Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
Psychologist Dr. Matthew Clark is the head of the Crawthorne State Training Institute, one of the first boarding schools for developmentally challenged children. Dr. Clark is sympathetic ... See full summary »
Ghost is an idealogical musician who would rather play his blues in the park to the birds than compromise himself. However, when he meets and falls in love with beautiful singer, Jess ... See full summary »
Navy Seal Demetri Papadapoulis (Rokki James) is a proud strip club owner who gets in over his head on a $235,000 poker debt with the local River Gambling Cruise. A small group of Wiseguys ... See full summary »
Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives... See full summary »
KILLING OF A CHINESE COOKIE examines the heated debate over the true origin of the fortune cookie, the mixing of easter and western cultures that produced it, and the cookie's rise from a simple pastry to a pop culture phenomenon.
Marc Edward Heuck,
A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave together. But mindless enthusiasm for regained freedom will be ... See full summary »
Cosmo Vitelli owns the Crazy Horse West, a strip joint in California. He's laconic, a Korean War vet, and a gambler. When we meet him, he's making his last payment on a gambling debt. Then, he promptly loses $23,000 playing poker at an illegal local casino. The guys he owes this time aren't so friendly, pressuring him for immediate payment. Then they suggest that he kill a Chinese bookie to wipe off the debt. Vitelli and the film move back and forth between the double-crossing, murderous insincerity of the gamblers and the friendships, sweetness, and even love among Vitelli, the dancers, a dancer's mother, and the club's singer, Mr. Sophistication. Written by
Ben Gazzara was unhappy with the role initially, unable to find a way to connect to Cosmo Vitelli. That changed when shooting a scene, Cassavetes spoke to Gazzara about the gangsters in the film as a metaphor for the people who are constantly trying to steal or ruin people's dreams. Cassavetes started to cry and Gazzara saw that playing Cosmo was representing John Cassavetes and the movie was a metaphor for the director's struggles for his own dreams. See more »
Now, teddy. Teddy. Everything takes work. We'll straighten it out. You know. You gotta work hard to be comfortable. Yeah, a lot of people kid themselves, you know. They-they know when they were born, they know where they're goin'... they know whether they're gonna go to heaven,whether they're gonna go to hell. They think they know that. They kid themselves. Right? But the only people... who are, you know, happy... are the people who are comfortable. That's right. Now, you take, uh, uh, carol, ...
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Like other (usually US) films The Murder... is disturbing and mesmerizing. The dirty quality of images (in some moments bewilderingly amateurish, ins others incredibly sophisticated), the acting, the disjointed plot, the weirdness of some scenes (like the one in the car parking), Gazzara's sublime acting, the wonderful choice of places and times... it all gives you an impression of the States like they really are, not the sanitized image you find in so many Holy-Wood flicks (not all of them, I admit, but about 85%...). Such a movie is like The Searchers or Taxi Driver or Raging Bull, unfathomable and greater than life, but in some way disturbingly like life. And the character of Cosmo Vitelli is one of those enigmatic figures that leaves you wondering whether you have been shown the story of an idiot or the story of a saint. Unforgettable.
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