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King Kong (1976)

A petroleum exploration expedition comes to an isolated island and encounters a colossal giant gorilla.

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(as James Creelman), | 3 more credits »
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Nominated for 2 Oscars. Another 5 wins & 1 nomination. See more awards »

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King Kong (1933)
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A film crew goes to a tropical island for an exotic location shoot and discovers a colossal giant gorilla who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.

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Kong falls from the twin towers and he appears to be alive. However, his heart is failing, so it's replaced with an artificial one. All is well until he senses that there's a female Kong somewhere out there and escapes wreaking havoc.

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Certificate: Passed Adventure | Comedy | Fantasy
    1 2 3 4 5 6 7 8 9 10 5.8/10 X  

The men who captured the giant ape King Kong return to Skull Island and find his likewise gigantic but far more friendly son.

Director: Ernest B. Schoedsack
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After a movie crew travel to a mysterious island to shoot their picture, they encounter a giant and furious gorilla who takes their leading actress and forms a special relationship with her, protecting the beautiful lady at all costs.

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A pharmaceutical company captures King Kong and brings him to Japan, where he escapes from captivity and battles a recently released Godzilla.

Director: Ishirô Honda
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Cast

Cast overview, first billed only:
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Jorge Moreno ...
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Chinese Cook
Garry Walberg ...
Army General
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City Official
Keny Long ...
Ape Masked Man
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Storyline

An expedition of the "Petrox" company, is exploring in search of petrol. A strange island where they arrive is the home of a giant ape, King Kong, that is captured by the expedition in order to make money exhibiting it to the world. When in the U.S. the huge gorilla becomes restless, trying to return home... Written by <lcarvach@lascar.puc.cl>

Plot Summary | Plot Synopsis

Plot Keywords:

remake | island | gorilla | king kong | oil | See All (82) »

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The most exciting original motion picture event of all time.


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 December 1976 (USA)  »

Also Known As:

King Kong: The Legend Reborn  »

Box Office

Budget:

$24,000,000 (estimated)

Gross:

$52,600,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (USA) (television)

Sound Mix:

Color:

(Metrocolor) (uncredited)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Barbra Streisand was considered for the part of Dwan. See more »

Goofs

(at around 2h 5 mins) During Kong's final battle, soldiers with flamethrowers fire at him from the opposite tower of the World Trade Center. A matte painting is used to depict the building and the streets far below. When Kong causes a massive explosion, dispatching the soldiers, the bright light of the practically-created fireball somehow swamps the matte, revealing the ground beyond the "roof's" edge and obliterating the "street lights." Also, it is clear that the fireball originates from devices concealed in the roof's edge, rather than from the flamethrower. See more »

Quotes

[first lines]
Joe Perko: OK, Boan, how much you got here?
Boan: About eighteen hundred.
Joe Perko: Eighteen hundred? What's going on?
Boan: There's Bagley.
Joe Perko: Hey, Mr. Bagley! Something's haywire. They only loaded me enough pipe to push one test hole. Less than two thousand feet.
Roy Bagley: Yeah, that'll be enough.
Boan: Are you kidding? On Bagatan, we didn't come until we were past twenty-six thousand feet.
Roy Bagley: You take my word, fellas. This hole proves out within two thousand, or it's a write-off.
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Crazy Credits

Opening credits prologue: SURABAYA INDONESIA See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of the Most Brilliant Films of the 70s--no, really!
20 January 2005 | by (Bothell, Washington, Land of Rain) – See all my reviews

King Kong (1976) King Kong was a huge hit back in the seventies--I know because I was there, I saw the frenzy, I remember the crowded theaters. Now, admittedly, it also had a huge pr campaign, which undoubtedly helped it garner a lot of that dough, but there was a lot more to the flick than just the hype. And it could have probably been an even bigger hit if the filmmakers had played it safe and hadn't gone out of their way to make a film so stubbornly odd. I mean this thing stomps over a gigantic swath of styles: panoramic spectacle, high adventure, pathos, romance, social commentary, absurdist comedy, thrills, and occasionally outright goofiness--all comprised in a slyly satiric package designed to tweak the noses of Kong purists. Lorenzo Semple Jr.'s ("Papillon ") screenplay is all over the place when it comes to style and tone, borrowing from whatever and whenever, almost as though it had been patched together from several different treatments--yet it still remains incredibly tight in terms of interesting, well-drawn, consistent characters, witty dialog, exploration of theme, and the forward momentum of the plot. King Kong 76 is a great example of anarchic postmodernism being perfectly wed to the staunch formalism of good storytelling. A contemporary example of this approach would be Quentin Tarantino's Kill Bill films.

The direction by veteran John Guillermin was absolutely fearless, pushing each of Semple's concepts to its limit, even at the risk of seeming silly. And he had a great cast to work with, especially young Jessica Lange in her first film role. Unfortunately, Jessica played the role of the vivacious, childlike, kinda dimwitted bubblehead blonde Dwan so incredibly well that most people wrote her off, assuming she was just a dumb blonde playing herself. But in actuality it is a bravura performance, one of the best in her career, and certainly a more individual, more fully-realized character performance than we get in most movies these days.

As big a hit as the disco era Kong was, however, there were a lot of people who were put off because they weren't expecting anything as freewheeling and insane as what they were given. They weren't expecting weirdness and satire. They weren't expecting to see Kong blowing a hot, wet blonde dry after a dip in a lake (metaphors anyone?), a scene simultaneously erotic and ridiculous. They weren't expecting to see the captured Kong turned in to a corporate shill--is there any scene in mainstream 70s cinema more surrealistically satiric than that of Kong being presented to the masses encased in a thirty story replica of a gasoline pump? They also were not expecting to see a big budget adventure film with a downer ending--the romantic leads ending up emotionally separated by their experiences instead of united. And they didn't expect to feel bad when the monster died.

So I put it to you all that not only was the 1976 Kong a financial success, it was also an artistic success. But you can't watch it as a remake of a classic film. It is no more a remake of the 1933 King Kong than Quentin's Kill Bill is a remake of Sonny Chiba's Streetfighter's Revenge. Watch the film for what it is, not what you think it should have been, or what you wanted it to be, and you will be better able to appreciate its cracked brilliance.


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