| Franco Nero | ... | Keoma | |
| William Berger | ... | William Shannon | |
| Olga Karlatos | ... | Lisa | |
| Orso Maria Guerrini | ... | Butch Shannon | |
| Gabriella Giacobbe | ... | The Witch | |
| Antonio Marsina | ... | Lenny Shannon | |
| Joshua Sinclair | ... | Sam Shannon (as John Loffredo) | |
| Donald O'Brien | ... | Caldwell (as Donald O'Brian) | |
| Leonardo Scavino | ... | Doctor (as Leon Lenoir) | |
| Wolfango Soldati | ... | Confederate Soldier | |
| Victoria Zinny | ... | Brothel Owner | |
| Alfio Caltabiano | ... | Member of Caldwell's Gang | |
| Woody Strode | ... | George | |
| rest of cast listed alphabetically: | |||
| Domenico Cianfriglia | ... | Member of Caldwell's Gang (uncredited) | |
| Giovanni Cianfriglia | ... | Gang Member (uncredited) | |
| Pierangelo Civera | ... | Plague Victim (uncredited) | |
| Arnaldo Dell'Acqua | ... | Member of Caldwell's Gang (uncredited) | |
| Roberto Dell'Acqua | ... | Member of Caldwell's Gang (uncredited) | |
| Riccardo Pizzuti | ... | Gunman (uncredited) | |
| Angelo Ragusa | ... | Member of Caldwell's Gang (uncredited) | |
| Sergio Ruggeri | ... | Man Hit in the Saloon (uncredited) | |
| Franco Ukmar | ... | Confederate Soldier (uncredited) | |
| Massimo Vanni | ... | Confederate Soldier (uncredited) | |
Directed by | |||
| Enzo G. Castellari | |||
Writing credits(in alphabetical order) | ||
| Enzo G. Castellari | screenplay | |
| Nico Ducci | screenplay | |
| George Eastman | screenplay (as Luigi Montefiori) | |
| George Eastman | story (as Luigi Montefiori) | |
| Mino Roli | screenplay | |
| Joshua Sinclair | dialogue (uncredited) | |
Produced by | |||
| Manolo Bolognini | .... | producer | |
Original Music by | |||
| Guido De Angelis | |||
| Maurizio De Angelis | |||
Cinematography by | |||
| Aiace Parolin | |||
Film Editing by | |||
| Gianfranco Amicucci | |||
Production Design by | |||
| Carlo Simi | |||
Set Decoration by | |||
| Carlo Gentili | |||
Costume Design by | |||
| Massimo Lentini | |||
| Carlo Simi | |||
Makeup Department | |||
| Giusy Bovino | .... | hair stylist (as Giuseppina Bovino) | |
| Carboni | .... | wig maker | |
| Alfonso Gola | .... | makeup artist | |
| Gilberto Provenghi | .... | assistant makeup artist | |
| Rocchetti | .... | wig maker | |
Production Management | |||
| Nicolò Forte | .... | production manager | |
| Carlo Giovagnorio | .... | unit manager | |
| Stefano Pegoraro | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Giuseppe Giglietti | .... | second assistant director | |
| Rocco Lerro | .... | assistant director | |
Art Department | |||
| Gilberto Carbonaro | .... | set constructor | |
| Silvano Natali | .... | set dresser | |
Sound Department | |||
| Benito Alchimede | .... | boom operator | |
| Nick Alexander | .... | dubbing editor (voices: Orso Maria Guerrini) | |
| Tonino Cacciottolo | .... | sound effects | |
| Bernardino Fronzetti | .... | sound recordist | |
| Romano Pampaloni | .... | re-recording engineer | |
Special Effects by | |||
| Giovanni Corridori | .... | special effects | |
Stunts | |||
| Rocco Lerro | .... | stunt coordinator | |
| Angelo Ragusa | .... | stunt double: Franco Nero | |
Costume and Wardrobe Department | |||
| Maria Castrignano | .... | seamstress | |
Editorial Department | |||
| Roberto Amicucci | .... | assistant editor | |
| Cesarina Casini | .... | first assistant editor | |
Other crew | |||
| Rocco Lerro | .... | master of arms | |
| Luigi Scardino | .... | production accountant | |
| Vivalda Vigorelli | .... | continuity | |
|
|
|
|
|
| Fellini Satyricon | Appaloosa | Dreamcatcher | Hellbenders | Ben-Hur |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
A half-breed Indian Keoma returns back to his hometown after fighting in the Civil War, and finds his town is being run by an ex-Confederate soldier Caldwell and his outlaws. He holds power over the town by letting the plague infect the inhabitants, and since he won't let any sort of treatment be transported in. He sets up a community for those infected, and this where Keoma rescues a pregnant woman on her way there and returns her back to town. His three half-brothers have joined Caldwell, and I don't think that highly of their brother's return. But loyalty to their father, they won't kill him. His father William Shannon and former family servant/only friend George eventually join Keoma to break the strangle hold Caldwell possess.
Whoa! How good? Real good. Director Enzo G. Castellari's grand looking and interesting spaghetti western comes across as a powerful and beautifully constructed Greek tragedy with a cynical and almost psychological edge bound to it. There's a bit everything chucked into this passionate and intelligent exercise. Breathing high on mood and atmosphere, photographer Aiace Parolin exquisitely frames the mercilessly brooding locations and Castellari's stylishly first-rate direction keeps the film sombre with a brutally unsparing and dirt-laced tone in its dramatic images and context. Good use of abstract lighting and composition, he knows how to keep the viewer at bay with slam-bang set pieces towards the end and a downbeat undercurrent. Inventive framing and exposition also shows the quality of his direction. The glorious slow-motion shootouts and editing technique (ala Sam Peckinpah) are dazzling and how about the constant jumping or leaping in the air. Was there a hidden trampoline on set?! Everything about it held a nice rhythm to it and you just get swept along. Even the flashback sequences are positioned in the story accordingly and in a fulfilling style. The lyrical story is full of symbolic and thematic issues (freedom being the main focal point) that do pack a punch, but also showing a vulnerable side. This gave it a real singular vibe to set it apart from the crowd. Hell, I didn't mind the uncanny and soaring ballad soundtrack too. The way it actually interlocked with the film's sequences, I thought it gave the film some soul and a backbone (well other than always charismatically reliable Nero). A rugged Franco Nero was outstanding. Both mentally and psychically in his scrappy determination and seldom figure Keoma. The impressively committed Woody Strode was excellent. William Berger brought class, and Olga Karlatos decently balanced out an innocent side that really was moving. Donald O'Brien nails it down in a starch turn as the villainous Caldwell.