Ghost is an idealogical musician who would rather play his blues in the park to the birds than compromise himself. However, when he meets and falls in love with beautiful singer, Jess ... See full summary »
Psychologist Dr. Matthew Clark is the head of the Crawthorne State Training Institute, one of the first boarding schools for developmentally challenged children. Dr. Clark is sympathetic ... See full summary »
Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives... See full summary »
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave together. But mindless enthusiasm for regained freedom will be ... See full summary »
Cosmo Vitelli owns the Crazy Horse West, a strip joint in California. He's laconic, a Korean War vet, and a gambler. When we meet him, he's making his last payment on a gambling debt. Then, he promptly loses $23,000 playing poker at an illegal local casino. The guys he owes this time aren't so friendly, pressuring him for immediate payment. Then they suggest that he kill a Chinese bookie to wipe off the debt. Vitelli and the film move back and forth between the double-crossing, murderous insincerity of the gamblers and the friendships, sweetness, and even love among Vitelli, the dancers, a dancer's mother, and the club's singer, Mr. Sophistication. Written by
Now, teddy. Teddy. Everything takes work. We'll straighten it out. You know. You gotta work hard to be comfortable. Yeah, a lot of people kid themselves, you know. They-they know when they were born, they know where they're goin'... they know whether they're gonna go to heaven,whether they're gonna go to hell. They think they know that. They kid themselves. Right? But the only people... who are, you know, happy... are the people who are comfortable. That's right. Now, you take, uh, uh, carol, ...
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'The Killing Of A Chinese Bookie' is one of the most interesting and original movies I've ever seen. I would include it with movies such as 'Blow Up', 'Performance' and 'Eraserhead', which may not have much to do with each other on the surface, but are what I would call puzzlers. On first viewing you go "well, it was different... I'm not sure if I LIKED it, but it sure was original..." Then later you find yourself haunted by it. You go back and watch it again and again, and each time you discover some nuance or emotion or idea, or a certain scene or line that resonates. These movies are ones that STAY with you.
The plot of 'Bookie' is pretty straightforward. A strip club owner gets into debt with the Mob and is pressured into murdering a bookie. Other directors such as Scorsese or Frankenheimer or Friedkin or Mann could have made an tight, exciting thriller out of such a plot. But John Cassavetes goes for a completely different approach, and doesn't play by "the rules". He ignores the obvious way of proceeding, slows things down, focuses on characters and relationships and moments, and ends up with a cinematic poem.
That may sound pretentious to some, so be it, but that's what it is. The beauty of the photography combined with the improvised dialogue by some of the best character actors of American post-War movies (Gazzara, Cassel, Carey), makes this movie unique. There's nothing quite like this movie, and it's one that if you sit back and just let it do its thing, will remain absolutely unforgettable.
One of the 1970s greatest achievements.
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