nowhere near as good as the 1933 version,but who would really expect it to be. That remains the greatest of giant monster movies and a milestone in film-making. However,taken on it's own,this one is not bad at all.
Rather than replicate the original,the filmmakers take a different approach. Some things work,some things don't,but kudos for trying. The updating of the characters for 70s sensibilities now seems as dated as the ones in the original movie,and Jessica Lange's heroine just comes across as an empty headed bimbo. The environmentalist message is still pertinent though,and the filmmakers stop short of labouring their issues.
Kong himself is a lot less fearsome,in fact the man-in-suit creature seems rather cuddly. Scenes when he attacks people almost seem out of place {and compare badly with similar sequences in the original}. Look out for the brief appearance of the robot Kong prop during the scene when he breaks out of his cage,it looks nothing like the Kong of the rest of the film. Special effects are generally good though. They are generally a lot less ambitious-no dinosaurs for one thing,except for one out-of-place giant snake-but they are usually quite good.
The film is a little sluggish,and seems to display little imagination at times-consider how dull the island looks in this version. However,the filmmakers were attempting a somewhat more realistic film. They also succeed in creating quite a a bit more pathos,especially at the end. John Barry's score is rarely mentioned as one of his best but it's really atmospheric,dramatic and sometimes moving. Despite some glaring flaws,this remake is certainly no disaster,and occasionally works well. Check it out,but see the older one first.