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The Killing of a Chinese Bookie (1976)

 -  Drama  -  8 October 1977 (Sweden)
7.5
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Ratings: 7.5/10 from 6,150 users  
Reviews: 56 user | 52 critic

A proud strip club owner is forced to come to terms with himself as a man, when his gambling addiction gets him in hot water with the mob, who offer him only one alternative.

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Cast

Cast overview, first billed only:
...
...
Flo (as Timothy Agoglia Carey)
...
Mort Weil
Robert Phillips ...
Phil
...
The Boss
John Kullers ...
The Accountant (as John Red Kullers)
Al Ruban ...
Marty Reitz
Azizi Johari ...
Virginia Carrington ...
Mama
Meade Roberts ...
Alice Friedland ...
...
Margo Donnar (as Donna Marie Gordon)
Haji ...
Carol Warren ...
Derna Wong Davis ...
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Storyline

Cosmo Vitelli owns the Crazy Horse West, a strip joint in California. He's laconic, a Korean War vet, and a gambler. When we meet him, he's making his last payment on a gambling debt. Then, he promptly loses $23,000 playing poker at an illegal local casino. The guys he owes this time aren't so friendly, pressuring him for immediate payment. Then they suggest that he kill a Chinese bookie to wipe off the debt. Vitelli and the film move back and forth between the double-crossing, murderous insincerity of the gamblers and the friendships, sweetness, and even love among Vitelli, the dancers, a dancer's mother, and the club's singer, Mr. Sophistication. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

8 October 1977 (Sweden)  »

Also Known As:

Mordet på en kinesisk bookmaker  »

Box Office

Gross:

SEK 1,298,042 (Sweden)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (1978 Re-Release)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The name of the Californian strip-joint nightclub in Los Angeles was "The Crazy Horse West". See more »

Quotes

Cosmo Vitelli: Now, teddy. Teddy. Everything takes work. We'll straighten it out. You know. You gotta work hard to be comfortable. Yeah, a lot of people kid themselves, you know. They-they know when they were born, they know where they're goin'... they know whether they're gonna go to heaven,whether they're gonna go to hell. They think they know that. They kid themselves. Right? But the only people... who are, you know, happy... are the people who are comfortable. That's right. Now, you take, uh, uh, carol, ...
See more »

Connections

Referenced in Northern Exposure: Zarya (1994) See more »

Soundtracks

Imagination
Music by Jimmy Van Heusen
Lyrics by Johnny Burke
Performed by Meade Roberts
See more »

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User Reviews

 
It's hard not to be engaged by something this authentic
24 November 2009 | by (United States) – See all my reviews

It's been said by many that "Chinese Bookie" is the toughest of any Cassavetes films to digest. There are many slow passages (here I'm referring to the 1976 original version), many moments of embarrassing awkwardness, as you are forced to watch extended sequences filled with players who aren't any more talented or skilled than those at your local summer stock production or junior high school play.

Yet, it's very difficult not to be compelled by the story, especially as embodied in the character of Cosmo Vitelli, who Ben Gazzara seems to channel effortlessly, as if he were a second, transparent skin.

Cosmo is a fascinating character. He owns a rather ratty strip club/cabaret joint on the Sunset Strip that fronts production values and performers of the qualities mentioned earlier, does middling business, and spends nearly every dime he makes "living the high life" or the "the image" of what someone in his profession should espouse. He swills $100 bottles of Champagne, cruises around town in his plush chauffeured Caddy, an entourage of bimbettes in tow, usually to a dive mob-run poker joint that inevitably lands him in massive debt.

He would be an easy character to scorn or mock in another film, but not as Gazzara and Cassavetes portray him. Cosmo is proud of his little world and his accomplishments, and further more, could not give a damn if anyone doesn't approve of them. "You have no style," he sneers at gangster Al Ruban early in the film after the thug condescends to him.

As weird as it sounds, you have to respect someone like that, even when he finds himself increasingly trapped by circumstances and succumbing to self-doubt. At the end of the picture he says how important it is to "feel comfortable" with oneself and while we don't believe for a second that Cosmo really feels this way, we know he *wants* to. It's a refreshingly human response in a movie that only contains more of the same.

It's not a conventional audience pleaser by any means, but if you've watched other Cassavetes pictures and like his candid stream-of-consciousness style, give the 1978 edited version of "Bookie" a watch before you see the original. Cass not only cut half an hour of footage, he did it with (what else?) incredible style and creativity, really tightening the structure of the film as a whole, considerably juicing its already engaging premise.

Quite possibly the most overlooked gem from one of the '60s and '70s most commercially under-appreciated directors.


9 of 11 people found this review helpful.  Was this review helpful to you?

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