Psychologist Dr. Matthew Clark is the head of the Crawthorne State Training Institute, one of the first boarding schools for developmentally challenged children. Dr. Clark is sympathetic ... See full summary »
A kind but pampered beautiful young virgin and her family's pregnant and jealous servant set out to deliver candles to church, but only one returns from events that transpire in the woods along the way.
Max von Sydow,
Cosmo Vitelli owns the Crazy Horse West, a strip joint in California. He's laconic, a Korean War vet, and a gambler. When we meet him, he's making his last payment on a gambling debt. Then, he promptly loses $23,000 playing poker at an illegal local casino. The guys he owes this time aren't so friendly, pressuring him for immediate payment. Then they suggest that he kill a Chinese bookie to wipe off the debt. Vitelli and the film move back and forth between the double-crossing, murderous insincerity of the gamblers and the friendships, sweetness, and even love among Vitelli, the dancers, a dancer's mother, and the club's singer, Mr. Sophistication. Written by
Now, teddy. Teddy. Everything takes work. We'll straighten it out. You know. You gotta work hard to be comfortable. Yeah, a lot of people kid themselves, you know. They-they know when they were born, they know where they're goin'... they know whether they're gonna go to heaven,whether they're gonna go to hell. They think they know that. They kid themselves. Right? But the only people... who are, you know, happy... are the people who are comfortable. That's right. Now, you take, uh, uh, carol, ...
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Like other (usually US) films The Murder... is disturbing and mesmerizing. The dirty quality of images (in some moments bewilderingly amateurish, ins others incredibly sophisticated), the acting, the disjointed plot, the weirdness of some scenes (like the one in the car parking), Gazzara's sublime acting, the wonderful choice of places and times... it all gives you an impression of the States like they really are, not the sanitized image you find in so many Holy-Wood flicks (not all of them, I admit, but about 85%...). Such a movie is like The Searchers or Taxi Driver or Raging Bull, unfathomable and greater than life, but in some way disturbingly like life. And the character of Cosmo Vitelli is one of those enigmatic figures that leaves you wondering whether you have been shown the story of an idiot or the story of a saint. Unforgettable.
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