Marty Lakewood is a reporter forced to leave Chicago and his family because he had uncovered too much police corruption. He returns to his small home town on the California coast to his ... See full summary »
1938, in a French african colony. Lucien Cordier is the cop of this village, populated with blacks and a few whites (usually racialist and lustful). He is a washout, everyone (including his... See full summary »
A Mafia boss is enraged when he is suspected of smuggling a heroin shipment into San Francisco. He dispatches his nephew, a hotshot Anglo-Sicilian lawyer, to identify the real culprit. The ... See full summary »
An ex-boxer is drifting around after escaping from the mental hospital. He meets a widow who convinces him to help fix up the neglected estate her ex-husband left. Her Uncle talks them both... See full summary »
The members of a Vietnam veteran's old Army unit start turning up murdered. The police soon begin to suspect that he is in fact the killer. He knows he isn't, and must find the real killer ... See full summary »
In 1692 a young girl in Salem, Massachusetts, accuses several residents of being witches, and they are burned at the stake. In 1980 a young woman who is a descendant of the accuser finds ... See full summary »
Everyone figures Lou Ford, a small-town, Montana, deputy sheriff, to be a normal, good-old-boy kind of regular Joe. But no one knows about "the sickness" that drives him to kill. Written by
An overlooked Jim Thompson adaptation that gets it right
The low budget and the talent of Burt Kennedy (working in a rare venture outside the western genre) add to the striking atmosphere of this largely unseen, barely released Jim Thompson adaptation. After the critically lauded Fat City, Stacy Keach had quite a few star turns in alternative fare during the 70s, of which this is among the best (though his decade-wrapper with The Ninth Configuration is awfully hard to beat.)
Susan Tyrell rejoins him here after her acclaimed Fat City turn, with many terrific character actors throughout the cast. Technical work is top-drawer with the William Fraker photography as good as ever.
One of the first budget DVD's released, (naturally unletterboxed) the Panavision cries out for a redo. Sadly, the small resurgence in Thompson adaptations in the early 90s ended rather quickly; still plenty of great material there for dedicated crime filmmakers.
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